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  • 1.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Commercializing the Nostalgia: "Atomic Heart"2023Conference paper (Refereed)
  • 2.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Efter ikonen – kyrkan, konsten och politiken i dagens Ryssland2023In: Signum : katolsk orientering om kyrka, kultur, samhälle, ISSN 0347-0423, no 2, p. 19-23Article in journal (Refereed)
  • 3.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    How the ‘90s Have Become a Source of Inspiration for Pop Artists2023In: Russia.PostArticle in journal (Refereed)
  • 4.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Neo-Soviet myth and Memory Politics in Contemporary Russia2023Conference paper (Refereed)
  • 5.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Oleksiy Arestovych and his “Fifth Project” for the future Ukraine2023Conference paper (Refereed)
  • 6.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Orientation - North: From The Iuzhinskii Circle to “Civilization of DiviZion"2023Conference paper (Refereed)
  • 7.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    Orientation — North: Geidar Dzhemal’s Metaphysics of Politics2023Report (Other academic)
  • 8.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    PetroArt: Oil in Contemporary Russian Visual Arts2023Conference paper (Refereed)
  • 9.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    Queering Socialist Realism: The Case of Georgy Guryanov2023In: Queer(ing) Russian Art: Realism, Revolution, Performance / [ed] Brian James Baer; Yevgeniy Fiks, Boston: Academic Studies Press, 2023, p. 192-204Chapter in book (Refereed)
  • 10.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Recycling of the 1990s in contemporary Russian popular culture2023Conference paper (Refereed)
  • 11.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Russian Alt-Art2023Conference paper (Refereed)
  • 12.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Russian neo-rave: metamodernism and cultural recycling of the 1990s2023Conference paper (Refereed)
  • 13.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Russia's Worldview: Katechon and Atomic Orthodoxy2023Conference paper (Refereed)
  • 14.
    Ågren, Mattias
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    Engström, MariaUppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.Makarova, AnastasiaUppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.Spasenic, JelenaUppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    Slovo2023Collection (editor) (Refereed)
    Download full text (pdf)
    fulltext
  • 15.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Cultural forms of protest in contemporary Russia2022Conference paper (Other academic)
  • 16.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    För Putin har kriget bibliska proportioner2022Other (Other (popular science, discussion, etc.))
  • 17.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    How Soviet science fiction shapes the ideology of future Ukraine2022Other (Other academic)
  • 18.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Les ”guerriers-écrivains” russes2022In: MarianneArticle in journal (Other (popular science, discussion, etc.))
  • 19.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    ”Russian Metamodernism: the neo-rave and cultural recycling of the 1990s"2022In: RiddleArticle in journal (Refereed)
  • 20.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Russian Mnemonic Resistance: Neo-Rave and Cultural Recycling of the 90s2022Conference paper (Refereed)
  • 21.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Ukraine : "Le nouvel impérialisme russe postsoviétique est revanchard"2022Other (Other (popular science, discussion, etc.))
  • 22.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    "We don’t support the ‘special operation’, we’re carrying it out”2022In: Russia.PostArticle in journal (Other academic)
  • 23.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    ”Русский метамодернизм: нео-рейв и культурный ресайклинг 90-х”2022In: RiddleArticle in journal (Other academic)
  • 24.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Советская научная фантастика как источник идеологии украинского будущего2022In: Russia.PostArticle in journal (Refereed)
  • 25. Ågren, Mattias
    et al.
    Engström, Maria
    Makarova, Anastasia
    Spasenić, Jelena
    Editorial2021In: Slovo: Journal of Slavic Languages, Literatures and Cultures , E-ISSN 2001-7359, Vol. 62, p. 7-Article in journal (Other academic)
    Download full text (pdf)
    fulltext
  • 26.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Queering the mainstream: Alexander Gudkov and cultural recycling of the Soviet 80s2021Conference paper (Refereed)
  • 27.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    Recycling of the Post-Soviet Counterculture, and the New Aesthetics of the "Second World"2021In: Novoe literaturnoe obozrenie, ISSN 0869-6365, E-ISSN 2309-9968, no 169, p. 70-88Article in journal (Refereed)
    Abstract [en]

    The article focuses on the analysis of different forms of recycling of the aesthetics and ideology of the late Soviet underground and counterculture of the 1990s in contemporary popular culture. Using the high profile projects of Jury Dud', Monetochka, Mikhail ldov, Gosha Rubchinskiy, and Little Big as examples, I investigate two competing strategies of addressing the recent past metamodernist and remodernist. I also analyse the "inner recycling", i.e. intended for the Russian consumer, and the "outer recycling", which is a part of the global aesthetics of fauxstalgia.

  • 28.
    Engström, Maria
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Semenenko, Aleksei
    ”Recycling the Underground: Socialist Ruins and Memory Practices in Contemporary Russia”2021Conference paper (Refereed)
  • 29.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    “Russia as the West’s queer other: Gosha Rubchinskiy’s politics of fashion”2021In: Queering Russian Media and Culture / [ed] Miazhevich, Galina, London & New York: Routledge , 2021, p. 114-133Chapter in book (Refereed)
  • 30. Ågren, Mattias
    et al.
    Engström, MariaMakarova, AnastasiaSpasenić, Jelena
    Slovo. Journal of Slavic Languages, Literatures and Cultures, No. 62, 20212021Collection (editor) (Refereed)
    Download full text (pdf)
    fulltext
  • 31.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Transgressing the Mainstream: Camp, Queer and Populism in Russian Visual Culture2021In: Satire and Protest in Putin’s Russia / [ed] Aleksei Semenenko, Palgrave Macmillan, 2021, p. 97-119Chapter in book (Refereed)
  • 32.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    Ресайклинг позднесоветской контркультуры и новая эстетика «второго мира»: [Recycling of the Post-Soviet Counterculture, and the New Aesthetics of the "Second World"]2021In: Novoe literaturnoe obozrenie, ISSN 0869-6365, E-ISSN 2309-9968, Vol. 3, no 169, p. 70-88Article in journal (Refereed)
    Abstract [en]

    The article focuses on the analysis of different forms of recycling of the aesthetics and ideology of the late Soviet underground and counterculture of the 1990s in contemporary popular culture. Using the high profile projects of Jury Dud’, Monetochka, Mikhail Idov, Gosha Rubchinskiy, and Little Big as examples, I investigate two competing strategies of addressing the recent past — metamodernist and remodernist. I also analyse the “inner recycling”, i.e. intended for the Russian consumer, and the “outer recycling”, which is a part of the global aesthetics of fauxstalgia.

  • 33.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    Alexander Gudkov and Russia’s queer turn in the 2020s2020In: RiddleArticle in journal (Other academic)
  • 34.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    På rymdens botten:: Det sovjetiska kosmos i samtida rysk kultur och politik2020In: Arche. Tidskrift för psykoanalys, humaniora och arkitektur, no 72-73, p. 197-205Article in journal (Refereed)
  • 35.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    Re-imagining antiquity:: The conservative discourse of ‘Russia as the true Europe’ and Kremlin’s new cultural policy2020In: Russia as Civilization:: Ideological Discourses in Politics, Media, and Academia / [ed] Kåre Johan Mjör; Sanna Turoma, Routledge, 2020, p. 142-163Chapter in book (Refereed)
  • 36.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Александр Гудков и русский квир-поворот 2020-х2020In: RiddleArticle in journal (Other academic)
  • 37.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    “A War of Songs: Popular Music and Recent Russia-Ukraine Relations”2019In: Nordisk Østforum, ISSN 1891-1773, no 33, p. 72-73Article, book review (Other academic)
  • 38.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    Cultural recycling Metamodern flows in Russia's culture2019In: Osteuropa: Zeitschrift für Gegenwartsfragen des Ostens, ISSN 0030-6428, Vol. 69, no 5, p. 55-+Article in journal (Refereed)
    Abstract [en]

    In contemporary Russian film, music and fashion, a recycling of protagonists, aesthetics and ideas from the late Soviet underground and the post-Soviet years during the 1990s can be observed. What at that time were utopias of a Russian ideological and aesthetic alternative to the West are now becoming increasingly mainstream. The artists view the world through metamodern eyes. They fluctuate between hope and melancholy, empathy and apathy, between the modern search for meaning and the post-modern doubt about the meaning of everything. Their cultural practice is the harmless, commercially attractive imitation of a revolution. The culture of the metamodern fits in with the current central political theme in Russia: "Globalisation without westernisation", incorporation into the global market, while at the same time turning its back on the norms of the "first world".

  • 39.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    Georgy Guryanov: Queering Socialist Realism2019Conference paper (Refereed)
  • 40.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    Gosha Rubchinskiy:: Conservative Queer and Biopolitics of Fashion2019Conference paper (Refereed)
  • 41.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    Recycling der Gegenkultur Die neue Ästhetik der „Zweiten Welt“2019In: Osteuropa: Zeitschrift für Gegenwartsfragen des Ostens, ISSN 0030-6428, Vol. 69, no 5, p. 55-72Article in journal (Refereed)
    Abstract [en]

    n contemporary Russian film, music and fashion, a recycling of protagonists, aesthetics and ideas from the late Soviet underground and the post-Soviet years during the 1990s can be observed. What at that time were utopias of a Russian ideological and aesthetic alternative to the West are now becoming increasingly mainstream. The artists view the world through meta-modern eyes. They fluctuate between hope and melancholy, empathy and apathy, between the modern search for meaning and the post-modern doubt about the meaning of everything. Their cultural practice is the harmless, commercially attractive imitation of a revolution. The culture of the metamodern fits in with the current central political theme in Russia: “Globalisation without westernisation”, incorporation into the global market, while at the same time turning its back on the norms of the “first world”.

  • 42.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    Utopins återkomst och ”den sovjetiska antikens” andra liv2019In: Arche. Tidskrift för psykoanalys, humaniora och arkitektur, ISSN 2000-7817, no 66-67, p. 155-161Article in journal (Other academic)
  • 43.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    Visualizing messianism:: Russo-European civilisation project and neo-conservative contemporary Russian art2019Conference paper (Refereed)
  • 44.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    Консервативный андеграунд: Евгений Головин и Южинский кружок2019Conference paper (Refereed)
  • 45.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Нефть в современном российском искусстве2019In: Неприкосновенный запас, Vol. 4, no 126, p. 255-269Article in journal (Refereed)
  • 46.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    Тягучая современность и свежее прошлое: ресайклинг позднесоветской контркультуры и новая эстетика «второго мира»2019Conference paper (Refereed)
  • 47.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    ‘A Hedgehog Empire’ and ‘Nuclear Orthodoxy’: The radical and conservative context of Putin’s New Russian Doctrine2018In: Intersection: Russia/Europe/WorldArticle in journal (Refereed)
  • 48.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    Against the New Middle Ages: Imperial Remodernism in Contemporary Russian Visual Culture2018Conference paper (Refereed)
  • 49.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Against the New Middle Ages:: Imperial Remodernism in Contemporary Russian Visual Culture2018In: The Ideology and Politics Journal, Vol. 1, p. 135-154Article in journal (Refereed)
    Abstract [en]

    The article focuses on contemporary Russian neo-modernist utopia in visual arts, particularly on Anton Chumak's artistic work. In his project 'Borders' (2015), dedicated to Donbass, Chumak offers a vision of imperial remodernism as an alternative to the postindustrial new Middle Ages. The notion of the 'new Middle Ages' is often used today in socio-political discourse to characterize the new ideological role of the Orthodox Church in contemporary Russia. The 'conservative turn' in Russian politics and culture, the concept of traditional values and new legislative initiatives of the State Duma are sometimes described as 'the end of the Enlightenment' (Vladimir Sorokin). However, it is precisely the existing oligarchical globalism that is seen as the new Middle Ages through the conservative prism whereas the conservative utopia (Novorossiya, USSR-2, the Eurasian Empire) exemplifies the reemergence of the republican idea and the industrial empire. Contemporary radical conservatives such as Alexander Prokhanov, Alexander Dugin and Maxim Kalashnikov promote imperial neo-industrialism and offer a critique of demodernization processes in Russian culture and society. Their 'conservative remodernism' is characterized by a fusion of the leftist idea of social justice and the rightist idea of overcoming fragmentation and localization through the weakening of corporations and the oligarchy along with strengthening the state. Aesthetically, these ideas are manifested in a style, which can be described as 'industrial neo-classicism.' Industrial neoclassicists visualize the aesthetic utopia of the 'new antiquity' and 'new order' as an alternative to the chaos of neoliberal post-industrialism, which, according to them, has set us back to the new Middle Ages with its ethnic nationalism, fragmentation, irrationality, and uncontrollable emotionality.

  • 50.
    Engström, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
    Conservative imperfection: The visual aesthetics of Leningrad2018In: Intersection: Russia/Europe/WorldArticle in journal (Other academic)
    Abstract [en]

    In the framework of this new aesthetics of imperfection, the art of Sergei Shnurov and the band Leningrad can be regarded the most successful project in Russia in ideological and commercial terms. In the context of Russian symbolic politics, Leningrad’s visual language is of particular interest - especially recent music videos(actually short films) created by director Anna Parmas.

123 1 - 50 of 129
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