Digitala Vetenskapliga Arkivet

Change search
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
Part of The Pile: Wearing to Build Solidarity
University of Arts, Crafts and Design, Department of Crafts (KHV).ORCID iD: 0000-0002-8509-6309
2023 (English)In: Climate Change : Implications for Dress and the Body: Dress & Body Association annual conference, Indiana, United States: Dress & Body Association , 2023Conference paper, Oral presentation with published abstract (Refereed)
Abstract [en]

Part of The Pile: Wearing to Build SolidarityCraft knowledge when taken outside a craft vs Art binary enables us to unpick objectsto see bodies and participate in constructing systems of empathy while expandinghistorical narratives. Within a collaborative project Máret Ánne Sara and matt lambert,explore how common ground is formed meeting as an indigenous and queer body andhow solidarity is built in collaborative making practices. Using the collaborative projectas an illustration lambert is interested in how the act of wearing extends or adds to amaking practice. Jewelry and craft have direct conversations with dress as objectsmade in these processes by “bodies” a non-neutral and political word that then maketheir way back to a/the/someone’s bod(y/ies) to be worn. This project explores thequestion of what it means to wear part of a political project and what is theresponsibility if any of a wearer?

Máret Ánne Sara is a Sámi artist based in Guovdageaidnu Norway. Her project Pileo´Sápmi which was presented at Documenta 14 initiates a conversation aroundindigenous rights and present-day colonialism using reindeer bone and bone porcelainas a reflection on Buffalo bone from North America being shipped to Europe for thesame processing. In short Pile ó Sápmi started out as a reaction to government forcedslaughter of the Sámi peoples’ reindeer in Finnmark, Norway. Sara approached mattlambert to turn unused components of the artistic project into wearable objects bothlarge and performative and limited art jewelry which represented the best of craft inNorway during Milan Design Week 2019 and affordable production jewelry for theNorwegian National Museum in Oslo. The project has most recently participated in aphotographic collaboration of Norwegian Fishermen wearing jewelry initiated byBenjamin Slotterøy in Sleneset Norway.matt lambert and Máret Ánne SaraKonstfack University of Arts, matt.lambert@konstfack.se14:30GMT / 15:30 in Sweden and Norway

Place, publisher, year, edition, pages
Indiana, United States: Dress & Body Association , 2023.
Keywords [en]
dress, fashion, jewlery, jewllery, adornment
National Category
Visual Arts
Research subject
Craft; Arts; Design
Identifiers
URN: urn:nbn:se:konstfack:diva-9386OAI: oai:DiVA.org:konstfack-9386DiVA, id: diva2:1811286
Conference
Climate Change: Implications for Dress and the Body Dress & Body Association annual conference November 4-5, 2023
Note

Hosted online from Norway and US November 4-5, 2023. Presentation given 13:30-16:00 GMT November 4th.

Available from: 2023-11-12 Created: 2023-11-12 Last updated: 2023-11-14Bibliographically approved

Open Access in DiVA

No full text in DiVA

Other links

conference program

Search in DiVA

By author/editor
lambert, matt
By organisation
Department of Crafts (KHV)
Visual Arts

Search outside of DiVA

GoogleGoogle Scholar

urn-nbn

Altmetric score

urn-nbn
Total: 53 hits
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf