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  • 201.
    Arrhenius, Birgit
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Arkeologiska forskningslaboratoriet.
    Jansson, Ingmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Arkeologi.
    Small items and major conclusions: A discussion of the findings from Gullhögen, Old Uppsala2015Inngår i: Small Things Wide Horizons: Studies in Honour of Birgitta Hårdh / [ed] Lars Larsson, Fredrik Ekengren, Bertil Helgesson and Bengt Söderberg, Oxford: Archaeopress, 2015, s. 141-149Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 202.
    Arrhenius, Birgit
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Arkeologiska forskningslaboratoriet.
    O'Meadhra, Uaninn
    Excavations at Helgö: 18, conclusions and new aspects2011Collection/Antologi (Annet vitenskapelig)
  • 203.
    Arrhenius, Brigit
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur. Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Arkeologiska forskningslaboratoriet.
    Brisingamen and the Menet necklace2009Inngår i: Glaube, Kult und Herrschaft Phänomene des Religiösen im 1. Jahrtausend n. Chr.in Mittel- und NordeuropaAkten des 59. Internationalen Sachsensymposionsund derGrundprobleme der frühgeschichtlichen Entwicklung im Mitteldonauraum / [ed] Uta von Freeden, Herwig Friesinger & Egon Wamers, Berlin, 2009, s. 219-230Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    This article discusses the jewellery worn by the goddess Freyja, the Brisingamen. The author has previously claimed that brising (“glowing”) is a heiti for “garnet”, in Latin called carbunculus and in Greek ἄνθραξ. The word men has been compared by other authors to the Old German word menni meaning a collar for a dog. However, its origin may have been the Menet (alternatively Menat or Menit) – originally the necklace of the cow god Hathor which in the Greco-Roman time was taken over by the fertility goddess Isis. The Menet necklace was mostly used in ceremonies together with the musical instrument sistrum, when the rattling of the Menet was an important element. The late Roma like bracteates or coin imitations and garnet jewellery were important elements, too. Owing to its many metal pendants the Brisingamen could have produced a sound, though in this case not rattling but rather a sound more like jingle bells. This paper presents several precious items of jewellery representing Freyja’s Brisingamen from the Viking period, the most exquisite examples being the necklaces from Hoen in Norway and Eketorp in Sweden

  • 204. Artelius, Tore
    Bortglömda föreställningar: begravningsritual och begravningsplats i halländsk yngre järnålder2000 (oppl. 1)Bok (Annet vitenskapelig)
  • 205. Artelius, Tore
    Dealing with the dead: archaeological perspectives on prehistoric Scandinavian burial ritual2005Collection/Antologi (Annet vitenskapelig)
  • 206. Artelius, Tore
    Troedsson, Lena ()
    Livsnerven: om arkeologiska undersökningar vid Viskan i Veddige2010Bok (Annet vitenskapelig)
  • 207. Artelius, Tore
    Långfärd och återkomst: skeppet i bronsålderns gravar1996 (oppl. 1)Bok (Annet vitenskapelig)
  • 208. Artelius, Tore
    et al.
    Hernek, Robert
    Ängeby, Gisela
    Stenskepp och storhög: rituell tradition och social organisation speglad i skeppssättningar från bronsålder och storhögar från järnålder1994 (oppl. 1)Bok (Annet vitenskapelig)
  • 209. Artursson, Magnus
    Byggnadstradition och bebyggelsestruktur under senneolitikum och bronsålder: västra Skåne i ett skandinaviskt perspektiv2005Bok (Annet vitenskapelig)
  • 210. Artursson, Magnus
    Vägar till Vætland: en bronsåldersbygd i nordöstra Skåne 2300-500 f. Kr.2007Collection/Antologi (Annet vitenskapelig)
  • 211. Arén, Lena
    et al.
    Burström, Mats
    Södertörns högskola, Institutionen för kultur och kommunikation, Arkeologi.
    Gustafsson, Anders
    Karlsson, Håkan
    Bäckebobomben: minnen av Hitlers raket2007Bok (Annet (populærvitenskap, debatt, mm))
  • 212.
    Asplund, Maria E.
    et al.
    ESDP, Belgium;University of Gothenburg;Stockholm University.
    Engström, Pia
    University of Gothenburg.
    Klages, Claudia
    University of Gothenburg;Alfred Wegener Inst Polar & Marine Res, Germany.
    Jensen, Marie Moestrup
    University of Gothenburg.
    Enqvist, Delia Ni Chiobhain
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH). Bohusläns Museum.
    The European Scientific Diving network's 2nd Conference on Scientific Diving: a collective view from the organising committee2016Inngår i: Underwater Technology, ISSN 1756-0543, Vol. 34, nr 1, s. 1-2Artikkel i tidsskrift (Annet vitenskapelig)
  • 213. Aspöck, Edeltraud
    et al.
    Klevnäs, Alison
    University of Cambridge, UK.
    Past Disturbances of Graves: The Reopening of Graves for Grave-Robbery and Other Practices2012Inngår i: The European Archaeologist, ISSN 1022-0135, Vol. 36, s. 66-70Artikkel i tidsskrift (Annet vitenskapelig)
  • 214.
    Audy, Florent
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Suspended Value: Using Coins as Pendants in Viking-Age Scandinavia (c. AD 800–1140)2018Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    The use of coins as pendants is a common practice in the Scandinavian Viking Age (c. AD 800–1140). About three per cent of the coins circulating in Scandinavia show signs of having been adapted for suspension, either with a small hole or a loop. Modifying coins in this way changes the nature of the object. The pierced and looped coins move from having an economic function to having a display and symbolic function, at least temporarily. 

    After being long neglected by both archaeologists and numismatists, the reuse of coins as pendants has started to receive attention in recent years. This arises mainly from a desire to approach coins from perspectives other than purely economic ones. Coins, like any other archaeological object, are part of material culture. It is therefore also relevant and necessary to investigate their social and cultural significance.

    The aim of this thesis is to understand why coins were adapted for suspension and worn as personal ornaments in Viking-Age Scandinavia. Unlike most ornaments of the time, the production of which necessarily involved craft specialists, the Viking-Age coin-pendants could be produced directly by their owners. Their study can thus provide unique insights into how the coins of which they are made, and the messages they carry, were perceived by those using them. What made coins so meaningful that they were often turned into pendants?

    The point of departure adopted here is the object, the ‘coin-pendant’ itself, but this object does not exist in a vacuum. Particular attention is paid to the different contexts that the coin-pendants have navigated throughout their lives, such as minting, use as currency or use as ornament. This contextual approach is combined with a semiotic one, so as to better understand how the meaning of the object was constructed. 

    The relationship between coin-pendants and owners of coin-pendants can be explored by investigating several processes that reflect the owners’ intentions, such as coin selection, modification for suspension, orientation of the motives and combination with other ornaments. These processes allow us to understand how the coin-pendants were valued by those using them.  However, it is not possible to fully understand this relationship without putting it into perspective. This means studying: (1) the wider social, economic, cultural and religious framework in which the practice of reusing coins as pendants is situated; (2) the objects with which the coin-pendants are metaphorically associated.

    The material forming the basis for this study is both archaeological and numismatic. It consists of two main components: 134 Scandinavian graves containing coin-pendants and a random sample of 80 Scandinavian hoards. The hoard material is primarily intended for quantitative purposes while the grave catalogue is primarily intended for qualitative purposes. The importance of studying the Viking-Age coin-pendants both in graves and in hoards cannot be overemphasised. None of these contexts directly reflects the reality of the practice.

    The study shows that the practice of using coins as pendants was very diverse and could be adapted to individual tastes. Within this diversity, however, a common denominator emerges: the object ‘coin’. It is clear that there was something special about coins in Viking-Age Scandinavia and that the meaning of the coin-pendants was largely derived from the ideas with which coins were associated.

  • 215.
    Aunér, Mimmi
    Högskolan på Gotland, Institutionen för kultur, energi och miljö.
    Gravmönster under yngre järnålder: en jämförelse mellan åländska och svenska gravfält2012Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [sv]

    I denna uppsats har en osteologisk analys genomförts på ett material från åtta gravhögar med en vikt på 12 kg. Benmaterialet kommer från Finström 12.1, ett åländskt gravfält från yngre järnåldern. Syftet var att se om det fanns ett mönster i gravinnehållet och om det fanns en korrelation mellan kön, ålder, djurarter och fynd. Det osteologiska resultatet samt fyndmaterialet jämfördes sedan med tre åländska och tre svenska gravfält från samma tidsperiod för att se om det finns likheter eller skillnader mellan dessa lokaler i förhållande till gravsammansättning. Speciellt fokus har satts på relationen mellan människa och djur för att undersöka om kön eller ålder av den begravda individen har haft betydelse för vilka djur man gravlagts med. Resultatet blev att de djurartkombinationer som förekommer på Finström 12.1 fanns i varierande grad på de gravfält som användes i jämförelsen. Ingen djurart kunde kopplas till ett kön och det enda fynd som i detta material kan ses som könsbundet är björnklor som här endast förekommer i mansgravar. Ett mönster finns i gravläggnigen av djur; där får/get och svin nedlades i styckade kroppsdelar medan katt, hund och häst är hela individer. I gravar utan djur eller med endast får/get finns individer från barn till äldre vuxen representerade, medan gravar innehållande katt, får/get och katt, samt gravar med får/get, hund, häst och svin förekommer endast i vuxengravar. Individer begravda med får/get, hund, häst och svin kan möjligen alla ha ett ålderspann mellan 35-64 år. Baserat på de gravar som använts i analysen upplevs gravinnehållet vara individuellt utformat.

  • 216.
    Avango, Dag
    Filosofi och historia, KTH, Skolan för arkitektur och samhällsbyggnad (ABE), Filosofi och teknikhistoria, Historiska studier av teknik, vetenskap och miljö.
    Acting artefacts: on the meanings of material culture in Antarctica." In Antarctica and the Humanities2016Inngår i: Antarctica and the Humanities / [ed] Peder Roberts, Adrian Howkins and Lize-Marie Van der Watt, London: Palgrave Macmillan, 2016, s. 159-179Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    Remains of human activity in Antarctica are generally treated in two different ways – either as unwanted imprints polluting a pristine natural environment, objects alien to the continent which must be removed, or as cultural heritage which needs to be preserved. For this reason artefacts of potentially great importance for understanding and explaining the history of Antarctica are removed, while sites of arguably lesser universal value are preserved as heritage. The objective of this article is to argue for greater caution when assessing what should be treated as trash or heritage in the Antarctic. Before decisions are made to remove remains of human activities there, greater attention should be paid to the fact that these remains may acquire value in the future. Building on theoretical approaches within the fields of industrial heritage studies, history of technology and archaeology, my point of departure is an understanding that material culture can be connected with a multitude of meanings and values, depending on who is reading it and when. Remains of human activities can be ascribed values if there are actors who want to include them as part of their networks and in a historical context that works in their favor.

  • 217.
    Avango, Dag
    KTH, Skolan för arkitektur och samhällsbyggnad (ABE), Filosofi och teknikhistoria, Historiska studier av teknik, vetenskap och miljö.
    Constructing Svalbard and its natural resources: industrial futures in a contested Arctic space2014Konferansepaper (Fagfellevurdert)
    Abstract [en]

    The Arctic is often envisioned as a future supply area for fossil energy and shipping, a development bound to occur because of the decreasing Arctic Ocean sea ice. In the Assessing Arctic Futures project we have challenged this deterministic future vision, arguing that natural resources are social constructions, constructed within networks of actors who ascribe value to them.

    Based on a theoretical model developed in this project, I will present cases on the construction of resources in the Svalbard coal mining industry (1898-present). How and why have actors envisioned Svalbard as a place for settlement and extraction? How did they build influence for their visions and why were some of those visions realized? The paper will suggest that explanations of why resource utilization in the Arctic occur (or not) is far more complex than the relative amount of sea ice on the Arctic Ocean.

  • 218.
    Avango, Dag
    KTH, Skolan för arkitektur och samhällsbyggnad (ABE), Filosofi och teknikhistoria, Teknik- och vetenskapshistoria (bytt namn 20120201).
    Constructing the Past of Polar Futures2012Konferansepaper (Annet vitenskapelig)
  • 219.
    Avango, Dag
    KTH, Skolan för arkitektur och samhällsbyggnad (ABE), Filosofi och teknikhistoria, Historiska studier av teknik, vetenskap och miljö.
    Constructing the pasts of polar futures: the Janus face of polar heritage2013Konferansepaper (Fagfellevurdert)
  • 220.
    Avango, Dag
    KTH, Skolan för arkitektur och samhällsbyggnad (ABE), Filosofi och teknikhistoria, Teknik- och vetenskapshistoria (bytt namn 20120201).
    Det industriella kulturarvet som källa2012Konferansepaper (Annet vitenskapelig)
  • 221.
    Avango, Dag
    KTH, Skolan för arkitektur och samhällsbyggnad (ABE), Filosofi och teknikhistoria, Teknik- och vetenskapshistoria (bytt namn 20120201).
    Heritage in Action: Industrial heritage in sovereignty conflicts2012Konferansepaper (Fagfellevurdert)
    Abstract [en]

    The objective of this paper is to analyze the role of cultural heritage in international disputes over polar areas, through the lens of heritage sites in the Arctic and Antarctic.

    Over the last centuries, entrepreneurs and states have competed for control over territories and resources in the Arctic and Antarctic. Previous research has analyzed this struggle on different arenas – in diplomacy and in the Polar landscapes, where scientific research and resource utilization has served as bases for claims to political influence or exclusive extraction rights. Less is known about the role of the historical remains of these activities, in current sovereignty controversies in the Arctic and Antarctic. What is the role of heritage sites in the competition for influence and resources in the Polar Regions?

    The paper analyzes industrial heritage sites in two contested areas in the Polar Regions – the Antarctic Peninsula and South Georgia in the Antarctic, and Svalbard in the Arctic – sites remaining from large scale whaling and mining in the 20th century. The analysis is based on extensive industrial archaeological field research conducted in the Arctic and Antarctic within the framework of the International Polar Year project LASHIPA (Large Scale Historical Exploitation of Polar Areas).

    The cases analyzed shows that industry heritage sites have been used in the struggle between the main competitors for sovereignty in those regions, through practical re-use, by narration and through heritage management. The results show that industrial heritage sites in the Polar Regions can play a significant role in competitions for political influence and resources there. By enrolling the heritage sites into actor networks, competing stakeholders populate sparsely populated places with allied actors and actants. In these networks, the heritage sites can play different roles, defending national prestige, attracting tourists, creating a sense connectedness to distant polar places, as well as legitimizing claims for influence over territories and natural resources.

  • 222.
    Avango, Dag
    KTH, Skolan för arkitektur och samhällsbyggnad (ABE), Filosofi och teknikhistoria, Historiska studier av teknik, vetenskap och miljö.
    Industrial heritage in the polar areas as sources for historical research2013Konferansepaper (Fagfellevurdert)
    Abstract [en]

    In recent years, two large research projects have sought to explain the historical development of large scale resource extraction in the polar areas, from the 17th century until present day. Both projects have combined history and archaeology through archival research and archaeological field work at abandoned industrial sites in the Arctic and Antarctic. The approach has a theoretical motivation based in Actor Network Theory; actors appropriate resources and political influence by using rhetoric and material culture, which requires the study of written sources as well as material remains. In this paper I will discuss how these research projects have addressed three of its main research problems using this theoretical-methodological approach: the interests motivating Arctic and Antarctic industry, the design of technology and settlements in polar environments, and international competition over natural resources and polar territories.

  • 223.
    Avango, Dag
    KTH, Skolan för arkitektur och samhällsbyggnad (ABE), Filosofi och teknikhistoria, Historiska studier av teknik, vetenskap och miljö.
    Report on the ICOMOS Advisory Mission to Mapungubwe Cultural Landscape (C1099) 18th-20th March 20142014Rapport (Fagfellevurdert)
    Abstract [en]

    The World Heritage Committee decision 37 COM 7B.43 (37th session, Phnom Penh, Cambodia, 2013) requested the State Party (Mapungubwe world heritage site, South Africa) to submit a minor boundary modification for the buffer zone of Mapungubwe Cultural Landscape, that clarifies the policies for protecting the property with respect to mining in the buffer zone and in relation to “off-set benefits”. Acting upon this request, the State Party worked on a revision of the buffer zone through 2013 and, as a part of this process, invited an ICOMOS Advisory Mission to the Mapungubwe Cultural Landscape. ICOMOS responded in favour of the invitation and sent ICOMOS expert Dr. Dag Avango to visit the proposed Mapungubwe Cultural Landscape buffer zone from 18-20 March 2014. This publication is the final report of Dag Avango's mission, describing the buffer zone of the World Heritage Site, the consequences of reducing it and reccomendations on how ICOMOS should act on the issue.

  • 224.
    Avango, Dag
    et al.
    KTH, Skolan för arkitektur och samhällsbyggnad (ABE), Filosofi och teknikhistoria, Teknik- och vetenskapshistoria.
    Elondou, Lazare
    UNESCO.
    Mission Report: Reactive Monitoring Mission to Mapungubwe Cultural Landscape World Heritage Property (South Africa) 15 – 20 January 20122012Rapport (Fagfellevurdert)
  • 225.
    Avango, Dag
    et al.
    KTH, Skolan för arkitektur och samhällsbyggnad (ABE), Filosofi och teknikhistoria, Teknik- och vetenskapshistoria (bytt namn 20120201).
    Lagerås, Per
    Riksantikvarieämbetet.
    Inledning2012Inngår i: Bebyggelsehistorisk tidskrift, ISSN 0349-2834, nr 63Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 226.
    Avango, Dag
    et al.
    KTH, Skolan för arkitektur och samhällsbyggnad (ABE), Filosofi och teknikhistoria, Historiska studier av teknik, vetenskap och miljö.
    Solnes, Sander
    Registrering av kulturminner i Pyramiden: Registrering utfört på oppdrag fra Sysselmannen på Svalbard2013Rapport (Fagfellevurdert)
    Abstract [sv]

    Detta är en rapport från ett uppdrag vars syfte var att 1) registrere fredete kulturminner och 2) finna och kartfeste faste kulturminner fra før 1946 samt beskrive dem slik de er i dag og prøve å tolke tidligere funksjon. I uppdraget ingick att se närmmere på de teknisk industrielle kulturminnene som ligger i dagen, samt vurdere verdien av tidligere (men ikke fredete) industrielle kulturminner. Uppdraget ble utført av Dag Avango og Sander Solnes i Pyramiden i perioden 21.08-28.08. Rapporten innehåller resultaten av Avangos och Solnes inventering.

  • 227.
    Axelsson, Anton
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    Hittite Mortuary Practices2017Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    The Hittite burial material consists of a very heterogeneous material. The material shows some shared aspects between the different cemeteries and their grave types. However, this material lacks previous extensive comparative studies in central Anatolia. This study aims to problematize this funerary material, by re-evaluating the previous interpretation and by creating links between the different types of material and the cemeteries it was found in. This will be achieved by analyzing four different categories of Hittite graves from the three cemeteries: Osmankayasi, Gordion and Ilica. The total material consists of 268 graves: 91 from Osmankayasi, 46 from Gordion and 131 from Ilica. The material was originally excavated and published during the fifties and sixties by the three archaeologists Kurt Bittel, Machteld Mellink and Winfried Orthmann. The burial material will be analyzed to establish parallels and differences between the three sites, their materials and grave categories. Literary sources and empirical data will be used to supplement previous research but also the new interpretations discussed in this thesis.

    Keywords: Hittite, cemeteries, mortuary practices, Osmankayasi, Gordion, Ilica, cremations, pithos burials, pit graves, cist-graves, ethnicity, status, equids

  • 228.
    Axelsson, Emma
    Högskolan i Kalmar, Humanvetenskapliga institutionen.
    Kulthus från bronsåldern: En studie om stengrundshus och dess landskapskontext2009Independent thesis Basic level (university diploma), 10 poäng / 15 hpOppgave
    Abstract [en]

    This essay deals with a cultic building which focuses on the stone feature during the Bronze Age in Sweden and Denmark. I will discuss about the meaning of the stone feature and it also deals with the surrounding next to the building in order to see a bigger perspective. It consists of five excavations which this essay is based upon. The five excavations are Sandergård in Denmark, Broby and Hågahagen in Uppland, Tofta and Koarum in Skåne.

  • 229.
    Back Danielsson, Ing-Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    A Rare Analogy: Contemporary Cremation Practices2009Inngår i: On the Threshold: Burial Archaeology in the Twenty-first Century / [ed] Back Danielsson, I.-M., Gustin, I., Larsson, A., Myrberg, N. and Thedéen, S., Stockholm: Stockholm Unviersity , 2009Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    This paper presents four different examples of how studies of contemporary cremation practices are an important aspect of archaeological research, both as a focus of archaeological research into the recent and contemporary past and as a source of analogy and/or anti-analogy in the interpretation of prehistoric mortuary practices. I show that archaeology contributed in a most direct way to the introduction of modern cremations in Sweden, that an archaeological analysis may be made of the architecture of death, and that the very cremation act of today may be fruitfully contrasted to that of Late Iron Age Scandinavia. Lastly, I discuss the significance of the concepts of the body, identity and person.

  • 230.
    Back Danielsson, Ing-Marie
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Arkeologi.
    Art as entangled material practices: The Case of Late Iron Age Scandinavian Gold Foil Figures in the Making2019Inngår i: Artistic Practices and Archaeological Research / [ed] Dragos Gheorghiu, Theodor Barth, Oxford: Archaeopress, 2019, s. 21-30Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    This paper discusses Late Iron Age gold foil figures from Scandinavia. The figures can be described as tiny humanoid beings stamped on very thin gold foil. They date to c. AD 550–800, and are commonly interpreted in representationalist ways, and as being symbols. By contrast, this paper starts from the assumption that art and imagery are simultaneously material, affective and emergent. As a consequence the gold foil figures are seen as to be continuously in the making, where Karen Barad’s concepts of intra-action and agential realist ontology are especially helpful to illuminate the open-ended and generative character of the figures.

  • 231.
    Back Danielsson, Ing-Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur. Allmän arkeologi.
    Bodies and Identitities in Late Iron Age Scandinavia2008Inngår i: Prehistoric Europe.: Theory and Practice., Wiley-Blackwell , 2008Kapittel i bok, del av antologi (Fagfellevurdert)
  • 232.
    Back Danielsson, Ing-Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Go Figure!: Creating Intertwined Worlds in the Scandinavian Late Iron Age (AD 550–1050)2010Inngår i: Anthropomorphic and Zoomorphic Miniature Figuresin Eurasia, Africa and Meso-AmericaMorphology, materiality, technology, function and context: Materiality, technology, function and context / [ed] Dragos Gheorghiu and Ann Cyphers, Oxford: Archaeopress , 2010, s. 79-90Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    This paper discusses Scandinavian gold foil figures from the early part of the Late Iron Age (AD 550–1050). The author presents two major points of interest that have been neglected in previous research. The first highlights how the manipulations the figures have undergone must be taken into consideration, which is accomplished with the help of theatre theory, semiotics and anthropology. The second places an emphasis on how the context from which the figures have been retrieved must be analysed. Consequently, from the example of a ceremonial building at Uppåkra, Sweden, it is contended that the figures were made by artisans/smiths that, apart from expertly making the figures, also acted as ritual specialists when the structure was built or inaugurated. As such, they were responsible for depositing specific figures in particular, designated and pivotal places that needed protection or other ritual treatment. The gold foil figures further highlight the intertwinement between subject and object, human and nonhuman, as well as between the divine and the mundane. Therefore they contribute significantly to discussions on materiality.

  • 233.
    Back Danielsson, Ing-Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Hagerman, M. Försvunnen värld: Om den största arkeologiska utgrävningen någonsin i Sverige2011Inngår i: Fornvännen, ISSN 0015-7813, E-ISSN 1404-9430Artikkel, omtale (Annet vitenskapelig)
  • 234.
    Back Danielsson, Ing-Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Hemdrup-staven – ett nytt tolkningsförslag2001Inngår i: Fornvännen, s. 73-77Artikkel i tidsskrift (Fagfellevurdert)
  • 235.
    Back Danielsson, Ing-Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Härjad hög i Hallunda.: Arkeologisk undersökning av anläggning 34 från yngre järnålder på gravfält RAÄ 75, Hallunda, Botkyrka sn, Södermanland.2000Rapport (Annet vitenskapelig)
  • 236.
    Back Danielsson, Ing-Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Ingenious Ignition: “Flame, I’m gonna live forever” and other movie rhythms shaking Late Iron Age bodies on the road2003Inngår i: Scandinavian archaeological practice – in theory: Proceedings from the 6th Nordic TAG, Oslo 2001, 2003, s. 40-57Kapittel i bok, del av antologi (Fagfellevurdert)
  • 237.
    Back Danielsson, Ing-Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Liten lurifax i Lejre2010Inngår i: Arkaeologisk Forum, ISSN 1399-5545, nr 22, s. 30-33Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [sv]

    Den lilla figurin som återfanns i Lejre år 2009 utropades genast till att vara en man och dessutom asaguden Oden. Men stämmer det? Kan arkeologer verkligen vara säkra på att den vikingatida danska miniatyrfiguren är man och att det är Oden? I denna artikel diskuteras vilka konsekvenser enkla kategoriseringar får för vår förståelse av såväl förhistoria som nutid. Dessutom ges förslag till alternativa sätt att närma sig figurinen.

  • 238.
    Back Danielsson, Ing-Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Masking Moments: The Transitions of Bodies and Beings in Late Iron Age Scandinavia2007Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    This thesis explores bodily representations in Late Iron Age Scandinavia (400–1050 AD). Non-human bodies, such as gold foil figures, and human bodies are analysed. The work starts with an examination and deconstruction of the sex/gender categories to the effect that they are considered to be of minor value for the purposes of the thesis. Three analytical concepts – masks, miniature, and metaphor – are deployed in order to interpret how and why the chosen bodies worked within their prehistoric contexts.

    The manipulations the figures sometimes have undergone are referred to as masking practices, discussed in Part One. It is shown that masks work and are powerful by being paradoxical; that they are vehicles for communication; and that they are, in effect, transitional objects bridging gaps that arise in continuity as a result of events such as symbolic or actual deaths.

    In Part Two miniaturization is discussed. Miniaturization contributes to making worlds intelligible, negotiable and communicative. Bodies in miniatures in comparison to other miniature objects are particularly potent. Taking gold foil figures under special scrutiny, it is claimed that gold, its allusions as well as its inherent properties conveyed numinosity. Consequently gold foil figures, regardless of the context, must be understood as extremely forceful agents.

    Part Three examines metaphorical thinking and how human and animal body parts were used in pro-creational acts, resulting in the birth of persons. However, these need not have been human, but could have been the outcomes of turning a deceased into an ancestor, iron into a steel sword, or clay into a ceramic urn, hence expanding and transforming the members of the family/household. Thus, bone in certain contexts acted as a transitional object or as a generative substance.

    It is concluded that the bodies of research are connected to transitions, and that the theme of transformation was one fundamental characteristic of the societies of study.

  • 239.
    Back Danielsson, Ing-Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Genusvetenskap.
    Materials of affect: Miniatures in the Scandinavian Late Iron Age (550-1050 AD)2013Inngår i: Archaeology After Interpretation: Returning Materials to Archaeological Theory / [ed] Benjamin Alberti, Andrew Meirion Jones, Joshua Pollard, Walnut Creek, Ca: Left Coast Press Inc., 2013Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    This paper discusses Scandinavian gold-foil figures—small human-like figures hammered or cut out of thin foil—from the early part of the Scandinavian Late Iron Age (AD 550—1050) from a relational perspective. Earlier interpretations largely approach them as symbols and representations, which downplays their practical or performative role and results in static or embalmed objects. In this paper I discuss the affective dimensions of the figures, as well as some of the myriad rhizomatic relations that were generated through the processes of manufacture, manipulation, and visual encounter. I will argue that during the Late Iron Age in Scandinavia certain human beings and gold-foil figures were ontological equivalents, and that gold-foil figures go far beyond our contemporary understanding of representations.

  • 240.
    Back Danielsson, Ing-Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Much Ado about Nothing?: Gender Research in Journals during the last 30 Years within Archaeology2012Inngår i: To Tender Gender: The Pasts and Futures of Gender Research in Archaeology / [ed] Ing-Marie Back Danielsson, Susanne Thedéen, Stockholm: Stockholm University, 2012, s. 17-32Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    This paper accounts for the extent to which gender research is represented in leading archaeological journals throughout the 1980s to the present through the database Arts & Humanities Citation Index (ISI). The paper regards gender research as including gender, feminisms, masculinities, queer, intersectionality and embodiment. It is concluded that gender research, despite its alleged significance and progress in later years, is substantially marginalized within mainstream archaeology. Comparisons are also made between gender archaeology and mainstream archaeology and differences between the two are discussed. The paper further addresses current research trends within the humanities placing an increased emphasis on publications in leading peer-reviewed journals. Since the paper shows that gender research is poorly represented in such periodicals the author urges archaeologists interested in gender to publish in these journals.

  • 241.
    Back Danielsson, Ing-Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Norsborg och Skrävsta i Botkyrka.: Makt i monument och materiell kultur.1998Inngår i: Aktuell arkeologi VI, Stockholms universitet , 1998, s. 31-40Kapittel i bok, del av antologi (Fagfellevurdert)
  • 242.
    Back Danielsson, Ing-Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Om Pettersson, samiska trummor och Hitlers bunker. Bland annat.2000Inngår i: Texter om arkeologisk kulturmiljövård, Göteborgs universitet , 2000, s. 1-16Kapittel i bok, del av antologi (Fagfellevurdert)
  • 243.
    Back Danielsson, Ing-Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Presenting the past: On archaeologists and their influence on modern burial practices2011Inngår i: Mortality, ISSN 1357-6275, E-ISSN 1469-9885, Vol. 16, nr 2, s. 98-112Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This paper demonstrates how antiquarians and archaeologists have influenced the burial practices of their times. They have encouraged the re-invention of prehistoric monuments in contemporary burial practices and also been involved in introducing the practice of modern cremation. Whereas antiquarians encouraged the upper-class stratum of society to reuse prehistoric material culture, their nineteenth century successors, archaeologists, turned to another audience. By focussing in greater detail on the earliest archaeologists and their endeavours to make archaeology a subject of public interest, it is revealed how they facilitated the re-invention of prehistoric material culture. For instance, bautas (a prehistoric memory stone for a deceased) became popular in the late nineteenth century, and it was also a category of sepulchral objects that the wealthier working class could afford. Hereby it is further shown how archaeology is an integral part of society, and not, as commonly argued within the history of archaeology, a discipline which in its interpretation of prehistory is influenced from a societal ‘outside’.

  • 244.
    Back Danielsson, Ing-Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Review of “Prehistoric Pictures”2006Inngår i: Fornvännen, s. 45-47Artikkel, omtale (Fagfellevurdert)
  • 245.
    Back Danielsson, Ing-Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Review of the book “The Excavations at Wijnaldum. Reports on Frisia in Roman and Medieval Times”2002Inngår i: FornvännenArtikkel, omtale (Fagfellevurdert)
  • 246.
    Back Danielsson, Ing-Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Sense and Sensibility: Masking Practices in Late Iron Age Boat-Graves.2010Inngår i: Making Sense of Things.: Archaeologies of Sensory Perception. / [ed] Fahlander, Fredrik and Kjellström, Anna, Stockholm: Department of Archaeology and Classical Studies, Stockholm University , 2010, 400, s. 121-140Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    Swedish boat-graves, especially those from Valsgärde and Vendel, have been the subject of many investigations and extensive research since their discoveries in the late nineteenth and early twentieth centuries (e.g. Stolpe & Arne 1912; Arwidsson 1942, 1954, 1977; Lindqvist 1950; Herschend 1997, 2003; Seiler 2001, Schönbäck 2002; Norr (ed.) 2008). The helmets retrieved from these burials are the focus of this paper, and these have been analysed with particular consideration for their role in sensory engagement – both for the person wearing the helmet and for those experiencing it from the outside.

    The paper starts off with a short presentation of the boat-graves and the helmets therein, after which follows an equally short introduction of masking practices and the significance of masking practices during the Late Iron Age in Scandinavia. A more detailed discussion of the helmets of the boat-graves and their connection with sensual activities, the main theme of the paper, follows. Finally, a broader interpretation of the boat-graves themselves is offered and, lastly, conclusions are presented.

  • 247.
    Back Danielsson, Ing-Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    The Rape of the Lock: Or a Comparison between Miniature Images of the Eighth and Eighteenth Centuries2012Inngår i: Encountering Imagery: Materialities, Perceptions, Relations / [ed] Ing-Marie Back Danielsson, Fredrik Fahlander, Ylva Sjöstrand, Stockholm: Stockholm University, 2012, s. 29-49Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    This paper discusses Scandinavian gold foil figures from the early part of the Scandinavian Late Iron Age (AD 550-1050) as well as miniature portrait pendants of the eighteenth century. The paper examines the possibility of comparing the two categories of objects, and what may be gained by contrasting historic and prehistoric images. The comparison is made through using Mitchell’s concept meta-picture as a theoretical tool. It is highlighted that the relationality between image and beholder is decisive for how respective objects were comprehended and treated. However, despite the fact that the two analyzed materials were part of different scopic regimes and regimes of practice, they share vitalistic and/or animistic characteristics.

  • 248.
    Back Danielsson, Ing-Marie
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    The Social Qualia of Kuml: An Exploration of the Iconicity of Rune-stones with Kuml Inscriptions from the Scandinavian Late Viking Age2016Inngår i: Current Swedish Archaeology, ISSN 1102-7355, Vol. 23, s. 157-178Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article discusses qualitative experiences (qualia) of Scandinavian Late Viking Age runestones from a semiotically theorized perspective. Rune-stones with kuml inscriptions receive particular attention. Despite the fact that kuml referred to different material entities, such as rune-stone, other standing stones, and/or grave, it is suggested that they resembled one another on iconic grounds. The quality associated with the multiple qualia was a sensation of safety that resulted in shared experiences that had positive social values. The article demonstrates that the semiotics of Peirce can be of great value to archaeologists who want to delve deeper into the social analysis of things.

  • 249.
    Back Danielsson, Ing-Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    (Un)Masking Gender: Gold Foil (Dis)Embodiments in Late Iron Age Scandinavia2002Inngår i: Thinking Through the Body, 2002Kapittel i bok, del av antologi (Fagfellevurdert)
  • 250.
    Back Danielsson, Ing-Marie
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Fahlander, FredrikStockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.Sjöstrand, YlvaStockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Encountering Imagery: Materialities, Perceptions, Relations2012Collection/Antologi (Fagfellevurdert)
    Abstract [en]

    Pictorial and visual elements are special types of archaeological data that transgress boundaries: between us and the past and between the material and immaterial. Traditionally, images have been discussed in terms of what they represent, mean or symbolize. In this volume, the authors explore other ways in which images aect and engage the beholder and the modes in which they are entangled in past worlds. The articles comprise examples from various regions and time periods and include a diverse array of topics including northern European rock art of the Neolithic and Bronze Age, anthropomorphic aspects of ceramic pots and figures in gold, erotic themes on children’s burial vessels, and nineteenth-century rock art created by quarantined sailors in Australia.

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