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  • 8351.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    Books, Wine and Fine China: Consumption Patterns of a Brukspatron in Early Nineteenth-Century Sweden 2017Inngår i: A Taste for Luxury in Early Modern Europe: Display, Acquisition and Boundaries / [ed] Johanna Ilmakunnas, Jon Stobart, London: Bloomsbury Academic, 2017, s. 179-196Kapittel i bok, del av antologi (Fagfellevurdert)
  • 8352.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    Britas dagbok - skärvor av ett liv2017Annet (Annet (populærvitenskap, debatt, mm))
  • 8353.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    Carl Tersmeden – ett bedårande barn av sin tid2014Inngår i: Ätten Tersmeden genom sex århundraden / [ed] Fredrik Tersmeden [och elva andra], Tersmedenska släktföreningen , 2014, 1, s. 172-185Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 8354.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    Centre and periphery: the world brought to the ironmasters mansions2014Konferansepaper (Fagfellevurdert)
  • 8355.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusstudier, Etnologiska avdelningen.
    Cervantes, Voltaire, Holberg och Roche: böcker och läsande i fem unga adelskvinnors liv i det tidiga 1800-talets högreståndskultur2010Inngår i: Biblis. Tidskrift för bokhistoria, bibliografi, bokhantverk, samlande, ISSN 1403-3313, Vol. 49, s. 40-45Artikkel i tidsskrift (Annet vitenskapelig)
  • 8356.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    Den dolda kvinnomakten : 500 år på Skarhults slott. Alexandra von Schwerin (red.).2014Inngår i: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, Vol. 97, nr 2Artikkel, omtale (Annet vitenskapelig)
  • 8357.
    Steinrud, Marie
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för kulturantropologi och etnologi, Etnologiska avdelningen.
    Den dolda offentligheten: Kvinnlighetens sfärer i 1800-talets svenska högreståndskultur2008Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    This thesis is an analysis of the every day life and culture of Swedish noble women during the 19th century from the perspective of the public-private dichotomy. The aim of the dissertation is to show how the dichotomy affected women’s lives and how gender differences were created and preserved according to the notion of the dichotomy. A recurrent question has been if women and men were separated in their lives, how these boundaries were maintained or how they were ignored. Was there a “female sphere” where the men did not have access – and vice versa?

    Four women are in the centre of the study. Marie Charlotte (1791-1876), Adolfina (1794-1881), Jacquette (1801-1872) and Carolina (1803-1859) were born as daughters to Herman Adolf Tersmeden (1758-1836) and his wives, Christina Ulrika Rosén von Rosenstein (1764-1797) and her sister Anna Margareta Rosén von Rosenstein (1761-1838).

    By following the women in friendship, sociability, work and in the home I want to establish that the private-public dichotomy is much more complex when looked at closer. This is an extensive field of research and many have attempted to establish the “private woman” and “public man”. I have chosen a different path in discussing the public-private dichotomy. Instead of getting caught up in narrow definitions of public on one hand and private on the other, I want to see the relationship between the two as terminals on an ever sliding scale and use the idea of the procedural as a model for explanation. In this the idea of negotiations is embedded. Public and private is not to be seen as fixed and as etiquettes, but rather as terminals on a scale, always subjected to testing, discussions and negotiations. This means that something is always changing, altering and evolving.

    In my discussion I have focused on four sisters and their sense of hospitality and the culture of visiting. I will show how the home during this time was more or less the only important arena for women’s sociability. Here they displayed their home, their wealth, their families and themselves in a wide range of ways. But this is not to be understood as these women were limited to only a private arena. Rather, the women used the home, and the interior design, to mark power and hierarchy. Different rooms were used for different guests and some china was reserved only for the most important guests. The women also took an active part in entertaining people their husbands had business relations with. By devoting themselves to charity they extended their realm to other parts of the society outside the immediate family.

    To be able to take up space and manifest their presence, the women always had to negotiate about the access to the different spheres. It did not have to be a conscious negotiation by the women; rather it was a testing of limits and exploring the possibilities.

    Having followed the four sisters it is obvious that they created public spheres. They themselves were public on account of the fact that their actions and activities affected others beside themselves. This is a publicity that often ends up in the background and is being hidden.

  • 8358.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    Den sociala herrgårdsträdgården: Umgängesliv och social praktik vid de västmanländska bruksherrgårdarna ca 1700–1900, fallet Seglingsbergs bruk2013Konferansepaper (Annet vitenskapelig)
  • 8359.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    Det outsagda och närvaron.: Kamratkretsen kring fyra systrar i det tidiga 1800-talets högreståndskultur.2011Konferansepaper (Annet vitenskapelig)
  • 8360.
    Steinrud, Marie
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för kulturantropologi och etnologi.
    Egna rum. Kvinnliga sfärer i det tidiga 1800--talets högreståndskultur2001Inngår i: Rig, ISSN 0035-5267, nr 1, s. 28-42Artikkel i tidsskrift (Annet vitenskapelig)
  • 8361.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    From a residence to a home: Concepts of comfort and luxury of the Swedish ironmasters during the late 18th and erly 19th century2017Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    My paper is a part of my research project that focuses on the ironmasters of Bergslagen, a district in Sweden where mining and metallurgic industry have been important since the Middle Ages. In my project I study how the ironmasters build a common identity and common goals, as well as forming themselves as an influential elite group in society. This paper focuses on their mansions and the idea of creating a home, suitable for an up and coming ironmaster. From the late 18th century, many of the ironmasters lived permanently on their estates close to the iron works. Smaller and simpler houses were kept in the cities, mostly Stockholm, to ensure connections to the corridors of power and to the pleasures of the country's capital city. The mansions were often situated in remote places, depending on good roads or at least a decent winter that made it possible to travel and transport heavy goods, such as the vital charcoal and iron, but also goods to the mansions. What did the ironmasters discuss regarding their homes? How did they furnished (and re-model) their mansions and what did they consider needed to be there, to make it a comfortable home? And what was 'comfort' for them and how did this correlate with how the notion of 'home' was conceptualized?

  • 8362.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    Hemmet som scen: Brukspatron Per Reinhold Tersmeden och tingens teater2013Inngår i: Bergslagshistoria. Årsbok för historia och kulturhistoria för Bergslagen, ISSN 1653-2848, Vol. 25, s. 7-31Artikkel i tidsskrift (Fagfellevurdert)
  • 8363.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    Johanna Ilmakunnas, Ett ståndsmässigt liv2014Inngår i: Historisk Tidskrift (S), ISSN 0345-469X, Vol. 2Artikkel, omtale (Annet vitenskapelig)
  • 8364.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    Per Reinhold Tersmedens Ramnäs: Bruksherrgården som scen för statuskonsumtion och manifestation i början av 1800-talet2013Inngår i: Historisk Tidskrift för Finland, ISSN 0046-7596, E-ISSN 2343-2888, Vol. 98, s. 216-250Artikkel i tidsskrift (Fagfellevurdert)
  • 8365.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    Perfoming Women: The life and work of actresses in Stockholm, c. 1780-18502018Inngår i: Early professional women in Northern Europe, c. 1650-1850 / [ed] Johanna Ilmakunnas, Marjatta Rahikainen, Kirsi Vainio-Korhonen, Abingdon: Routledge, 2018, s. 115-134Kapittel i bok, del av antologi (Fagfellevurdert)
  • 8366.
    Steinrud, Marie
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för kulturantropologi och etnologi.
    På spinnsidan. Tre adelskvinnors liv 1718-18462000Inngår i: Bergslagsarkiv. Årsbok för historia och kulturhistoria för Bergslagen, ISSN 1100-7087, Vol. 12, nr 12, s. 5-30Artikkel i tidsskrift (Annet vitenskapelig)
  • 8367.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    Recension av Daniels Sven Olssons: Falu gruva2011Inngår i: Dalarnas Tidningar, Vol. 06, nr 22Artikkel, omtale (Annet (populærvitenskap, debatt, mm))
  • 8368.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    Recension av Gunvor Gustafson och Jan Kundell: Lador, logar och längor. Om Hälsingeböndernas uthus2010Inngår i: Bebyggelsehistorisk tidskrift, ISSN 0349-2834, Vol. 60Artikkel, omtale (Fagfellevurdert)
  • 8369.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    Recension av Ulrich Lange: Ekonomibyggnader på skånska herrgårdar. Idéhistoriska speglingar i lantbrukets arkitektur2010Inngår i: Bebyggelsehistorisk tidskrift, ISSN 0349-2834, Vol. 60Artikkel, omtale (Fagfellevurdert)
  • 8370.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    Skitåret 19172017Annet (Annet (populærvitenskap, debatt, mm))
    Abstract [sv]

    Under första världskriget led Sverige av hungersnöd och arbetarklassen svalt. 1917 inledde Sveriges arbetarklasskvinnor våldsamma hungerkravaller som låg på gränsen till revolution. Dessvärre nämns sällan arbetarkvinnornas hungerupplopp i beskrivningar av Sveriges demokratiprocess. Folkmusikern Sara Parkman besöker Söderhamn för att se var hungerprotesterna inleddes och berättar om kvinnor som kämpade för bröd och fred.

    Medverkande: Kjell Östberg, Elisabet Breig Åsberg, Sara Parkman, Marie Steinrud, Ramona Ivener, Marita Jonsson

  • 8371.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    "Såsom en slöserska": Skådespelerskors levnadsvillkor och ekonomiska förutsättningar 1780-18502017Inngår i: Ekonomisk kulturhistoria: Bildkonst, konsthantverk och scenkonst 1720-1850 / [ed] Klas Nyberg, Stockholm: Kulturhistoriska Bokförlaget , 2017Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 8372.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    Talande ting. Berättelser och materialitet. Katarina Ek-Nilsson och Birgitta Meurling (red.): Skrifter utgivna av Institutet för språk och folkminnen, dialekt och folkminnesarkivet i Uppsala, Uppsala 20142015Inngår i: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, Vol. 98, nr 2-3, s. 134-136Artikkel, omtale (Annet vitenskapelig)
  • 8373.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    To Bring Delight to a Nose: The Swedish Ironmasters and their Networks of Commissioners2014Konferansepaper (Fagfellevurdert)
  • 8374.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    Älskade prylar - 1920-talet2017Annet (Annet (populærvitenskap, debatt, mm))
  • 8375.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    Ätten Tersmeden genom sex århundraden2014Collection/Antologi (Annet vitenskapelig)
  • 8376.
    Steinrud, Marie
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Etnologi.
    Överstens efterföljare – friherrarna2014Inngår i: Ätten Tersmeden genom sex århundraden / [ed] Fredrik Tersmeden [och elva andra], Stockholm: Tersmedenska släktföreningen , 2014, 1, s. 226-240Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 8377.
    Stenback, Rachel Elisabeth
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för kulturantropologi och etnologi.
    H.C. Andersen: en etnologisk sagostudie2001Independent thesis Advanced level (degree of Master (One Year)), 20 poäng / 30 hpOppgave
  • 8378.
    Stenbeck, Karin
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för ABM.
    "Det är svårt med information på nått sätt": En fallstudie av Stockholms universitetsbiblioteks informationskultur2016Independent thesis Advanced level (degree of Master (Two Years)), 20 poäng / 30 hpOppgave
    Abstract [en]

    The aim of this thesis is to examine the information culture at Stockholm University library. The thesis examines how information culture affects information management and if the information culture is different within the organization. In order to investigate whether there are differences, two groups were studied: one consisting of four individuals in leading positions and one consisting of four employees. The thesis is based on a qualitative case-study method, where interviews and documents are used as a method to collect data and to gain a deeper understanding of respondent’s values, norms and behaviours towards information. Davenport & Prusak’s theoretical model An Ecological Model for Information Management  is used to study the organization as an ecosystem. The perspective on information management has been holistic, behaviour-oriented and human-centered. To gain knowledge about the information culture at Stockholm University library, Curry & Moore’s model The Evolution of Information Culture  has been used. The model consists of six components suggested necessary for information culture to flourish. The six components have been used as a theoretical framework and analytical tool to examine the information culture at Stockholm University library. The thesis identifies weaknesses in the information culture at Stockholm University library. Results in the thesis illustrates cultural differences between the two groups, regarding how information should be handled in the organization in relation to how it is actually managed in practice. These findings further show that information management in the organization is not as efficient as it could be. Stockholm University library has recently undergone a major reorganization and change of management, aspects which have been taken into consideration as they could have effect on the results. This is a two years master’s thesis in Library studies.

  • 8379.
    Stenberg, Peder
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    Den allvarsamma leken: Om World of Warcraft och läckaget2011Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    Through more than five years of extensive, participatory research the writer became a fully integrated member of the World of Warcraft community he set out to study. By actually living the grounded practices that constitute the everyday life he concludes that the mundane, often repetitive practice has very little to do with the cyber-utopian claim that one can flee the body and become who they want on the Internet. Instead this doctoral thesis argues that the constant transitions of the borders between offline and online, virtual and real, body and avatar, play and work, player and producer are best described with the concept of leakage. Using leakage to describe the perforated borders that surrounds the game not only allows an understanding of World of Warcraft as a powerful site for production of meaning and culture but also places it far from the traditional understandings of separated fun, play and games. Play as an activity has traditionally been described with three intrinsic features: it is separable from everyday life, in particular from work; it is safe, meaning that it isn’t productive nor does it carry consequence and finally that play is pleasurable or fun. World of Warcraft doesn’t easily admit to these features and should not be understood as neither innocent utopia nor as a devoured mimesis, but rather as an expansion of the life space where players repeatedly and deliberately stretch beyond the producer’s intentions and create a world consisting of work, unwritten social norms, creativity and friendship. Players are social laborers that produce the core of what makes World of Warcraft what it is: a serious game.

  • 8380. Stenberg, Pehr
    Stenberg, Göran ()
    Wennstedt, Ola ()
    Pehr Stenbergs levernesbeskrivning: av honom själv författad på dess lediga stunder. D.1, 1758-17842014Bok (Annet vitenskapelig)
  • 8381. Stenberg, Pehr
    Stenberg, Göran ()
    Wennstedt, Ola ()
    Pehr Stenbergs levernesbeskrivning: av honom själv författad på dess lediga stunder. D.2, 1784-17892015Bok (Annet vitenskapelig)
  • 8382. Stenberg, Pehr
    Stenberg, Göran ()
    Wennstedt, Ola ()
    Pehr Stenbergs levernesbeskrivning: av honom själv författad på dess lediga stunder. D.3, 1789-17962015Bok (Annet vitenskapelig)
  • 8383. Stenberg, Pehr
    Stenberg, Göran ()
    Wennstedt, Ola ()
    Pehr Stenbergs levernesbeskrivning: av honom själv författad på dess lediga stunder. D.4, 1796-18072016Bok (Annet vitenskapelig)
  • 8384. Stenberg, Pehr
    Stenberg, Göran ()
    Wennstedt, Ola ()
    Pehr Stenbergs levernesbeskrivning: av honom själv författad på dess lediga stunder. D.5, register2018Bok (Annet vitenskapelig)
  • 8385.
    Stenbock, C. M.
    Nordiska museet.
    Att binda halmtak1912Inngår i: Fataburen: Kulturhistorisk tidskrift, Stockholm: Nordiska museets förlag, 1912, s. 46-50Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 8386.
    Stenbock, C. M.
    Nordiska museet.
    Några afbildningar af fiskeredskap i gamla handskrifter1915Inngår i: Fataburen: Kulturhistorisk tidskrift, Stockholm: Nordiska museets förlag, 1915, s. 102-107Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 8387.
    Stenbock, Louise
    Nordiska museet.
    Harstena bylag1927Inngår i: Fataburen: Kulturhistorisk tidskrift, Stockholm: Nordiska museets förlag, 1927, s. 70-72Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 8388.
    Steneberg, Karl Erik
    Nordiska museet.
    De Mörnerska familjeproträtten på Tyresö: En studie i greve Carl Mörners samling1933Inngår i: Fataburen: Nordiska museets och Skansens årsbok, Stockholm: Nordiska museets förlag, 1933, s. 133-156Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 8389.
    Stenius, Magnus
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    Actors of Violence: Staging the Arena in Mixed Martial Arts2011Inngår i: Nordic Theatre Studies, ISSN 0904-6380, E-ISSN 2002-3898, Vol. 23, s. 86-97Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Actors of Violence: Staging the Arena in Mixed Martial Arts Through ethnographic participation in a Swedish mixed martial arts club, this article investigates the interrelationship between theatre and mixed martial arts. Concepts taken from theatre are applied to an analysis of what is constructed in the mixed martial arts arena. Mixed martial arts (MMA) is a growing sport where competitors, in a ring or a cage, utilize elbows and knees as well as kicks and other strikes and submission techniques to defeat opponents. The constituents of MMA are similar to those of American wrestling; the main similarity being a staged fight. The distinction is that MMA involves 'authentic' fights. Yet the activity surrounding the event is staged, like in American wrestling, structured and constructed as a public happening, thus, a directed play of sorts. Mixed martial arts competitions (galas) are full of cheering crowds of fans. Music plays and the fighters' artistic handlers are presented as the fighters enter the arena, dancing down the ramp while advancing towards the centre of the stage - the ring. Through data gathered from fieldwork with MMA practitioners as well as participant observation in an MMA club, I explain in this study, interviewing ten key informants, the components of acting and drama-performance that are integral to the production of an MMA fighter's entrance into the arena. I explore how fighters' bodies, through acting and re-enactment of performative staging, become sites of meta-theatrical happenings. I also look at how MMA fighters transform themselves into bodily artists while dramatizing their performance of violence. A fighter's character is transformed into a concept of a warrior-figure in that the fighter's habitus is modelled and then reconstructed in relation to the audience and the eventness of the happening; that is to say, the show and the violent performance on stage.

  • 8390.
    Stenius, Magnus
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper. Umeå universitet, Samhällsvetenskapliga fakulteten, Umeå centrum för genusstudier (UCGS).
    Attacking the body in mixed martial arts: perspectives, opinions and perceptions of the full contact combat sport of ultimate fighting2015Inngår i: Journal of Arts and Humanities, E-ISSN 2167-9045, Vol. 4, nr 2, s. 77-91Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article explores the sensuous experience of full contact fighting through ethnographic research in mixed martial arts clubs. Presenting its first card in 1993 in Denver, Colorado, the Ultimate Fighting Championship (UFC) stunned martial artists while thrilling and frightening spectators. Mixed martial arts (MMA) is an evolving combat sport pitting elite athletes trained in a variety of combat arts against each other in the “Octagon”. Contestants are permitted to kick, punch, elbow and knee as well as use grappling submission techniques to defeat opponents. Despite criticism, supporters claim that the efficiency of non-violent grappling techniques has made MMA much safer than boxing, where fighters absorb repeated blows to the head. As the sport developed, fighters adjusted their bodies in order to better utilize the positional, tactical techniques that proved more successful than brute force. The mediated representation of fighting revealed that despite of being in a state of rage, MMA was a technically challenging sport based on the sublime performance of participant’s bodies. However, MMA remains the subject of debate in popular culture and the media, and medical expertise argues that the sport is dangerous and puts participants in harm´s way. On the other hand, proponents of the sport argue that health risks are overstated and that other, far less safe sports exist. The aim of this article is to scrutinize fighters as well as the opinions of media and the medical humanities in order to achieve an overview of the image of this combat sport. Convinced that the debate needs to be more nuanced, this paper examines how MMA encounters and mitigates scientific discourse and attitudes. The results also show that MMA is an ambiguous sport, taking responsibility for the well being of its fighters while encouraging spectacle in the arena.

  • 8391.
    Stenius, Magnus
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    Hybrid masculinity in mixed martial arts: gender, homosociality, and homoeroticism2015Inngår i: Men and Masculinities, ISSN 1097-184X, E-ISSN 1552-6828, s. 1-12Artikkel i tidsskrift (Fagfellevurdert)
  • 8392.
    Stenius, Magnus
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    Shoot-fighting, bodies in emotional pain: a translocal study in masculine gendering of violence, aggression and control2007Independent thesis Advanced level (degree of Master (One Year)), 10 poäng / 15 hpOppgave
  • 8393.
    Stenius, Magnus
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    Staging the Arena in Mixed Martial Arts2011Inngår i: 2011 IFTR Conference: "Tradition, Innovation, Community" : Osaka, Japan, 7-12 August / [ed] Helen Gilbert, Osaka, Japan: IFTR FIRT , 2011, s. 1-5Konferansepaper (Fagfellevurdert)
    Abstract [en]

    This paper starts with an actual reaserch report on MMA, to describe how the sport is situated and framed within the community as such being staged, artificial and yet authentic. Leading concept for this conference-contribution is masculinity, phenenomenology. By using Bruno Latour and Donna Harraway the author shows how bodies are connected in separate ways. One by the means of the material infliction the violence has on its body, and the other by how they control their MMA-bodies to resist pain. 

  • 8394.
    Stenius, Magnus
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    The body in pain and pleasure: an ethnography of mixed martial arts2015Doktoravhandling, med artikler (Annet vitenskapelig)
    Abstract [en]

    Mixed Martial Arts (MMA) is a sport on the rise within the field of martial arts in which competitors fight in a cage and utilize full-contact movements using their fists, elbows, and knees as well as kicks, other strikes, and submission techniques to defeat their opponents. MMA has become a modern social movement in combat sports that has become globalized in a short time and is the fastest growing sport in the world.

    MMA encompasses disciplines from various martial arts and Olympic sports such as boxing, kickboxing, karate, kempo, jiu-jitsu, Muay Thai, tae kwon do, wrestling, sambo, judo, etc. The rounds are five minutes in length and there are typically three rounds in a contest, unless it is a championship fight in which case the contest lasts five rounds.

    The aim of this study is to analyze the bodily constructions and productions within the MMA culture and especially the constructed human violence associated with the sport. Based on autoethnographic participation in three Swedish MMA clubs, as well as shorter fieldwork case studies conducted in Hong Kong, Japan, Macau, Brazil, and the US, this thesis investigates the interrelationship between MMA, excitement, sensationalism, and the spectacular physical violence that stains the participants’ bodies.

    Concepts taken from performance ethnography are applied to an analysis of what is reconstructed bodily. This is followed by an analysis that attempts to outline what body-violence means and how this understanding of the informants’ bodies, as well as of the researcher’s body-knowledge, reconstructs the definitions of MMA.

    A phenomenological approach to the concept of fighting is also included in relation to the MMA landscape. Thus, I present how the body learns the cultural enactments in fighting and how these forces shape the fighters’ gender, habitus, and way of resisting the discourse of critical opinions on MMA practice.

    Moreover, in trying to grasp the inner sense of MMA, I argue that the physical phenomenon of MMA is dependent on an intersubjective engagement and on the control of one’s inner coordination, which teaches a fighter how to deal with power, pain, suffering, aggression, and adrenaline flows.

     

    Keywords: abject, adrenaline, anthropology, athletes, autoethnography, body, combat arts, culture, desire, embodied, enculturation, ethnology, fieldwork, field-making, flow, fighting, full-contact, gender, harm, homosociality, intercultural, interobject, intersubjectivity, martial arts, materiality, masculinity, MMA, method, pain, personal, performance, performativity, phenomenology, pleasure, posthuman, postmodern, power, ritual, risk-taking, rush, self-reflexive, sportive, sport, stained, struggle, suffering, thrill, UFC, violence.

  • 8395.
    Stenius, Magnus
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    The Legacy of Pankration: Mixed Martial Arts and the Posthuman Revival of a Fighting Culture2013Inngår i: The international Journal of Combat Martial Arts and Sciences ICMAUA, Vol. 13, nr 5, s. 40-57Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article is based on fieldwork conducted over several years with deep participant observation in a mixed martial arts (MMA) club. The study uses the concept of cultural performativity to analyze the close relationship between MMA and the ancient sport of Pankration. Informed by social scientific ideas assembled from what is generally known as the performative turn in cultural theory, and advancing a notion of the posthuman, I explore the bodily performances of MMA fighters engaged in combat fighting. In terms of the violence represented in MMA, the article asks what knowledge has been integrated from the legacy of Pankration and what impact it has had on contemporary cultures and societal norms. The explicit goal of the training sites is to recode the body, increasing the somatic potential to affect, and to be affected. Practitioners (or researchers) of martial arts must immerse themselves in an entire world of meaning, that is, a new cosmological order composed of movement, senses, emotions, fluidity and inter-subjectivity. Therefore, this article provides a philosophical account of MMA, in which I briefly touch on epistemological and ontological questions related to the legacy of Pankration in our time. Finally, in conversational deep interviews, I discuss fighters’ views on the subject.

  • 8396.
    Stenius, Magnus
    et al.
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    Dziwenka, Ronald
    College of Education New Mexico State University USA .
    "Just be Natural With Your Body": An Autoethnography of Violence and Pain in Mixed Martial Arts2015Inngår i: International Journal of Martial Arts, ISSN 2287-8599, Vol. 1, s. 1-24Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    The aim of this article is to investigate bodily experiences through an autoethnographic fieldwork study in a mixed martial arts (MMA) club, and to analyze what experiences of pain can contribute to the understanding of the phenomenon of MMA in general and the violence associated with the sport in particular. We argue that the experience of pain can give one the opportunity to sense the emotional and instrumental effects of MMA practice. We have crafted a definition of scripted violence in MMA, comprehended the body’s development and evaluated the bodily accomplishments gained from the fighting process. Informed by Julia Kristeva’s notion on horror and Maurice Merleau-Pontys’ phenomenology of the body, we discuss the concept of “stained-violence” by applying an inter-subjective approach to the notion of a body’s inner abject. The autoethnographical knowledge we acquired in this study allows us to assert that a researcher’s own bodily reformation is an important asset to apply to examine the consequences of engaging in MMA training. We also apply a body-based method of performing autoethnographic research in order to examine the kinds of bodily improvements that can develop through MMA practice.

  • 8397.
    Stenström, Thure
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Litteraturvetenskapliga institutionen.
    878. Rec. av Inger Littberger, Omvändelser. Nedslag i svenska romaner under hundra år. (Brutus Östling Bokförlag Symposion, Sthlm 2004)2005Inngår i: Nordica: Tidsskrift for nordisk teksthistorie og æstetik, Vol. 22, s. 277-281Artikkel, omtale (Annet vitenskapelig)
  • 8398.
    Stenström, Thure
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Litteraturvetenskapliga institutionen.
    En diktarjurist under strecket.: Om professor Stig Strömholm som författare av 338 understreckare (från år 1960 till år 2011) i Svenska Dagbladet.2011Inngår i: Stig Strömholms tryckta skrifter 1942-2011.: Bibliografi sammanställd av Brita Alroth. Med sex inledande essäer. / [ed] Sven-Erik Brodd, Lennart Elmevik, Per Ström, Uppsala: Uppsala universitet och författarna , 2011, s. 71-78Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
    Abstract [sv]

    Uppsatsen behandlar och karakteriserar professor Stig Strömholm som författare av 338 understreckare i SvD mellan åren 1960 och 2011. Särskilt uppmärksammas hans skildringar av studieuppehåll i München, Cambridge och Paris, hans förkärlek för europeiska klassiker, hans intresse för fransk kultur, hans inriktning på samhällsbärande eliter, hans juridiska, universitetspolitiska och samhällskritiska debattinlägg.

  • 8399.
    Stenström, Thure
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Litteraturvetenskapliga institutionen.
    En rundresa bland gotländska vålnader: Rec. av Ulf Palmenfelt, Spökplatser på Gotland (Carlssons, 2005)2005Inngår i: Svenska Dagbladet den 13 juli 2005Artikkel, omtale (Annet (populærvitenskap, debatt, mm))
    Abstract [sv]

    Recension av Visbyprofessorn i etnologi Ulf Palmenfelts bok om skrock och vidskepliga spökhistorier, knutna till bestämda platser på Gotland. Bland annat uppmärksammas guden Odens färd i vagn utmed Strandgatan, den vita tamgåsens ägg i murtornet Sprundflaskan, den huvudlöse Taksteinarn som i brun trenchcoat stryker omkring sin gård i Lärbro.

  • 8400.
    Stenström, Thure
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Litteraturvetenskapliga institutionen.
    Minnesbilder från Det kongelige Bibliotek1993Inngår i: Sådan set : Erindringer fra og om Det kongelige Bibliotek. Indsamlet og udgivet i anledning af 200-års jubilaeet for bibliotekets åbning for publikum den 15. november 1993 / [ed] Harald Ilsøe i samarbejde med Lotte Philipson, Köbenhavn: Det kongelige Biblioteks Forlag , 1993, s. 17-25Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
    Abstract [sv]

    Uppsatsen återgår på Thure Stenströms forskningsvistelser (bl a under sabbatsterminer 1971-1993) vid Det kgl Bibliotek i Köpenhamn och skildrar institutionens rika bibliotekskultur och vetenskapshistoria med porträtt av lärdomsgiganter sådana som F J Billeskov Jansen, Mogens Bröndsted och Knud Bögh.

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