Endre søk
Begrens søket
2345678 201 - 250 of 722
RefereraExporteraLink til resultatlisten
Permanent link
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Annet format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annet språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf
Treff pr side
  • 5
  • 10
  • 20
  • 50
  • 100
  • 250
Sortering
  • Standard (Relevans)
  • Forfatter A-Ø
  • Forfatter Ø-A
  • Tittel A-Ø
  • Tittel Ø-A
  • Type publikasjon A-Ø
  • Type publikasjon Ø-A
  • Eldste først
  • Nyeste først
  • Skapad (Eldste først)
  • Skapad (Nyeste først)
  • Senast uppdaterad (Eldste først)
  • Senast uppdaterad (Nyeste først)
  • Disputationsdatum (tidligste først)
  • Disputationsdatum (siste først)
  • Standard (Relevans)
  • Forfatter A-Ø
  • Forfatter Ø-A
  • Tittel A-Ø
  • Tittel Ø-A
  • Type publikasjon A-Ø
  • Type publikasjon Ø-A
  • Eldste først
  • Nyeste først
  • Skapad (Eldste først)
  • Skapad (Nyeste først)
  • Senast uppdaterad (Eldste først)
  • Senast uppdaterad (Nyeste først)
  • Disputationsdatum (tidligste først)
  • Disputationsdatum (siste først)
Merk
Maxantalet träffar du kan exportera från sökgränssnittet är 250. Vid större uttag använd dig av utsökningar.
  • 201.
    Foka, Anna
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Material Girls: Humor and Female Professional Seduction in Greek Literature and Culture2014Inngår i: Eugesta: Journal of Gender Studies in Antiquity, ISSN 2156-2253, Vol. 4Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Current scholarship typically views the ancient Greek prostitute/ courtesan figure as an artificially manipulated, sexualized body motivated by material profit. By examining fragments of Middle Comedy and their echoes in post-classical antiquity, this article proposes an alternative view of courtesans and prostitutes as professionals of emotional labor. Through narrative analysis, I show that the Greek comic portrayal of courtesans is multifaceted and not sufficiently illuminated by discussions of their subjectivity, aesthetic modifications, and greed but also extends to the realm of their emotions. Intersecting gender and humor theories with the concept of Emotional Labor (Hochschild 1983), I then argue that these figures can be seen to comically modify their appearance and behavior in order to reflect contemporary ideological and cultural standards of female sexual conduct. Viewing humor as a communicative tool for social hierarchies consequently facilitates a more complex analysis of attitudes towards the commercialization of bodies and emotions in Greek literature and culture.

  • 202.
    Foka, Anna
    Umeå universitet, Humlab.
    Material Girls: Humor and Female Professional Seduction in Greek Literature and Culture2014Inngår i: Eugesta - Journal on gender studies in antiquity, ISSN 2265-8777, Vol. 4, s. 81-105Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Current scholarship typically views the ancient Greek prostitute/ courtesan figure as an artificially manipulated, sexualized body motivated by material profit. By examining fragments of Middle Comedy and their echoes in post-classical antiquity, this article proposes an alternative view of courtesans and prostitutes as professionals of emotional labor. Through narrative analysis, I show that the Greek comic portrayal of courtesans is multifaceted and not sufficiently illuminated by discussions of their subjectivity, aesthetic modifications, and greed but also extends to the realm of their emotions. Intersecting gender and humor theories with the concept of Emotional Labor (Hochschild 1983), I then argue that these figures can be seen to comically modify their appearance and behavior in order to reflect contemporary ideological and cultural standards of female sexual conduct. Viewing humor as a communicative tool for social hierarchies consequently facilitates a more complex analysis of attitudes towards the commercialization of bodies and emotions in Greek literature and culture.

  • 203.
    Foka, Anna
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Remixing Classics for the Screen: Woody Allen and the Classical Tradition2015Inngår i: Studia Oliveriana, ISSN 0562-2964, Vol. 1, s. 55-76Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Several films by Woody Allen (Interiors, Oedipus Wrecks, Match Point and Mighty Aphrodite) contain elements of classical tradition that have been neglected or oversimplified by film scholarship as references to the director’s personal engagement with psychoanalysis. Using Mighty Aphrodite (1995) as illustration, I argue that these films convey the expression of contemporary social issues through a complex and multi-layered reception of classical culture that goes beyond pure psychoanalysis. In Mighty Aphrodite, specifically, Allen deploys the strict formalism of tragedy and the myth of Oedipus as film mechanisms for contemporary societal discourse. Via evaluation of film and narrative, I demonstrate that Allen’s classical reception is self-reflexive as it refers back to the very processes of performative arts. Furthermore, Allen utilizes the classical tradition as a form of expression in contemporary classical Hollywood narratives and creates a rich cultural experience for his audience; a cinematic treatise on cultural remix, dramatic formalism and classical reception per se.  

     

  • 204.
    Foka, Anna
    Umeå universitet, Humlab.
    Remixing Classics for the Screen: Woody Allen and the Classical Tradition2015Inngår i: Studia Oliveriana, ISSN 0562-2964, Vol. 1, s. 55-76Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Several films by Woody Allen (Interiors, Oedipus Wrecks, Match Point and Mighty Aphrodite) contain elements of classical tradition that have been neglected or oversimplified by film scholarship as references to the director’s personal engagement with psychoanalysis. Using Mighty Aphrodite (1995) as illustration, I argue that these films convey the expression of contemporary social issues through a complex and multi-layered reception of classical culture that goes beyond pure psychoanalysis. In Mighty Aphrodite, specifically, Allen deploys the strict formalism of tragedy and the myth of Oedipus as film mechanisms for contemporary societal discourse. Via evaluation of film and narrative, I demonstrate that Allen’s classical reception is self-reflexive as it refers back to the very processes of performative arts. Furthermore, Allen utilizes the classical tradition as a form of expression in contemporary classical Hollywood narratives and creates a rich cultural experience for his audience; a cinematic treatise on cultural remix, dramatic formalism and classical reception per se.  

     

  • 205.
    Foka, Anna
    Umeå universitet, Humlab.
    The digital aesthetic in 'Atlantis: the evidence' (2010)2018Inngår i: Ancient Greece on British television / [ed] Fiona Hobden and Amanda Wringley, Edinburgh, Scotland: Edinburgh University Press , 2018, s. 187-202Kapittel i bok, del av antologi (Fagfellevurdert)
  • 206.
    Foka, Anna
    Umeå universitet, Humanistiska fakulteten, Humlab.
    The digital aesthetic in 'Atlantis: the evidence' (2010)2018Inngår i: Ancient Greece on British television / [ed] Fiona Hobden and Amanda Wringley, Edinburgh, Scotland: Edinburgh University Press, 2018, s. 187-202Kapittel i bok, del av antologi (Fagfellevurdert)
    Fulltekst tilgjengelig fra 2021-05-31 11:09
  • 207.
    Foka, Anna
    et al.
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Katerelou, Amalia
    Kelaidis, Katherine
    Xekalaki, Georgia
    Digital Archaeology? Greece on Focus: Tools, methodologies and trends2017Annet (Fagfellevurdert)
    Abstract [en]

    Archaeology is an interdisciplinary science, as it is a scholarly study of past processes that often combines space, place, natural science, materials and texts in its interpretation. Presently, the majority of practicing archaeologists include digital tools in their work (e.g. data keeping, digital mapping, visualization tools). And recently, digital visualization is trending beyond 3D modelling and landscape reconstruction and into the interactive, scientific visualization of data in order to render relations between geographies and cultures, sensory properties (Betts 2011, Betts 2017, Foka and Arvidsson 2016), external /internal networks and aerial visualizations. On an international level, we have come to speak of the notion of “cyber-archaeology” (Forte 2015): archaeological methods that utilize participatory technology to interact with past artefacts and spaces and to understand the past through reflection and cooperative efforts. Current digital tools and methodologies help capture and display knowledge about the past. While there is considerable room for improvement, both in terms of tools and of methodologies, from composing plain databases to visualizations intended for wider museum audiences, we address here the current progress within Greek archaeological practice and emphasize the importance of sustainable and updated digital research infrastructures in order to enhance access to materials for researchers and laypeople alike.

  • 208.
    Foka, Anna
    et al.
    Umeå universitet, Humlab.
    Katerelou, Amalia
    Kelaidis, Katherine
    Xekalaki, Georgia
    Digital Archaeology? Greece on Focus: Tools, methodologies and trends2017Annet (Fagfellevurdert)
    Abstract [en]

    Archaeology is an interdisciplinary science, as it is a scholarly study of past processes that often combines space, place, natural science, materials and texts in its interpretation. Presently, the majority of practicing archaeologists include digital tools in their work (e.g. data keeping, digital mapping, visualization tools). And recently, digital visualization is trending beyond 3D modelling and landscape reconstruction and into the interactive, scientific visualization of data in order to render relations between geographies and cultures, sensory properties (Betts 2011, Betts 2017, Foka and Arvidsson 2016), external /internal networks and aerial visualizations. On an international level, we have come to speak of the notion of “cyber-archaeology” (Forte 2015): archaeological methods that utilize participatory technology to interact with past artefacts and spaces and to understand the past through reflection and cooperative efforts. Current digital tools and methodologies help capture and display knowledge about the past. While there is considerable room for improvement, both in terms of tools and of methodologies, from composing plain databases to visualizations intended for wider museum audiences, we address here the current progress within Greek archaeological practice and emphasize the importance of sustainable and updated digital research infrastructures in order to enhance access to materials for researchers and laypeople alike.

  • 209.
    Forsberg, Stig
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten.
    Near Eastern destruction datings as sources for Greek and Near Eastern Iron Age chronology: archaeological and historical studies : the cases of Samaria (722 B.C.) and Tarsus (696 B.C.)1995 (oppl. 2., rev. ed.)Bok (Annet vitenskapelig)
  • 210. Forsén, Björn
    et al.
    Karivieri, Arja
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Antikens kultur och samhällsliv. Institutionen för arkeologi och antikens kultur. Antikens kultur och samhällsliv.
    From Roman villa economies to Slavic nomadic life2003Inngår i: The Asea Valley Survey: An Arcadian Mountain Valley from the Palaeolithic Period until Modern Times, Svenska institutet i Athen; Paul Åströms Förlag, Sävedalen , 2003, s. 307-312Kapittel i bok, del av antologi (Fagfellevurdert)
  • 211. Galik, A.
    et al.
    Forstenpointner, G.
    Weissengruber, G.E.
    Thanheiser, U.
    Lindblom, Michael
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    Smetana, R.
    Gauss, W.
    Bioarchaeological investigations at Kolonna, Aegina (Early Helladic III to Late Helladic III)2013Inngår i: Diet, Economy and Society in the Ancient Greek World: Towards a Better Integration of Archaeology and Science. Proceedings of the International Conference Held at the Netherlands Institute at Athens on 22-24 March 2010 / [ed] S. Voutsaki and S.M. Valamoti, Leuven: Peeters Publishers, 2013, s. 163-172Kapittel i bok, del av antologi (Fagfellevurdert)
  • 212.
    Gerding, Henrik
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia. AKS.
    Horatius, Ode 2.10 and the Crassus affair2004Inngår i: Dais philesistephanos: Studies in honour of Professor Staffan Fogelmark presented on the occasion of his 65th birthday 12 April 2004, 2004Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 213.
    Gerding, Henrik
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    Reconsidering the tomb of Aulus Hirtius2008Inngår i: Opuscula. Annual of the Swedish Institutes at Athens and Rome, Vol. 1, s. 145-154Artikkel i tidsskrift (Fagfellevurdert)
  • 214.
    Gierow, Kristine
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    The Protovillanova culture in San Giovenale: A study of ceramics and huts2018Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    This study presents an overview of the spreading of the Protovillanovan culture on the Acropolis of San Giovenale through a typological study of the materials such as the oval huts and the ceramics of this period. Through a typological study of ceramics this study will be able to define what type of ceramic vessels are more common during the Protovillanova period. The oval huts are included in this study in order to see the size and the spreading of the proto-urban society of San Giovenale.

  • 215.
    Gillis, Carole
    et al.
    Lunds universitet.
    Sjöberg L., BirgittaUppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    Crossing Borders: Proceedings of the 7th, 8th and 9th International Workshops Athen 1997-19992008Konferanseproceedings (Annet vitenskapelig)
  • 216. Gines Taylor, Catherine
    et al.
    Kabala, Irene
    Karivieri, Arja
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Sigma2016Inngår i: The Eerdmans Encyclopedia of Early Christian Art and Archaeology / [ed] Paul Corby Finney, William B. Eerdmans Publishing Company, 2016, s. 504-504Kapittel i bok, del av antologi (Fagfellevurdert)
  • 217.
    Granholm, Christian
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    Alla vägar leder till Rom: Watling Street och Via Tiburtina2017Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
  • 218.
    Gustafsson, Lotta
    KTH, Skolan för arkitektur och samhällsbyggnad (ABE), Arkitektur, Arkitekturens teori och historia.
    Medeltidskyrkan i Uppland: restaurering och rumslig förnyelse under 1900-talet2010Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    The aim of this work is to illuminate the history of restoration in 20th century Sweden by studying restorations of medieval Uppland churches, in the hope of highlighting the debate and conflicts surrounding the ideologies forming the framework of church restorations and identifying the crucial considerations. It is an attempt to depicting church restorations with the focus of attention on the function of the church interior, but also on ways of achieving a credible design appropriate to the present. Theological and liturgical issues and their connection with usability constitute an important background.

    The study takes as its starting point the architect’s mission as the person in charge of the restoration project. The heritage conservation aspects and issues of principle concerning preservation are present as a basic precondition of every restoration assignment.The study demonstrates the complexity of the design of the various church interiors. The 20th century restorations have been concerned with modernisation, with questions of materials and with the character of the church interiors, but they have also hinged on individual architects and their differing attitudes towards preservation and new design, and on the relation between restoration and spatial renewal.

    This study encompasses the whole of the 20th century, but with special emphasis on the period between about 1920 and 1980. First of all a general count was taken of all major restorations in the province of Uppland. Their time-related character prompted a division of the 20th century into four periods, and one church from each period was chosen for closer study. The four churches chosen were Tensta, Skånela, Knivsta and Orkesta. More examples were then used to illustrate the complexity of the restorations. Studies of the church buildings, in the in-depth studies and in supplementary examples from the province as a whole, were then viewed in relation to overarching issues concerning restoration tradition, values and viewpoints held by the heritage conservation authorities, parochial needs for changes to the church interiors, but also discussions concerning the functional and artistic design of new churches and how those discussions were reflected in the historic churches.

  • 219.
    Habetzeder, Julia
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    Abbreviated references or "ideal herms": An abbreviated account2018Inngår i: Frusna ögonblick: Essäer tillägnade Anne-Marie Leander Touati / [ed] Henrik Gerding, Lovisa Brännstedt & Renée Forsell, Lund: Lunds universitet , 2018, 1, s. 85-104Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 220.
    Habetzeder, Julia
    Stockholms universitet, Antikens kultur och samhällsliv.
    Att upptäcka antiken: Recensioner av Stephen L. Dyson, In pursuit of ancient pasts. A history of Classical Archaeology in the nineteenth and twentieth centuries, New Haven och London 2006, och Great moments in Greek archaeology, red. Panos Valavanis, Los Angeles 20072009Inngår i: Medusa. Svensk tidsskrift för antiken, ISSN 0349-456X, nr 4, s. 38-43Artikkel, omtale (Annet (populærvitenskap, debatt, mm))
  • 221.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Att upptäcka antiken: Recensioner av Stephen L. Dyson, In pursuit of ancient pasts. A history of Classical Archaeology in the nineteenth and twentieth centuries, New Haven och London 2006, och Great moments in Greek archaeology, red. Panos Valavanis, Los Angeles 20072009Inngår i: Medusa. Svensk tidsskrift för antiken, ISSN 0349-456X, nr 4, s. 38-43Artikkel, omtale (Annet (populærvitenskap, debatt, mm))
  • 222.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Dancing with decorum: The eclectic usage of kalathiskos dancers and pyrrhic dancers in Roman visual culture2012Inngår i: Opuscula: Annual of the Swedish Institutes at Athens and Rome, ISSN 2000-0898, Vol. 5, s. 7-47Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article examines two groups of motifs in Roman visual culture: females modelled on kalathiskos dancers, and males modelled on pyrrhic dancers. Eclecticism is emphasized as a strategy which was used to introduce novelties that were appropriate within a Roman cultural context. The figures representing kalathiskos dancers and pyrrhic dancers were both changed in an eclectic manner and this resulted in motifs representing the goddess Victoria, and the curetes respectively.

    Kalathiskos dancers and eclectic Victoriae figure on many different media at least from the Augustan era and into the 2nd century AD. It is argued here that the establishment of these two motifs in Roman visual culture is closely related to the aesthetics which came to the fore during the reign of Augustus. Thereafter, both kalathiskos dancers and eclectic Victoriae lingered on in the Roman cultural context until many of the material categories on which they were depicted ceased to be produced.

    Unlike the kalathiskos dancers, the male figures modelled on pyrrhic dancers are so rare within Roman visual culture that we can only assume they were, to some extent, perceived as an inappropriate motif. This can most likely be explained by the negative attitude, amongst the Roman elite, towards male dancing.

  • 223.
    Habetzeder, Julia
    Stockholms universitet, Antikens kultur och samhällsliv.
    Dancing with decorum: The eclectic usage of kalathiskos dancers and pyrrhic dancers in Roman visual culture2012Inngår i: Opuscula: Annual of the Swedish Institutes at Athens and Rome, ISSN 2000-0898, Vol. 5, s. 7-47Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article examines two groups of motifs in Roman visual culture: females modelled on kalathiskos dancers, and males modelled on pyrrhic dancers. Eclecticism is emphasized as a strategy which was used to introduce novelties that were appropriate within a Roman cultural context. The figures representing kalathiskos dancers and pyrrhic dancers were both changed in an eclectic manner and this resulted in motifs representing the goddess Victoria, and the curetes respectively.

    Kalathiskos dancers and eclectic Victoriae figure on many different media at least from the Augustan era and into the 2nd century AD. It is argued here that the establishment of these two motifs in Roman visual culture is closely related to the aesthetics which came to the fore during the reign of Augustus. Thereafter, both kalathiskos dancers and eclectic Victoriae lingered on in the Roman cultural context until many of the material categories on which they were depicted ceased to be produced.

    Unlike the kalathiskos dancers, the male figures modelled on pyrrhic dancers are so rare within Roman visual culture that we can only assume they were, to some extent, perceived as an inappropriate motif. This can most likely be explained by the negative attitude, amongst the Roman elite, towards male dancing.

  • 224.
    Habetzeder, Julia
    Stockholms universitet, Antikens kultur och samhällsliv.
    Ett mystiskt moln över Medelhavet2010Inngår i: Medusa. Svensk tidsskrift för antiken, ISSN 0349-456X, nr 2, s. 28-28Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 225.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Ett mystiskt moln över Medelhavet2010Inngår i: Medusa. Svensk tidsskrift för antiken, ISSN 0349-456X, nr 2, s. 28-28Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 226.
    Habetzeder, Julia
    Stockholms universitet, Institutionen för arkeologi och antikens kultur.
    Evading Greek models: Three studies on Roman visual culture2012Doktoravhandling, med artikler (Annet vitenskapelig)
    Abstract [en]

    For a long time, Roman ideal sculptures have primarily been studied within the tradition of Kopienkritik. Owing to some of the theoretical assumptions tied to this practice, several important aspects of Roman visual culture have been neglected as the overall aim of such research has been to gain new knowledge regarding assumed Classical and Hellenistic models. This thesis is a collection of three studies on Roman ideal sculpture. The articles share three general aims: 1. To show that the practice of Kopienkritik has, so far, not produced convincing interpretations of the sculpture types and motifs discussed. 2. To show that aspects of the methodology tied to the practice of Kopienkritik (thorough examination and comparison of physical forms in sculptures) can, and should, be used to gain insights other than those concerning hypothetical Classical and Hellenistic model images. 3. To present new interpretations of the sculpture types and motifs studied, interpretations which emphasize their role and importance within Roman visual culture.

    The first article shows that reputed, post-Antique restorations may have an unexpected—and unwanted—impact on the study of ancient sculptures. This is examined by tracing the impact that a restored motif ("Satyrs with cymbals") has had on the study of an ancient sculpture type: the satyr ascribed to the two-figure group "The invitation to the dance". The second article presents and interprets a sculpture type which had previously gone unnoticed—The satyrs of "The Palazzo Massimo-type". The type is interpreted as a variant of "The Marsyas in the forum", a motif that was well known within the Roman cultural context. The third article examines how, and why, two motifs known from Classical models were changed in an eclectic fashion once they had been incorporated into Roman visual culture. The motifs concerned are kalathiskos dancers, which were transformed into Victoriae, and pyrrhic dancers, which were also reinterpreted as mythological figures—the curetes.

  • 227.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Evading Greek models: Three studies on Roman visual culture2012Doktoravhandling, med artikler (Annet vitenskapelig)
    Abstract [en]

    For a long time, Roman ideal sculptures have primarily been studied within the tradition of Kopienkritik. Owing to some of the theoretical assumptions tied to this practice, several important aspects of Roman visual culture have been neglected as the overall aim of such research has been to gain new knowledge regarding assumed Classical and Hellenistic models. This thesis is a collection of three studies on Roman ideal sculpture. The articles share three general aims: 1. To show that the practice of Kopienkritik has, so far, not produced convincing interpretations of the sculpture types and motifs discussed. 2. To show that aspects of the methodology tied to the practice of Kopienkritik (thorough examination and comparison of physical forms in sculptures) can, and should, be used to gain insights other than those concerning hypothetical Classical and Hellenistic model images. 3. To present new interpretations of the sculpture types and motifs studied, interpretations which emphasize their role and importance within Roman visual culture.

    The first article shows that reputed, post-Antique restorations may have an unexpected—and unwanted—impact on the study of ancient sculptures. This is examined by tracing the impact that a restored motif ("Satyrs with cymbals") has had on the study of an ancient sculpture type: the satyr ascribed to the two-figure group "The invitation to the dance". The second article presents and interprets a sculpture type which had previously gone unnoticed—The satyrs of "The Palazzo Massimo-type". The type is interpreted as a variant of "The Marsyas in the forum", a motif that was well known within the Roman cultural context. The third article examines how, and why, two motifs known from Classical models were changed in an eclectic fashion once they had been incorporated into Roman visual culture. The motifs concerned are kalathiskos dancers, which were transformed into Victoriae, and pyrrhic dancers, which were also reinterpreted as mythological figures—the curetes.

  • 228.
    Habetzeder, Julia
    Stockholms universitet, Antikens kultur och samhällsliv.
    Graciöst vapenskrammel: Beväpnade, manliga dansare i romersk bildvärld2009Konferansepaper (Annet vitenskapelig)
  • 229.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Graciöst vapenskrammel: Beväpnade, manliga dansare i romersk bildvärld2009Konferansepaper (Annet vitenskapelig)
  • 230.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Intertextualitet och romersk visuell kultur: Ett nytt angreppssätt för romersk idealskulptur2013Konferansepaper (Annet vitenskapelig)
    Abstract [sv]

    Projektets grundläggande forskningsfråga rör idealskulpturens roll inom den romerska världen. Sedan 1800-talets mitt har sådana skulpturer i första hand studerats som romerska kopior efter grekiska original, utifrån den kopiekritiska metoden. Men under de senaste tjugo åren har kopiekritikens dominerande ställning kritiserats upprepade gånger. Kritiken rör framför allt det faktum att metoden inte tar i beaktande skulpturernas roll inom den romerska kulturella kontexten. Men trots kritiken har inget annat angreppsätt ännu lyckats konkurrera med kopiekritiken. Detta projekt syftar till att formulera ett nytt angreppssätt för studiet av dessa fascinerande skulpturer, en metod som har en stor potential att ge nya insikter beträffande idealskulpturens plats i det romerska samhället. Det nya angreppssättet utgår ifrån konceptet intertextualitet, och det introducerar således också ett teoretiskt och tvärvetenskapligt element till den aktuella debatten om hur romerska idealskulpturer bör tolkas.

  • 231.
    Habetzeder, Julia
    Stockholms universitet, Antikens kultur och samhällsliv.
    Intertextualitet och romersk visuell kultur: Ett nytt angreppssätt för romersk idealskulptur2013Konferansepaper (Annet vitenskapelig)
    Abstract [sv]

    Projektets grundläggande forskningsfråga rör idealskulpturens roll inom den romerska världen. Sedan 1800-talets mitt har sådana skulpturer i första hand studerats som romerska kopior efter grekiska original, utifrån den kopiekritiska metoden. Men under de senaste tjugo åren har kopiekritikens dominerande ställning kritiserats upprepade gånger. Kritiken rör framför allt det faktum att metoden inte tar i beaktande skulpturernas roll inom den romerska kulturella kontexten. Men trots kritiken har inget annat angreppsätt ännu lyckats konkurrera med kopiekritiken. Detta projekt syftar till att formulera ett nytt angreppssätt för studiet av dessa fascinerande skulpturer, en metod som har en stor potential att ge nya insikter beträffande idealskulpturens plats i det romerska samhället. Det nya angreppssättet utgår ifrån konceptet intertextualitet, och det introducerar således också ett teoretiskt och tvärvetenskapligt element till den aktuella debatten om hur romerska idealskulpturer bör tolkas.

  • 232.
    Habetzeder, Julia
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    Intertextuality and Roman visual culture: A new approach to Roman ideal sculpture2015Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    The aim of this project is to acquire new knowledge regarding the role of ideal sculpture in the Roman world. Since the mid-19th century, such sculptures have been studied primarily as Roman copies of Greek originals, using the method of copy criticism. During the last two decades, the dominating influence of this approach has been repeatedly criticized as it does not investigate the place of such sculptures in the Roman cultural context. Yet, no alternative approach has managed to rival that of copy criticism. This project aims to formulate a new mode of studying this fascinating material, an approach that has great potential to produce new insights into the role of ideal sculptures in Roman society. Turning to the concept of intertextuality, this project also aims to introduce a theoretical and multidisciplinary element to the current debate on how to interpret Roman ideal sculpture.

  • 233.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Intertextuality and Roman visual culture: A new approach to Roman ideal sculpture2014Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    The aim of this project is to acquire new knowledge regarding the role of ideal sculpture in the Roman world. Since the mid-19th century, such sculptures have been studied primarily as Roman copies of Greek originals, using the method of copy criticism. During the last two decades, the dominating influence of this approach has been repeatedly criticized as it does not investigate the place of such sculptures in the Roman cultural context. Yet, no alternative approach has managed to rival that of copy criticism. This project aims to formulate a new mode of studying this fascinating material, an approach that has great potential to produce new insights into the role of ideal sculptures in Roman society. Turning to the concept of intertextuality, this project also aims to introduce a theoretical and multidisciplinary element to the current debate on how to interpret Roman ideal sculpture.

  • 234.
    Habetzeder, Julia
    Stockholms universitet, Antikens kultur och samhällsliv.
    Intertextuality and Roman visual culture: A new approach to Roman ideal sculpture2014Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    The aim of this project is to acquire new knowledge regarding the role of ideal sculpture in the Roman world. Since the mid-19th century, such sculptures have been studied primarily as Roman copies of Greek originals, using the method of copy criticism. During the last two decades, the dominating influence of this approach has been repeatedly criticized as it does not investigate the place of such sculptures in the Roman cultural context. Yet, no alternative approach has managed to rival that of copy criticism. This project aims to formulate a new mode of studying this fascinating material, an approach that has great potential to produce new insights into the role of ideal sculptures in Roman society. Turning to the concept of intertextuality, this project also aims to introduce a theoretical and multidisciplinary element to the current debate on how to interpret Roman ideal sculpture.

  • 235.
    Habetzeder, Julia
    Stockholms universitet, Antikens kultur och samhällsliv.
    Kunst von unten? Stil und Gesellschaft in der antiken Welt von der "arte plebea" bis heute (Palilia, 27), eds. Francesco de Angelis, Jens-Arne Dickmann, Felix Pirson and Ralf von den Hoff, Deutsches Archäologisches Institut Rom. Wiesbaden 2012. 184 pp. ISBN 978-3-89500-915-02014Inngår i: Opuscula: Annual of the Swedish Institutes at Athens and Rome, ISSN 2000-0898, Vol. 7, s. 246-248Artikkel, omtale (Annet vitenskapelig)
  • 236.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Kunst von unten? Stil und Gesellschaft in der antiken Welt von der "arte plebea" bis heute (Palilia, 27), eds. Francesco de Angelis, Jens-Arne Dickmann, Felix Pirson and Ralf von den Hoff, Deutsches Archäologisches Institut Rom. Wiesbaden 2012. 184 pp. ISBN 978-3-89500-915-02014Inngår i: Opuscula: Annual of the Swedish Institutes at Athens and Rome, ISSN 2000-0898, Vol. 7, s. 246-248Artikkel, omtale (Annet vitenskapelig)
  • 237.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Marsyas in the garden?: Small-scale sculptures referring to the Marsyas in the forum2010Inngår i: Opuscula: Annual of the Swedish Institutes at Athens and Rome, ISSN 2000-0898, Vol. 3, s. 163-178Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    While studying a small-scale sculpture in the collections of the Nationalmuseum in Stockholm, I noticed that it belongs to a previously unrecognized sculpture type. The type depicts a paunchy, bearded satyr who stands with one arm raised. To my knowledge, four replicas exist. By means of stylistic comparison, they can be dated to the late second to early third centuries AD. Due to their scale and rendering they are likely to have been freestanding decorative elements in Roman villas or gardens.

    The iconography of the satyrs of the type discussed is closely related to that of a group of fountain figures. These fountain figures are believed to refer to a motif well known in Roman times: the Marsyas in the forum. In this article I argue that the satyrs of the type discussed refer as well to this once famous depiction of Marsyas.

  • 238.
    Habetzeder, Julia
    Stockholms universitet, Institutionen för arkeologi och antikens kultur.
    Marsyas in the garden?: Small-scale sculptures referring to the Marsyas in the forum2010Inngår i: Opuscula: Annual of the Swedish Institutes at Athens and Rome, ISSN 2000-0898, Vol. 3, s. 163-178Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    While studying a small-scale sculpture in the collections of the Nationalmuseum in Stockholm, I noticed that it belongs to a previously unrecognized sculpture type. The type depicts a paunchy, bearded satyr who stands with one arm raised. To my knowledge, four replicas exist. By means of stylistic comparison, they can be dated to the late second to early third centuries AD. Due to their scale and rendering they are likely to have been freestanding decorative elements in Roman villas or gardens.

    The iconography of the satyrs of the type discussed is closely related to that of a group of fountain figures. These fountain figures are believed to refer to a motif well known in Roman times: the Marsyas in the forum. In this article I argue that the satyrs of the type discussed refer as well to this once famous depiction of Marsyas.

  • 239.
    Habetzeder, Julia
    Stockholms universitet, Antikens kultur och samhällsliv.
    Marsyas Unbound2014Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    In the presentation of the workshop "Reading emotions in ancient visual culture" the following question is posed: "Why was the agonizing sculpture of Marsyas about to be flayed so popular in the early Roman empire?" This paper will suggest an answer to this question. I wish to emphasize that there was an alternative version of the myth of Marsyas, one where he manages to escape the cruel fate that Apollo had set out for him. Instead, Marsyas settled in Italy, where his image was later to be placed in Roman fora as a symbol of liberty. I will suggest that there was a Roman tradition of depicting Marsyas "unbound" - after having escaped from Apollo and arrived in Italy. Agonizing as the depictions of the hanging Marsyas are, in a Roman context they were perhaps not necessarily seen to represent the final hours of Marsyas' life.

  • 240.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Marsyas Unbound2014Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    In the presentation of the workshop "Reading emotions in ancient visual culture" the following question is posed: "Why was the agonizing sculpture of Marsyas about to be flayed so popular in the early Roman empire?" This paper will suggest an answer to this question. I wish to emphasize that there was an alternative version of the myth of Marsyas, one where he manages to escape the cruel fate that Apollo had set out for him. Instead, Marsyas settled in Italy, where his image was later to be placed in Roman fora as a symbol of liberty. I will suggest that there was a Roman tradition of depicting Marsyas "unbound" - after having escaped from Apollo and arrived in Italy. Agonizing as the depictions of the hanging Marsyas are, in a Roman context they were perhaps not necessarily seen to represent the final hours of Marsyas' life.

  • 241.
    Habetzeder, Julia
    Stockholms universitet, Antikens kultur och samhällsliv.
    Medusa till salu i Tübingen2014Inngår i: Medusa. Svensk tidsskrift för antiken, ISSN 0349-456X, Vol. 35, nr 3, s. 49-49Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 242.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Medusa till salu i Tübingen2014Inngår i: Medusa. Svensk tidsskrift för antiken, ISSN 0349-456X, Vol. 35, nr 3, s. 49-49Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 243.
    Habetzeder, Julia
    Stockholms universitet, Antikens kultur och samhällsliv.
    Piscina mirabilis2010Inngår i: Medusa. Svensk tidsskrift för antiken, ISSN 0349-456X, nr 3, s. 42-43Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 244.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Piscina mirabilis2010Inngår i: Medusa. Svensk tidsskrift för antiken, ISSN 0349-456X, nr 3, s. 42-43Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 245.
    Habetzeder, Julia
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    Pompejanska fantasier i nöjets tjänst2015Inngår i: Romhorisont. Tidskrift för Föreningen svenska rominstitutets vänner och Svenska institutet i Rom, ISSN 0349-5590, nr 62, s. 20-22Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
    Abstract [sv]

    Om pompejanska influenser i 1920-talets färgglada klassicism. Texten är en återgivning av det föredrag som författaren höll på temadagen "Inspiration och ideal. Pompejanskt i Sverige under 1700-talet-1900-talet" på Konstakademien i Stockholm den 22 november 2014. Temadagen arrangerades av Föreningen svenska rominstitutets vänner, i samband med Pompejiutställningen på Millesgården.

  • 246.
    Habetzeder, Julia
    Stockholms universitet, Antikens kultur och samhällsliv.
    Recension av E. Tengström, Broar till antiken. Antikens inflytande på svenskt samhälls- och kulturliv 1780-1850, Göteborg 2014, 252 s.2014Inngår i: Medusa. Svensk tidsskrift för antiken, ISSN 0349-456X, Vol. 35, nr 4, s. 39-42Artikkel, omtale (Annet (populærvitenskap, debatt, mm))
  • 247.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Recension av E. Tengström, Broar till antiken. Antikens inflytande på svenskt samhälls- och kulturliv 1780-1850, Göteborg 2014, 252 s.2014Inngår i: Medusa. Svensk tidsskrift för antiken, ISSN 0349-456X, Vol. 35, nr 4, s. 39-42Artikkel, omtale (Annet (populærvitenskap, debatt, mm))
  • 248.
    Habetzeder, Julia
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    Stockholms Apollon Musagetes genom århundradena2016Inngår i: Medusa. Svensk tidsskrift för antiken, ISSN 0349-456X, ISSN 0349-456X, Vol. 37, nr 3, s. 24-33Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 249.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    The impact of restoration: The example of "The dancing satyr" in the Uffizi2014Konferansepaper (Annet vitenskapelig)
  • 250.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    The impact of restoration: The example of the dancing satyr in the Uffizi2012Inngår i: Opuscula: Annual of the Swedish Institutes at Athens and Rome, ISSN 2000-0898, Vol. 5, s. 133-163Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    The aim of this article is to show that reputed restorations may have an unexpected impact on the study of ancient sculpture. During the 17th-19th centuries a number of restored antiques where held in exceptionally high regard. One of the consequences of their renowned was the production of copies and adaptations in different scales and media. Such reproductions did not distinguish between the ancient and the restored parts of the work.

    Today these reproductions are centuries old, and in many cases their provenance has long since been forgotten. Therefore, such post-antique sculptures are easily misinterpreted as ancient. Subsequently, they are at times used as evidence of ancient sculptural production. Needless to say, this may cause flawed notions of Classical sculpture.

    The complexity of this relationship, between the ancient and the restored, is here exemplified by tracing the impact that a restored motif – “satyrs with cymbals” – has had on the study of an ancient sculpture type – the satyr attributed to “The invitation to the dance”.

2345678 201 - 250 of 722
RefereraExporteraLink til resultatlisten
Permanent link
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Annet format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annet språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf