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  • 1.
    Enflo, Laura
    et al.
    KTH, Skolan för datavetenskap och kommunikation (CSC), Tal, musik och hörsel, TMH, Tal-kommunikation.
    Sundberg, Johan
    KTH, Skolan för datavetenskap och kommunikation (CSC), Tal, musik och hörsel, TMH, Tal-kommunikation.
    Vocal fold collision threshold pressure: An alternative to phonation threshold pressure?2009Inngår i: Logopedics, Phoniatrics, Vocology, ISSN 1401-5439, E-ISSN 1651-2022, Vol. 34, nr 4, s. 210-217Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [et]

    Phonation threshold pressure (PTP), frequently used for characterizing vocal fold properties, is often difficult to measure. This investigation analyses the lowest pressure initiating vocal fold collision (CTP). Microphone, electroglottograph (EGG), and oral pressure signals were recorded, before and after vocal warm-up, in 15 amateur singers, repeating the syllable /pa:/ at several fundamental frequencies with gradually decreasing vocal loudness. Subglottal pressure was estimated from oral pressure during the p-occlusion, using the audio and the EGG amplitudes as criteria for PTP and CTP. The coefficient of variation was mostly lower for CTP than for PTP. Both CTP and PTP tended to be higher before than after the warm-up. The results support the conclusion that CTP is a promising parameter in investigations of vocal fold characteristics.

  • 2.
    Gustafsson, Lotta
    KTH, Skolan för arkitektur och samhällsbyggnad (ABE), Arkitektur, Arkitekturens teori och historia.
    Medeltidskyrkan i Uppland: restaurering och rumslig förnyelse under 1900-talet2010Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    The aim of this work is to illuminate the history of restoration in 20th century Sweden by studying restorations of medieval Uppland churches, in the hope of highlighting the debate and conflicts surrounding the ideologies forming the framework of church restorations and identifying the crucial considerations. It is an attempt to depicting church restorations with the focus of attention on the function of the church interior, but also on ways of achieving a credible design appropriate to the present. Theological and liturgical issues and their connection with usability constitute an important background.

    The study takes as its starting point the architect’s mission as the person in charge of the restoration project. The heritage conservation aspects and issues of principle concerning preservation are present as a basic precondition of every restoration assignment.The study demonstrates the complexity of the design of the various church interiors. The 20th century restorations have been concerned with modernisation, with questions of materials and with the character of the church interiors, but they have also hinged on individual architects and their differing attitudes towards preservation and new design, and on the relation between restoration and spatial renewal.

    This study encompasses the whole of the 20th century, but with special emphasis on the period between about 1920 and 1980. First of all a general count was taken of all major restorations in the province of Uppland. Their time-related character prompted a division of the 20th century into four periods, and one church from each period was chosen for closer study. The four churches chosen were Tensta, Skånela, Knivsta and Orkesta. More examples were then used to illustrate the complexity of the restorations. Studies of the church buildings, in the in-depth studies and in supplementary examples from the province as a whole, were then viewed in relation to overarching issues concerning restoration tradition, values and viewpoints held by the heritage conservation authorities, parochial needs for changes to the church interiors, but also discussions concerning the functional and artistic design of new churches and how those discussions were reflected in the historic churches.

  • 3.
    Karlsdotter Lyckman, Kerstin
    KTH, Skolan för arkitektur och samhällsbyggnad (ABE), Arkitektur.
    Historiska oljefärger i arkitektur och restaurering2005Doktoravhandling, monografi (Annet vitenskapelig)
  • 4.
    Östman, Leif E.
    KTH, Skolan för arkitektur och samhällsbyggnad (ABE), Arkitektur.
    A pragmatist theory of design: The impact of the pragmatist philosophy of John Dewey on architecture and design2005Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    This study is an inquiry into design-theoretical aspects of architectural design in Finland based mainly on the pragmatist philosophy of John Dewey. The study comprises two case studies. The . rst case deals with a young family designing their future home – a detached house built from prefabricated components – in cooperation with an architect. The second case deals with the design process of a leading Finnish architect, Professor Ilmari Lahdelma, as he prepares his proposal for an architectural competition for a new city library in Lohja, a competition he eventually wins. The case describes and interprets Lahdelma’s design process, the processes of other competition entries made by the of. ce staff, as well as the process of the jury’s evaluation of the competition entries. The two cases are analysed and interwoven with aspects from three different theoretical perspectives: existing design theories, Pierre Bourdieu’s . eld theory and John Dewey’s thinking regarding art and research. In the study I argue that Dewey’s philosophy can provide a framework for a design-theoretical epistemology. I also arrive at conclusions regarding the interpretation of some key design-theoretical concepts and the position of design theory and its structures. I further argue that the Finnish architectural competition system is a strong tool for generating developments in the production of the architectural avant-garde, which acts as the leading light for the rest of the . eld of architecture. The present study also highlights the gap between ‘high-’ and ‘low culture’ in the . eld of architecture, yet points out that the design of a simple family house – assumedly a case of ‘low culture’ – is by no means trivial to the family itself, and is indeed . lled with moments of aesthetic experiences, which is a central issue in Dewey’s description of creative processes.

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