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  • 1.
    Berndt Ersöz, Susanne
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Noise-making rituals in Iron Age Phrygia2015Inngår i: Natur-Kult-Raum: Akten des internationalen Kolloquiums Paris-Lodron-Universität Salzburg, 20-22 Jänner 2012 / [ed] Katja Sporn, Sabine Ladstätter, Michael Kerschner, Wien: Österreiches Archäologisches Institut Wien , 2015, s. 29-44Konferansepaper (Annet vitenskapelig)
  • 2.
    Blomberg, Mary
    et al.
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    Henriksson, G:
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    Minos Enneoros: Archaeoastronomical light on the priestly role of the king in Crete1996Inngår i: Religion and power in the ancient Greek world: proceedings of the Uppsala symposium 1993 / [ed] Pontus Hellström and Brita Alroth, Uppsala: Acta Universitatis Upsaliensis, Uppsala , 1996, s. 27-39Konferansepaper (Annet vitenskapelig)
  • 3.
    Ekroth, Gunnel
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Antikens kultur och samhällsliv.
    Altars in Greek hero-cults: A review of the archaeological evidence1998Inngår i: Ancient Greek cult practice from the archaeological evidence: Proceedings of the Fourth international seminar on ancient Greek cult, organized by the Swedish Institute at Athens 22-24 October 1993, 1998, s. 117-130Konferansepaper (Fagfellevurdert)
  • 4.
    Ekroth, Gunnel
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Iconographical evidence for the treatment of animal blood at Greek sacrifices2006Inngår i: Proceedings of the XVIth International Congress of Classical Archaeology, Boston, August 23-26, 2003. Common ground: archaeology, art, science, and humanities, 2006, s. 40-43Konferansepaper (Annet vitenskapelig)
  • 5.
    Ekroth, Gunnel
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Pausanias and the sacrificial rituals of Greek hero-cults1999Inngår i: Ancient Greek hero cult: Proceedings of the Fifth international seminar on ancient Greek cult, organized by the Department of classical archaeology and ancient history, Göteborg university, 21-23 April 1995, 1999, s. 145-158Konferansepaper (Fagfellevurdert)
  • 6.
    Ekroth, Gunnel
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Small pots, poor people?: The use and function of miniature pottery as votive offerings in Archaic sanctuaries in the Argolid and the Corinthia2003Inngår i: Griechische Keramik im kulturellen Kontext: Akten des Internationalen Vasen-Symposions in Kiel vom 24. bis 28.9.2001 veranstaltet durch das Archäologishe Institut der Christian-Albrechts-Universitet zu Kiel, 2003, s. 35-37Konferansepaper (Annet vitenskapelig)
  • 7.
    Engsheden, Åke
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Dual Zootoponyms in Ancient Egyptian2016Inngår i: Décrire, imaginer, construire l'espace: Toponymie égyptienne de l'Antiquité au Moyen Âge / [ed] Sylvain Dhennin, Claire Somaglino, Kairo: Institut français d'archéologie orientale du Caire, 2016, s. 117-135Konferansepaper (Fagfellevurdert)
  • 8.
    Foka, Anna
    Umeå universitet, Samhällsvetenskapliga fakulteten, Umeå centrum för genusstudier (UCGS).
    Half-Naked yet Empowered?:  Spartacus (2010-) (Ancient) Gender Equality in Contemporary Television2013Inngår i: 12th Annual Hawaii International Conference on Social Sciences, Honolulu Hawaii, 2013Konferansepaper (Fagfellevurdert)
    Abstract [en]

    Spartacus is attested in several ancient sources (Plutarch, Appian, and Florus) as the leader of a rebellion against the Roman Republic (73 to 71 BC). Despite that none of Spartacus' historical representations overtly suggest that he aimed at reforming Roman society by abolishing slavery and promoting equality, he has inspired a number of intellectuals across times and cultures as a egalitarian leader. Marx, in the Manchester letter to Engels (1861), considered him a real representative of the ancient 'proletariat’ and members of the German Spartacus League, a forerunner of the Communist Party of Germany. In contemporary popular culture, the most recent reception of the tale of Spartacus is the US Television series Spartacus: Blood and 

    Sand (premiered on Starz in: 2010- followed by a late prequel and a sequel), where he is also portrayed as a just and egalitarian leader.

    In this paper, I will discuss how Spartacus (2010-) promotes social and gender equality as an ancient virtue within a contemporary context. Unlike Spartacus’ historical and other cinematic representations, women play a major role in the 2010- TV series either as slaves that join the rebellion, inspired by the egalitarian Thracian slave-leader, or wealthy Romans who oppose him. Despite incidental nudity, scenes of a sexual and violent nature, a TV MA rating for graphic violence, and strong sexual content in overexposed video stylization, I will show that female characters evolve from the older sexualized and objectified females of gladiatorial Sword and Sandals (e.g. Warrior and the Slave Girl: 1958) to strong and brave action heroines. Finally, I will discuss how the 2010- TV series reflects upon the impact of equality and feminism in the portrayal of the ancient world in our contemporary popular culture. 

  • 9.
    Foka, Anna
    Umeå universitet, Umeå centrum för genusstudier (UCGS).
    Half-Naked yet Empowered?: Spartacus (2010-) (Ancient) Gender Equality in Contemporary Television2013Inngår i: 12th Annual Hawaii International Conference on Social Sciences, Honolulu Hawaii, 2013Konferansepaper (Fagfellevurdert)
    Abstract [en]

    Spartacus is attested in several ancient sources (Plutarch, Appian, and Florus) as the leader of a rebellion against the Roman Republic (73 to 71 BC). Despite that none of Spartacus' historical representations overtly suggest that he aimed at reforming Roman society by abolishing slavery and promoting equality, he has inspired a number of intellectuals across times and cultures as a egalitarian leader. Marx, in the Manchester letter to Engels (1861), considered him a real representative of the ancient 'proletariat’ and members of the German Spartacus League, a forerunner of the Communist Party of Germany. In contemporary popular culture, the most recent reception of the tale of Spartacus is the US Television series Spartacus: Blood and 

    Sand (premiered on Starz in: 2010- followed by a late prequel and a sequel), where he is also portrayed as a just and egalitarian leader.

    In this paper, I will discuss how Spartacus (2010-) promotes social and gender equality as an ancient virtue within a contemporary context. Unlike Spartacus’ historical and other cinematic representations, women play a major role in the 2010- TV series either as slaves that join the rebellion, inspired by the egalitarian Thracian slave-leader, or wealthy Romans who oppose him. Despite incidental nudity, scenes of a sexual and violent nature, a TV MA rating for graphic violence, and strong sexual content in overexposed video stylization, I will show that female characters evolve from the older sexualized and objectified females of gladiatorial Sword and Sandals (e.g. Warrior and the Slave Girl: 1958) to strong and brave action heroines. Finally, I will discuss how the 2010- TV series reflects upon the impact of equality and feminism in the portrayal of the ancient world in our contemporary popular culture. 

  • 10.
    Habetzeder, Julia
    Stockholms universitet, Antikens kultur och samhällsliv.
    Graciöst vapenskrammel: Beväpnade, manliga dansare i romersk bildvärld2009Konferansepaper (Annet vitenskapelig)
  • 11.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Graciöst vapenskrammel: Beväpnade, manliga dansare i romersk bildvärld2009Konferansepaper (Annet vitenskapelig)
  • 12.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Intertextualitet och romersk visuell kultur: Ett nytt angreppssätt för romersk idealskulptur2013Konferansepaper (Annet vitenskapelig)
    Abstract [sv]

    Projektets grundläggande forskningsfråga rör idealskulpturens roll inom den romerska världen. Sedan 1800-talets mitt har sådana skulpturer i första hand studerats som romerska kopior efter grekiska original, utifrån den kopiekritiska metoden. Men under de senaste tjugo åren har kopiekritikens dominerande ställning kritiserats upprepade gånger. Kritiken rör framför allt det faktum att metoden inte tar i beaktande skulpturernas roll inom den romerska kulturella kontexten. Men trots kritiken har inget annat angreppsätt ännu lyckats konkurrera med kopiekritiken. Detta projekt syftar till att formulera ett nytt angreppssätt för studiet av dessa fascinerande skulpturer, en metod som har en stor potential att ge nya insikter beträffande idealskulpturens plats i det romerska samhället. Det nya angreppssättet utgår ifrån konceptet intertextualitet, och det introducerar således också ett teoretiskt och tvärvetenskapligt element till den aktuella debatten om hur romerska idealskulpturer bör tolkas.

  • 13.
    Habetzeder, Julia
    Stockholms universitet, Antikens kultur och samhällsliv.
    Intertextualitet och romersk visuell kultur: Ett nytt angreppssätt för romersk idealskulptur2013Konferansepaper (Annet vitenskapelig)
    Abstract [sv]

    Projektets grundläggande forskningsfråga rör idealskulpturens roll inom den romerska världen. Sedan 1800-talets mitt har sådana skulpturer i första hand studerats som romerska kopior efter grekiska original, utifrån den kopiekritiska metoden. Men under de senaste tjugo åren har kopiekritikens dominerande ställning kritiserats upprepade gånger. Kritiken rör framför allt det faktum att metoden inte tar i beaktande skulpturernas roll inom den romerska kulturella kontexten. Men trots kritiken har inget annat angreppsätt ännu lyckats konkurrera med kopiekritiken. Detta projekt syftar till att formulera ett nytt angreppssätt för studiet av dessa fascinerande skulpturer, en metod som har en stor potential att ge nya insikter beträffande idealskulpturens plats i det romerska samhället. Det nya angreppssättet utgår ifrån konceptet intertextualitet, och det introducerar således också ett teoretiskt och tvärvetenskapligt element till den aktuella debatten om hur romerska idealskulpturer bör tolkas.

  • 14.
    Habetzeder, Julia
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    Intertextuality and Roman visual culture: A new approach to Roman ideal sculpture2015Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    The aim of this project is to acquire new knowledge regarding the role of ideal sculpture in the Roman world. Since the mid-19th century, such sculptures have been studied primarily as Roman copies of Greek originals, using the method of copy criticism. During the last two decades, the dominating influence of this approach has been repeatedly criticized as it does not investigate the place of such sculptures in the Roman cultural context. Yet, no alternative approach has managed to rival that of copy criticism. This project aims to formulate a new mode of studying this fascinating material, an approach that has great potential to produce new insights into the role of ideal sculptures in Roman society. Turning to the concept of intertextuality, this project also aims to introduce a theoretical and multidisciplinary element to the current debate on how to interpret Roman ideal sculpture.

  • 15.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Intertextuality and Roman visual culture: A new approach to Roman ideal sculpture2014Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    The aim of this project is to acquire new knowledge regarding the role of ideal sculpture in the Roman world. Since the mid-19th century, such sculptures have been studied primarily as Roman copies of Greek originals, using the method of copy criticism. During the last two decades, the dominating influence of this approach has been repeatedly criticized as it does not investigate the place of such sculptures in the Roman cultural context. Yet, no alternative approach has managed to rival that of copy criticism. This project aims to formulate a new mode of studying this fascinating material, an approach that has great potential to produce new insights into the role of ideal sculptures in Roman society. Turning to the concept of intertextuality, this project also aims to introduce a theoretical and multidisciplinary element to the current debate on how to interpret Roman ideal sculpture.

  • 16.
    Habetzeder, Julia
    Stockholms universitet, Antikens kultur och samhällsliv.
    Intertextuality and Roman visual culture: A new approach to Roman ideal sculpture2014Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    The aim of this project is to acquire new knowledge regarding the role of ideal sculpture in the Roman world. Since the mid-19th century, such sculptures have been studied primarily as Roman copies of Greek originals, using the method of copy criticism. During the last two decades, the dominating influence of this approach has been repeatedly criticized as it does not investigate the place of such sculptures in the Roman cultural context. Yet, no alternative approach has managed to rival that of copy criticism. This project aims to formulate a new mode of studying this fascinating material, an approach that has great potential to produce new insights into the role of ideal sculptures in Roman society. Turning to the concept of intertextuality, this project also aims to introduce a theoretical and multidisciplinary element to the current debate on how to interpret Roman ideal sculpture.

  • 17.
    Habetzeder, Julia
    Stockholms universitet, Antikens kultur och samhällsliv.
    Marsyas Unbound2014Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    In the presentation of the workshop "Reading emotions in ancient visual culture" the following question is posed: "Why was the agonizing sculpture of Marsyas about to be flayed so popular in the early Roman empire?" This paper will suggest an answer to this question. I wish to emphasize that there was an alternative version of the myth of Marsyas, one where he manages to escape the cruel fate that Apollo had set out for him. Instead, Marsyas settled in Italy, where his image was later to be placed in Roman fora as a symbol of liberty. I will suggest that there was a Roman tradition of depicting Marsyas "unbound" - after having escaped from Apollo and arrived in Italy. Agonizing as the depictions of the hanging Marsyas are, in a Roman context they were perhaps not necessarily seen to represent the final hours of Marsyas' life.

  • 18.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Marsyas Unbound2014Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    In the presentation of the workshop "Reading emotions in ancient visual culture" the following question is posed: "Why was the agonizing sculpture of Marsyas about to be flayed so popular in the early Roman empire?" This paper will suggest an answer to this question. I wish to emphasize that there was an alternative version of the myth of Marsyas, one where he manages to escape the cruel fate that Apollo had set out for him. Instead, Marsyas settled in Italy, where his image was later to be placed in Roman fora as a symbol of liberty. I will suggest that there was a Roman tradition of depicting Marsyas "unbound" - after having escaped from Apollo and arrived in Italy. Agonizing as the depictions of the hanging Marsyas are, in a Roman context they were perhaps not necessarily seen to represent the final hours of Marsyas' life.

  • 19.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    The impact of restoration: The example of "The dancing satyr" in the Uffizi2014Konferansepaper (Annet vitenskapelig)
  • 20.
    Habetzeder, Julia
    Stockholms universitet, Antikens kultur och samhällsliv.
    The impact of restoration: The example of "The dancing satyr" in the Uffizi2014Konferansepaper (Annet vitenskapelig)
  • 21.
    Hellström, Pontus
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    Sculpture from Labraynda1997Inngår i: Sculptors and sculpture of Caria and the Dodecanese, London , 1997, s. 109-112Konferansepaper (Annet vitenskapelig)
  • 22.
    Hellström, Pontus
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    The Andrones at Labraynda. Dining Halls for Protohellenistic Kings1996Inngår i: Basileia. Die Paläste der Hellenistischen Könige, Mainz , 1996, s. 164-169Konferansepaper (Annet vitenskapelig)
  • 23.
    Höghammar, Kerstin
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    The Hellenistic silver coinage of Kalymnos2010Inngår i: Coins in the Aegean islands. Proceedings of the Fifth Scientific Meeting, Mytilene, 16-19 September 2006: Obolos 9:1 Ancient times / [ed] Panagiotis Tselekas, Athens: Greek Ministry of Culture/The Archaeological Institute of Aegean Studies , 2010, s. 497-528Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    The article gives an overview of the Kalymnian Hellenistic silver issues and suggests dates for the different issues. The connection between the Kalymnian and Koan issues are discussed.

  • 24.
    Karivieri, Arja
    Stockholms universitet, Humanistiska fakulteten, Institutionen för antikens kultur och samhällsliv. Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur. Antikens kultur och samhällsliv.
    Anaskafe sten Arethousa to 20002002Inngår i: To Arkhaiologiko Ergo ste Makedonia kai ste Thrake 2000, 2002, s. 117-124Konferansepaper (Annet vitenskapelig)
  • 25.
    Karivieri, Arja
    Stockholms universitet, Humanistiska fakulteten, Institutionen för antikens kultur och samhällsliv. Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur. Antikens kultur och samhällsliv.
    Anaskafe sten Arethousa to 20012003Inngår i: To Arkhaiologiko Ergo ste Makedonia kai ste Thrake 2001, 2003, s. 181-186Konferansepaper (Annet vitenskapelig)
  • 26.
    Karivieri, Arja
    Stockholms universitet, Humanistiska fakulteten, Institutionen för antikens kultur och samhällsliv. Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur. Antikens kultur och samhällsliv.
    Anaskafe sten Arethousa to 20022004Inngår i: To Arkhaiologiko Ergo ste Makedonia kai ste Thrake 2002, 2004, s. 191-195Konferansepaper (Annet vitenskapelig)
  • 27.
    Karivieri, Arja
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur. Antikens kultur och samhällsliv.
    Arethousa 20032005Inngår i: To Arkhaiologiko Ergo ste Makedonia kai ste Thrake 2003, 2005, s. 139-142Konferansepaper (Annet vitenskapelig)
  • 28.
    Karivieri, Arja
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Creating Contacts: Trade and Exchange along the Via Egnatia from the Roman to the Early Byzantine Period2011Inngår i: Roma 2008-International congress of Classical archaeology. Meetings between cultures in the ancient Mediterranean: Hellenes and Non-Hellenes. Interaction, Urbanisation and Cultural Changes in the Balkans / [ed] Helga Di Giuseppe, Martina Dalla Riva, Rom: Ministero per i Beni e le Attività Culturali. Direzione Generale per le Antichità , 2011, s. 15-22Konferansepaper (Annet vitenskapelig)
  • 29.
    Karivieri, Arja
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur. Antikens kultur och samhällsliv.
    Floor mosaics in the Early Christian basilica in Arethousa (Central Macedonia)2005Inngår i: La mosaïque gréco-romaine IX, 2005, s. 371-378Konferansepaper (Annet vitenskapelig)
  • 30.
    Karivieri, Arja
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur. Antikens kultur och samhällsliv.
    Floor mosaics in the Early Christian basilica in Arethousa: conservation, maintenance and presentation2005Inngår i: VIIIth Conference of the International Committee for the Conservation of Mosaics (ICCM), Thessaloniki 29 October - 3 November 2002, Proceedings: Wall and floor mosaics: conservation, maintenance, presentation, 2005, s. 191-202Konferansepaper (Annet vitenskapelig)
  • 31.
    Karivieri, Arja
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Greeks and Romans and Creation of Contacts from the Mediterranean to China: Artistic Heritage of the Ancient World2011Inngår i: The Harmony of Civilizations and Prosperity for All – Tradition adn Modernity, Transition and Transformation: Artistic Heritage and Cultural Innovation, Collection of Papers and Abstracts, Peking: Peking University , 2011, s. 42-52Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    Greeks and Romans and Creation of Contacts from the Mediterranean to China  – Artistic Heritage of the Ancient World

     

    The establishment of contacts between the Mediterranean and China dates back to the heyday of Hellenistic kingdoms and Roman culture as well as to the flourishing period of Han dynasty in China. These contacts have been documented both by Roman and Chinese authors and archival records, by authors like Seneca the Younger (3 BC – AD 65), Pliny the Elder (AD 23-79), Maes Titianus (late 1st early 2nd c. AD), Florus (2nd c. AD), and the Chinese envoy Gan Ying, and depicted in Ptolemy’s world map in his Geographia of c. AD 150.

     

    The background to the development of the contacts between the Mediterranean and the Eastern cultures has to be seen in the expeditions of Alexander the Great through Persia to the Indus Valley and the founding of the Hellenistic kingdoms that were in their structure multicultural and active in developing trade contacts further to the east. The trade of luxury goods between the eastern parts of the Hellenistic world and the Mediterranean world created the favourable conditions for the development of trade and the increasing interest in exotic luxury objects at Rome, preparing the way for contacts with China. Emperor August launched the interest in silk products, and Roman glass objects became in their turn desirable objects in China, launching the interest in Roman glass technology.

     

    Until the Early Byzantine period, to the 6th century AD, silk was imported to the Mediterranean world from China via the Silk Road, before the silk-worm was introduced into the Byzantine world. The importance of silk as precious material is emphasized, for example, by the fact that the cloth covering the altar table in the Hagia Sophia of Emperor Justinian was produced in silk, dyed in many shades.

     

    The use of various pigments in paintings, architecture, sculpture, textiles and minor arts developed in the Greek and Roman culture and during the Han dynasty in China. Local artists and artisans utlilized both local vegetal pigments and minerals to create various hues, but as the trade contacts had been established through land routes and maritime trade, new materials became available for artists. We can see the finest results of these artistic innovations in the polychromous sculpture from Greece and Rome, wall paintings from Pompeii, Chinese paintings and painted terracotta soldiers that reveal to us the colourful aesthetical ideal of the ancient world.

     

    Thus, we can follow the development of cultural innovations in the east and the west and see how cultural contacts and trade have during centuries, until our times, created also the possibilities for new ideas. We could even say that these cultural contacts have been essential for the inspiration needed for renewal and cultural change.

  • 32.
    Karivieri, Arja
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur. Antikens kultur och samhällsliv.
    Lamps in the Museum of Classical Antiquities at Lund University2005Inngår i: Lychnological Acts 1. Acts of the 1st International Congress on Ancient Lighting Devices (Nyon-Geneva, 29.IX-4.X.2003), 2005, s. 187-190Konferansepaper (Annet vitenskapelig)
  • 33.
    Karivieri, Arja
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Maalaus- ja veistostaide keisariajan alusta 500-luvulle j.Kr.: Kuvataiteen tulkinta kirjallisissa lähteissä2011Inngår i: XX Myöhäisantiikin seminaari, Helsingfors universitet , 2011Konferansepaper (Annet vitenskapelig)
    Abstract [fi]

    Maalaus- ja veistostaide keisariajan alusta 500-luvulle j.Kr.  – kuvataiteen tulkinta kirjallisissa lähteissä

     

    Antiikin kirjallisissa lähteissä esiintyy toisistaan poikkeavia tulkintoja kuvataiteen tulkinnasta ja merkityksestä. Filosofisissa ja kirjallisuuden tutkijoiden teksteissä palataan Platonin ja Aristoteleen tulkintoihin, kun taas apologeetat erityisesti 100-luvulla j.Kr. korostavat jumalkuvien antamaa valheellista vaikutelmaa. Esitelmässä käydään läpi taidekäsityksen muuttumista Ciceron ja Senecan ajalta uusplatonistien tulkintoihin sekä miten kirkkoisien kuvataiteen uudelleentulkinta legitimoi uuden kristillisen kuvataiteen.

                          Keskeisessä roolissa kuvataiteen tulkinnassa antiikin aikana oli Feidiaan Olympian Zeus-temppeliin veistämä Zeuksen patsas, joka 400-luvulla j.Kr. päätyi Lausuksen yksityiseen patsaskokoelmaan Konstantinopolissa. Miten ihaillusta jumalpatsaasta tuli tavallinen taideteos, museaalisen taidekokoelman keskipiste pääkaupungissa?

                          Myöhäisantiikin ajalta on säilynyt useita toisistaan selkeästi poikkeavia tulkintoja taiteen merkityksestä. Erityisesti kristillisten auktorien joukosta löytyy ensinnäkin ikonoklasmin kannattajia, toisaalta traditionaalista taidetta kunnioittavia ja ihailevia kirjoittajia sekä uuden kristillisen kuvataiteen puolestapuhujia. Yksi esitelmän keskeisiä kysymyksiä on profaanin ja uskonnollisen taiteen ero ja miten tämä heijastui myöhäisantiikin ajan taiteentulkinnassa.

  • 34.
    Karivieri, Arja
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Antikens kultur och samhällsliv. Institutionen för arkeologi och antikens kultur. Antikens kultur och samhällsliv.
    Mythological subjects on Late Roman lamps and the persistence of Classical tradition2001Inngår i: Late Antiquity – art in context, 2001, s. 179-198Konferansepaper (Annet vitenskapelig)
  • 35.
    Karivieri, Arja
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur. Antikens kultur och samhällsliv.
    The Ilissos Basilica and the introduction of Christian iconography in Athens2006Inngår i: Acta congressus internationalis XIV archaeologiae christianae: Akten des XIV. Internationalen Kongresses für Christliche Archäologie, 2006, s. 895-898, Tab. 161Konferansepaper (Annet vitenskapelig)
  • 36.
    Karivieri, Arja
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv. Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Forsell, Renée
    Institutionen för arkeologi och antikens historia, Lunds universitet.
    Tulkki, Carita
    Η kεραμική της Ύστερης Αρχαιότητας στην Αρέθουσα: Late Roman and Early Byzantine pottery from Arethousa2010Inngår i: ΚΕΡΑΜΙΚΗ ΤΗΣ ΥΣΤΕΡΗΣ ΑΡΧΑΙΟΤΗΤΑΣ ΑΠΟ ΤΟΝ ΕΛΛΑΔΙΚΟ ΧΩΡΟ (3ος - 7ος αι. μ. Χ,): Επιστημονική Συνάντηση, Θεσσαλονίκη, 12-16 Νοεμβρίου 2006 / [ed] Dimitra Papanikola-Bakirtzi & Dina Kousoulakou, Thessaloniki: Ypourgeio politismou kai tourismou & Aristoteleio Panepistimio Thessalonikis , 2010, s. 421-428Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    The Late Roman and Early Byzantine pottery found in the excavations of the Early Christian church at Paliambela in Arethousa, a site located in Northern Greece west of ancient Amphipolis, is very fragmentary and consists mainly of body sherds. Few pieces of imported fine ware were found, and only some fragments of African Red Slip Ware and Late Roman C Ware could be identified. However, some pieces of Macedonian Terra Sigillata Grise bowls were found in the area of the north aisle of the church.

    Cooking pots are the most usual form of coarse ware, but fragments of bowls, basins, jars and jugs were found, too. One of the jugs has a trefoil rim. Some of the pieces are decorated with single or grouped grooves, wave patterns and horizontal rouletted bands. These geometric motifs are either found as a sole decorative motif, or in combination with each other. Furthermore, there are fragments of Slavic Ware (two of them derive from rims) and some fragments of Sparkling Ware.

    In the storeroom that was excavated in the northern part of the church, seven large pithoi were found. These pithoi were covered with either large ceramic lids or schist slabs.

  • 37.
    Lindblom, Michael
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    Manufacture and Markings: Aeginetan Pots and Prefiring marks2003Inngår i: Argosaronikos: 1st International Conference on the History and Archaeology of the Argo-Saronic Gulf / [ed] E. Konsolaki, Athens, 2003, s. 33-39Konferansepaper (Annet vitenskapelig)
  • 38.
    Lindqvist, Janne
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Litteraturvetenskapliga institutionen, Avdelningen för retorik.
    Bortom persuasio: Retorik som en utbildning i omdömesförmåga2016Konferansepaper (Annet vitenskapelig)
  • 39.
    Lindqvist, Janne
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Litteraturvetenskapliga institutionen, Avdelningen för retorik.
    Emotional places?: The topics of pathos in Aristotle´s Rhetoric2017Konferansepaper (Annet vitenskapelig)
  • 40.
    Lindqvist, Janne
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Litteraturvetenskapliga institutionen, Avdelningen för retorik.
    Känslans platser: Topiker för pathos i Aristoteles Retoriken2017Konferansepaper (Annet vitenskapelig)
  • 41.
    Lindqvist, Janne
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Litteraturvetenskapliga institutionen, Avdelningen för retorik.
    The Language of emotion and rationality from Gorgias to Aristotle2017Konferansepaper (Annet vitenskapelig)
  • 42.
    Lowe Fri, Maria
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Intentionel or accidental design? The tale of Minoan double axes and chisels2016Konferansepaper (Annet (populærvitenskap, debatt, mm))
  • 43.
    Lowe Fri, Maria
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    To use or not to use a Minoan Chisel?: Ancient technology in a new light2013Inngår i: The 7th Experimental Archaeology Conference, Cardiff University and St Fagans National History Museum, Wales, 11-12 January 2013., 2013Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    This paper concerns the use and users of the Minoan chisels. Previous research conducted includes chisel typologies and hypotheses of the chisels’ use on wood, stone, metal and bone. However, no further investigations have been conducted in order to try and substantiate these assumptions. Furthermore, if the chisels were used in these different materials and for different work, would it not be possible to exclude certain types of chisels for certain use? That is, would all the chisels be suitable for working on wood, stone, metal or bone? Would the use-wear on the chisels be the same for stone and metal? My aim is to complement and explore these theories with experiments and visual examinations of the Minoan chisels.

  • 44.
    Malmberg, Simon
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    Dazzling dining2007Inngår i: Eat, Drink, and Be Merry: Food and Wine in Byzantium, 2007Konferansepaper (Fagfellevurdert)
  • 45.
    Malmberg, Simon
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    Visualising Hierarchy at Imperial Banquets2005Inngår i: Feast, Fast or Famine: Food and Drink in Byzantium, 2005Konferansepaper (Fagfellevurdert)
  • 46.
    Nilsson, Ingela
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Språkvetenskapliga fakulteten, Institutionen för lingvistik och filologi.
    The Same Story but Another: A Reappraisal of Literary Imitation in Byzantium2010Inngår i: Imitatio – aemulatio – variatio: Akten des internationalen wissenschaftlischen Symposions zur byzantinischen Sprache und Literatur (Wien, 22.-25. Oktober 2008) / [ed] Andreas Rhoby & Elisabeth Schiffer, Wien: Verlag der Österreichischen Akademie der Wissenschaften , 2010, s. 195-208Konferansepaper (Fagfellevurdert)
  • 47.
    Nordquist, Gullög
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    ’‘A better time cannot be found’2002Inngår i: Peloponnesian sanctuaries and cults, Proceedings of the ninth international symposium at the Swedish institute at Athens 1994, Svenska institutet i Athen , 2002, s. 15-20Konferansepaper (Fagfellevurdert)
  • 48.
    Nordquist, Gullög
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia. Antikens kultur och samhällsliv.
    A house for Athena Alea?: On two fragments of house models from the sanctuary at Tegea2005Inngår i: Ancient Arkada, Papers from the third international seminar on Ancient Arcadia, held at the Norwegian institute at Athens, 7-10 May 2002, 2005, s. 151-166Konferansepaper (Fagfellevurdert)
  • 49.
    Nordquist, Gullög
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    ’Et in Arcadia ego. – en emotionell betraktelse’2002Inngår i: Svenska Arkeologiska Samfundets årsmöte i Visby, 2002Konferansepaper (Fagfellevurdert)
  • 50.
    Nordquist, Gullög
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    Instrumental music in representations of Greek cult1992Inngår i: The iconography of Greek cult in the Archaic and Classical periods. Proceedings of the first international seminar on Ancient Greek cult, Delphi, 1990, 1992, s. 143-168Konferansepaper (Fagfellevurdert)
12 1 - 50 of 74
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