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  • 1.
    Bonnevier, Jenny
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    Born in the USA: representations of reproductive technology and the politics of family2013Konferansepaper (Annet vitenskapelig)
  • 2.
    Bonnevier, Jenny
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    Who are all right in America? : reproductive technology, race, gender and sexuality in The kids are all right and Made in America2014Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    The family has been a contested site throughout American history. More or less constantly perceived to be in crisis, in need of defending or in need of redefining, the family has been portrayed both, and often simultaneously, as the origin of the strength of the nation and the source of the threat to the survival of that same nation (see eg Christopher Lasch, Haven in a Heartless World). The family figures primarily as an ideal space, a blank canvas on which hopes and fears are projected.

    In contemporary American discourse, these hopes and fears are increasingly entangled with or informed by reproductive technology. While abortion dominates political or public debates on gender issues in the US, there is no doubt that other forms of reproductive technology such as surrogacy, in vitro fertilization and sperm donation are increasingly becoming part of the gender debate, where women’s bodies are arenas for contesting the meaning of family, kinship in a wider sense, and the intersection between nature and technology. 

    This paper explores the ways in which narratives of reproductive technologies are inflected by the categories of race, gender and sexuality and made to interplay with powerful narratives of family in two movies, the 1993 Made in America and the 2010 The Kids are all right. While reproductive technology is often discussed as disruptive to traditional discourses on family, I argue that although the movies encourage critical perspectives the narrative of family becomes the dominant one and that, in the end, not only familial, but also national cohesion and stability is re-affirmed.

  • 3.
    Bremer, Signe
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Centrum för genusvetenskap.
    Editorial - cisnormativity & feminism2016Konferansepaper (Annet vitenskapelig)
  • 4.
    Bremer, Signe
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Centrum för genusvetenskap.
    Safe geographies in trans*experiences of Swedish major cities2016Inngår i: / [ed] Organizers: Erika Alm, seniour lecturer in gender studies at Gothenburg University; Signe Bremer, researcher in gender studies, the centre for gender studies at Uppsala University; Iwo Nord, phd student at the department for culture and education, 2016Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    In this talk I will present some preliminary thoughts on the concept of safety, as described by some of the people with trans* experiences who have contributed to my work in progress research project The gender binary city - Ethnography of safety, vulnerability and resistance in transgender people’s narratives on city life. I will use the post-colonial feminist thinker Sara Ahmed’s discussion on comfort and the phenomenology of whiteness as thinking tools. Questions up for discussion are for example: What constitutes safe space? How does being safe feel like? How do descriptions of safety differ according to cultural categories and intersecting power structures such as race, gender, and class? 

  • 5.
    Bremer, Signe
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Centrum för genusvetenskap.
    Trans*feminism – Conflicts, Communalities, Contingencies: A round table discussion2016Konferansepaper (Annet vitenskapelig)
  • 6.
    Brunow, Dagmar
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för film och litteratur (IFL).
    Countering Amnesia and Forgetting: Reworking Cultural Memory around the Victims of Right-Wing Violence2017Inngår i: Doing Memory and Right-Wing Violence in Mediated Public Spheres: Workshop : 15.–16.10.2017, Fürstensaal, Schloss Hohentübingen, Eberhard Karls University Tübingen, 2017Konferansepaper (Annet vitenskapelig)
  • 7.
    Brunow, Dagmar
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för film och litteratur (IFL).
    Stuart Hall and Memory Studies2016Inngår i: Wrestling with the Angels : Exploring Stuart Hall's Theoretical Legacy: International Conference, 25-27 February 2016, Technische Universität Dortmund, 2016Konferansepaper (Fagfellevurdert)
    Abstract [en]

    Within the vast interdisciplinary field of memory studies and among its most influential voices (such as Maurice Halbwachs, Pierre Nora, Aleida Assmann, Astrid Erll, Michael Rothberg, Bill Schwarz and Susannah Radstone), the name of Stuart Hall has been conspicuously absent. Drawing on my theorizations within the emerging field of media memory studies, my paper argues that Stuart Hall’s ideas provide important insights into the mediation of transnational memories and their mediatisation. Revisiting some of Stuart Hall’s theorisations put forward in texts such as “New Ethnicities”, “Whose Heritage” and “Reconstruction Work”, my paper suggests new ways to reconceptualise notions such as transculturality, remediation and the archive. Overall, I claim that memory studies could profit from Stuart Hall’s valuable theorisations on anti-essentialism, representation and the workings of cultural heritage.

  • 8.
    Castaldo Lunden, Elizabeth
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Comunicación responsable de la violencia de género2016Konferansepaper (Annet vitenskapelig)
  • 9.
    Castaldo Lundén, Elizabeth
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Hollywood, moda y la alfombra roja: El surgimiento del consultor de moda en los Oscars2014Konferansepaper (Fagfellevurdert)
  • 10.
    Dahl, Izabela A.
    Humboldt-Universität zu Berlin, Berlin, Germany .
    Hat die Erinnerung ihren Platz gefunden?: Kommunikatives Gedächtnis als Herausforderung in der Identitätsforschung2010Konferansepaper (Annet vitenskapelig)
  • 11.
    Dahl, Izabela A.
    Humboldt-Universität zu Berlin, Berlin, Germany .
    Judisk invandring till Sverige efter andra världskriget – ett öppet forskningsfält2014Konferansepaper (Annet vitenskapelig)
  • 12.
    Dahl, Izabela A.
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    Mars 1968 i Polen – 50 år senare: Skämmas eller vara stolta?2018Konferansepaper (Annet (populærvitenskap, debatt, mm))
    Abstract [sv]

    Mars 1968 i Warszawa började med studentrevolten och protester från de intellektuella som en del i kampen för ett demokratiskt och mer liberalt samhällssystem. Den kommunistiska makten svarade med utrensningar och repression av olika slag, och startade en antisemitisk kampanj i landet.

    Cirka 13 000 polska judar lämnade sitt land åren 1968–1972. En stor grupp av dem kom till Sverige.

    Seminariet ger en analys av bakgrunden till händelserna i Polen år 1968 och belyser de polska judarnas historia efter andra världskriget. Det skildrar händelsernas förlopp och de långsiktiga konsekvenserna, antisemitismen som politiskt instrument och propagandamekanismerna. Dåtidens hatkampanj kommer även att diskuteras ur dagens perspektiv.

    Seminariet tar likaså upp de svenska myndigheternas agerande i samband med den polsk-judiska gruppens ankomst till Sverige och vi får höra berättelser om personliga erfarenheter av mars 1968 och dess följder.

  • 13.
    Dahl, Izabela A.
    University of Gothenburg, Gothenburg, Sweden.
    Muntlig historia - om berättelsens konstruktion och dekonstruktion2015Konferansepaper (Annet vitenskapelig)
  • 14.
    Dahl, Izabela A.
    Humboldt-Universität zu Berlin, Berlin, Germany .
    Omöjligt att jämföra?: Polska judar i Sverige efter andra världskriget i spänningsfält av nationella och religiösa identiteter2010Konferansepaper (Annet vitenskapelig)
  • 15.
    Dahl, Izabela A.
    Humboldt-Universität zu Berlin, Berlin, Germany .
    "Ostjüdische" Immigration2010Konferansepaper (Annet vitenskapelig)
  • 16.
    Dahl, Izabela A.
    Humboldt-Universität zu Berlin, Berlin, Germany .
    Polnische jüdische Zwangsmigrantinnen in Schweden nach dem Zweiten Weltkrieg: Im Spannungsverhältnis nationaler und religiöser Identitäten2010Konferansepaper (Annet vitenskapelig)
  • 17.
    Fornäs, Johan
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Cultures, Histories, Institutions: Closure2012Konferansepaper (Annet vitenskapelig)
  • 18.
    Goedecke, Klara
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Centrum för genusvetenskap.
    Making friends: Understanding changing (?) intimacies in friendships between men.2014Konferansepaper (Annet vitenskapelig)
  • 19.
    Harris, Ashleigh
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Språkvetenskapliga fakulteten, Engelska institutionen.
    Between ideals and reality: the iconic legacy of Nelson Mandela2014Konferansepaper (Annet vitenskapelig)
  • 20.
    Harris, Ashleigh
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Språkvetenskapliga fakulteten, Engelska institutionen.
    Close Encounters with Global Whiteness in Apartheid Southern Africa2012Konferansepaper (Fagfellevurdert)
  • 21.
    Harris, Ashleigh
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Språkvetenskapliga fakulteten, Engelska institutionen.
    Discourses of Dirt and Disease in Operation Murambatsvina2007Konferansepaper (Fagfellevurdert)
  • 22.
    Harris, Ashleigh
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Språkvetenskapliga fakulteten, Engelska institutionen.
    Militarising Youth: a (post)colonial counterpoint2011Konferansepaper (Fagfellevurdert)
  • 23.
    Harris, Ashleigh
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Språkvetenskapliga fakulteten, Engelska institutionen.
    Zimbabwe will never be a colony again: time and return in the third chimurenga2008Konferansepaper (Fagfellevurdert)
  • 24.
    Hildebrand, Kristina
    Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, Centrum för lärande, kultur och samhälle (CLKS), Språk, kultur och samhälle.
    Powerful matriarchs, warrior women, and sexy slaves: views of women in Viking reenactment2017Konferansepaper (Fagfellevurdert)
    Abstract [en]

    This paper is based on a specific occurrence at a Viking reenactment market in Sweden in the summer of 2016. The incident in question involved a group which has decided to recreate Viking slave trade. They visit Viking markets where they will capture female visitors and ’sell’ them; in this case, this resulted in a police report for assault and kidnapping. What interests me is the reactions among other reenactors, and what those reactions indicate about ambivalent views of gender among Viking reenactors.

    Many Viking reenactors assert that Viking society was one of gender equality. They are often keen to pick up new research which seems to support this idea, such as the possibility of female warriors among Vikings. Thus, the Viking age is seen as closer to contemporary ideals about equality than, for example, the Middle Ages, and also as a time of strong independent women. Still, there is a certain amount of ambivalence about this equality: Viking society is also seen as heteronormative, and gender roles are often presented as complementary and interdependent rather than affording equal opportunities for both genders. In this paper, I will explore the recreation of Viking gender roles and how this draws on and legitimises heteronormativity and both equal and unequal contemporary gender roles.

  • 25.
    Hildebrand, Kristina
    Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, Kontext & kulturgränser (KK).
    The Rules of the Game: Re-Enactors and Fealty2012Konferansepaper (Fagfellevurdert)
    Abstract [en]

    In re-enactment groups, fealty is often sworn and received, in imitation of a feudal world. The procedure is invested with various meanings, often with a clear desire to mark it both as significant and as different from life-long fealty. In the oaths, these boundaries are often explicitly set. I will investigate, through interviews, a number of issues surrounding the modern re-enactor's fealty, such as how the re-enactor understands medieval fealty; how this understanding colours their own experience of fealty, and how significant fealty is to their understanding of the Middle Ages.

  • 26.
    Höglund, Johan
    Linnéuniversitetet, Fakultetsnämnden för humaniora och samhällsvetenskap, Institutionen för språk och litteratur, SOL.
    American Empire and Biological Apocalypse2012Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    While writing from two very different historical and political vantage points, Niall Ferguson and Julian Go have both suggested that US society appears to be facing many of the same financial and geo-political problems that Britain did a century ago. From this perspective, it is interesting to note that contemporary American popular culture often negotiates many of the concerns that structured British Imperial culture. One such concern is the risk of degeneration and the possibility of a biological apocalypse. During the late-Victorian period, Charles Darwin’s cousin Fredric Galton suggested that, surrounded by the many comforts of modern society, the British subject may circumvent the evolutionary process. In addition, the confrontation with non-European peoples during colonisation was frequently imagined as a racial struggle. Thus, the decline of the British Empire could be cast as an evolutionary event. As Daniel Pick has observed, these ideas had a profound impact on the British culture and society of the nineteenth century and the novel of the period became increasingly obsessed with the notion of biological apocalypse.

     

    Pointing to crucial political and cultural parallels between Victorian British society and the present-day US, this paper discusses how contemporary American popular culture dramatizes the possibility of a biological global crisis. In Hollywood blockbusters such as Outbreak (1995), Resident Evil (2002-2010) and Contagion (2011) aggressive viral infections threaten to wipe out modern civilisation. In the Alien (1979-2007) and Species (1995-2004) series, humans face new, primitive and competitive species that threaten to crowd them out in the universal struggle for survival. In Justin Cronin’s best selling novel The Passage (2010) a South American virus is manipulated by the military, turning the infected humans into primitive and supremely violent agents of the apocalypse.

     

    This paper makes the observation that these narratives, just like their British counterparts, must be understood in relation to modernity and empire. These films and novels biologize geopolitical relations in general and the popular notion that America is in decline in particular. Furthermore, the viral invasion that popular culture imagines often has its origin in America’s increasingly competitive backyards China and South America. In this way, popular culture taps into what Stephen B. Arata has termed the “anxiety of reverse colonisation” and suggests that America must be prepared to quickly mobilize the military and medical resources of modernity to counter the threat from the primitive Other and to prevent degeneration of its own species. However, some narratives also make room for a concurrent counter discourse that describes the biological apocalypse as a having been engineered by the market state and/or the military-industrial complex. 

  • 27.
    Höglund, Johan
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för språk (SPR).
    Please Kill Me: Euthanasia and the Imperial Gothic2013Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    Although separated by a century, Bram Stoker’s Dracula (1898) and the AMC television series The Walking Dead (2010-) both describe how Gothic forces transform Western subjects into contagious, abject and cannibalistic Others that need to be disposed of through ritualized violence: in Dracula with the stake through the heart, in The Walking Dead through the headshot. In both narratives, the killing of the Gothic Other is celebrated as a heroic confrontation between good and evil. In their readings of the Victorian gothic, Stephen D. Arata and Patrick Brantlinger have both argued that these absolute categories must be understood in relation to Empire where gothic Others such as Dracula represent Oriental invaders, set on vengeful, reverse colonisation of the Empire. Similarly, more recent scholarship by Kyle Bishop, Timothy Fox and Christian Thorne suggest that the modern Gothic also relies on an imperial dynamic and that the zombie often personifies the Middle Eastern terrorist or Asian imperial competitor. In this way, the killing of the transformed Gothic Other can be understood as encouraging a form of metaphorical imperial violence.

     

    While this reading of the Victorian and modern Gothic is fundamentally convincing, it should be noted that the violence perpetrated against the Gothic Other is sometimes seen as deeply tragic and needs to be understood as a form euthanasia rather than as heroic intervention. In Dracula, Arthur Holmwood reels when he has finally finished driving the stake through the heart of his undead fiancée Lucy. In The Walking Dead, survivor Morgan Jones shakes with tears and grief as he aims his hunting rifle on his now cannibalistic zombie wife who stumbles through the streets below. In fact, those infected by the Gothic Other often ask to be euthanized before the transformation is complete: “Please kill me”. Those who respond are seen as performing acts of terrible mercy rather than combating gothic evil.

     

    These sequences subtly complicate the imperial reading of these and other Gothic texts. Focusing on euthanasia in the Gothic, this paper discusses the different reasons why the border between the modern citizen and the Gothic Other is so porous and easily transgressed. If late nineteenth-century British imperialism argued that racial, social and cultural categories are absolute, the Gothic often introduce those same categories only to have them infect each other. In this way, the infectious and invasive nature of the gothic Other always allows a certain amount of metaphorical transculturation or counterculturation to occur. As Rick Grimes observes in The Walking Dead, “we are all infected”.

  • 28.
    Höglund, Johan
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för språk (SPR).
    Revenge of the Hulder: New Nordic (Post) Colonial Gothic2014Konferansepaper (Annet vitenskapelig)
  • 29.
    Höglund, Johan
    Linnéuniversitetet, Fakultetsnämnden för humaniora och samhällsvetenskap, Institutionen för språk och litteratur, SOL.
    Skirting Hybridity: Translating Racial Anarchy in Richard Marsh’s The Surprising Husband2012Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    As Elaine Showalter, Paul Gilroy, Mary Louise Pratt, and R. C. J. Young have suggested, the late nineteenth century was a time when Englishness was fraught with difference, even in a state of racial and sexual anarchy. This suggests not only that Englishness (or indeed to be “Western”) was a less homogeneous and stable position than assumed by the British at the time. In addition to this, this anarchy and flux led to new hybrid forms of Englishness that transformed British society.

     

    This process was recorded by, and is often studied through, literature. Thus, the writings of Oscar Wilde, Bram Stoker, Rudyard Kipling and Joseph Conrad can be perceived as attempts at resolving the constantly changing category of Englishness by either completely rejecting the Other (Stoker), or by finding (arguably failed) ways of including the Other in new forms of Englishness (Kipling, Conrad). However, some writers, such as Richard Marsh, seem to both reject and embrace the possibility of the Other. Thus, this paper seeks to demonstrate how Marsh’s fiction resonates with several concurrent yet conflicting voices through a reading of his gothic melodrama The Surprising Husband (1908). In the novel, which discusses miscegenation in early nineteenth century Britain in surprising ways, Marsh attempts to translate the racial anarchy that was prevalent in his society into a coherent narrative, but the text fails to hybridize on any level. Instead, I argue, Marsh negotiates the racial challenge to Englishness through a heterogeneous but not hybrid text where English and subaltern voices speak simultaneously. Marsh’s text thus maps the rifts that occurred in English society rather than the hybrid states that these rifts eventually produced.

  • 30.
    Höglund, Johan
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för språk (SPR).
    War, Adventure and the Spectacle of Masculine Whiteness in Call of Duty2016Inngår i: European Association of American Studies: Biennial Confrence, Constanta, Romania, April 22-25, 2016, 2016Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    In ”Romancing the Empire”, Amy Kaplan observes how the American historical adventure romance of the 1890s revolved around a “spectacle of masculinity”. The heroic male adventure protagonist’s ritual performance of violence in these texts serves the dual purpose of metaphorically enacting and encouraging the expansion of the borders of the empire and establishing their masculinity. In this way, Kaplan argues, “swashbuckling romances about knights errant offer a cognitive and libidinal map of US geo-politics during the shift from continental conquest to overseas empire”.

    Kaplan’s observations constitutes a vantage point from which it is possible to understand the contemporary and ubiquitous First Person Military Shooter, a genre of games that includes the Medal of Honor, Battlefield, and Call of Duty series. While these military adventure games have been understood as a “crucial space of articulating American empire, providing a vehicle … where U.S. efforts to secure power is normalized and justified”, as argued by Leonard and King, the way in which they make the gamer enact a combined spectacle masculinity and whiteness has not been discussed. This paper explores Call of Duty: World as War (2008) as a space where white masculinity is ritually performed. 

    Kaplan, Amy. “Romancing the Empire.” American Literary History 2, no. 4 (1990): 659-690.

    King, C. Richard, and David J. Leonard. “Wargames as a New Frontier.” In Joystick Soldiers: The Politics of Play in Military Video Games, edited by N. Huntemann and M Payne, 91-105. London: Routledge, 2010.

  • 31.
    Hübinette, Tobias
    Karlstads universitet, Fakulteten för humaniora och samhällsvetenskap (from 2013), Institutionen för språk, litteratur och interkultur.
    Adoptees and identity: What does the research say?2015Konferansepaper (Annet vitenskapelig)
  • 32.
    Hübinette, Tobias
    Karlstads universitet, Fakulteten för humaniora och samhällsvetenskap (from 2013), Institutionen för språk, litteratur och interkultur.
    Den färgblinda antirasismen slår tillbaka2015Konferansepaper (Annet vitenskapelig)
  • 33.
    Hübinette, Tobias
    Karlstads universitet, Fakulteten för humaniora och samhällsvetenskap (from 2013), Institutionen för språk, litteratur och interkultur.
    Race, performativity and melancholic whiteness in contemporary Sweden2015Konferansepaper (Annet vitenskapelig)
  • 34.
    Hübinette, Tobias
    Karlstads universitet, Fakulteten för humaniora och samhällsvetenskap (from 2013), Institutionen för språk, litteratur och interkultur.
    Rashierarkier och rasstrukturer i det nya Sverige2015Konferansepaper (Annet vitenskapelig)
  • 35.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Cinema and Civil Society: The appropriation of cinemas by the workers' and temperance movements in 1940s rural Sweden2013Konferansepaper (Annet vitenskapelig)
  • 36.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Differences in Programming and Audience Address in Swedish Cinemas of the late 1930s.2013Konferansepaper (Annet vitenskapelig)
  • 37.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Fairground Amusements and (the Absence of) Film Around 1900. The Example of Örebro, Sweden2005Konferansepaper (Annet vitenskapelig)
  • 38.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Nonfiction and Documentary: An Analysis of a Program Inbetween1999Konferansepaper (Annet vitenskapelig)
  • 39.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Reform, Temperance and Entertainment: Leisure in a Small Town in Sweden Around 19002004Konferansepaper (Annet vitenskapelig)
  • 40.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    The Expedition Film. ‘Just Looking’ at Wild Men and Beasts1999Konferansepaper (Annet vitenskapelig)
  • 41.
    Jernudd, Åsa
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    What is Cinema?: Film Exhibition in Multipurpose Community Venues2016Konferansepaper (Annet vitenskapelig)
  • 42.
    Johansson, Sofia
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Music Use in the Digital Media Age: Early Insights From a Study of Music Cultures Among Young People in Moscow and Stockholm2013Konferansepaper (Fagfellevurdert)
    Abstract [en]

    This paper presents an ongoing research project investigating how the Internet is impacting on music use in contemporary society. The backdrop to the project is the digitalization of society and culture, where the music industry has undergone profound changes, and where the Internet, for young people in particular, is changing listening modes and, potentially, meanings of, music in everyday life. Our objective is to shed light on what these transformations mean on the user level, and how their adaptation is situated specific geo-cultural settings, through a qualitative study of how young music users in Moscow and Stockholm experience and discuss music in relation to the Internet. Drawing on preliminary research findings, we aim to discuss and develop questions around how the Internet integrates with daily experience within contemporary society; what this means for music as a form of communication; and how adaptations of Internet technologies are shaped by geo-cultural frameworks.

  • 43.
    Jørgensen, Finn Arne
    Umeå universitet, Humanistiska fakulteten, Institutionen för idé- och samhällsstudier.
    Does the Empire recycle?: Waste and scrap recycling in the Star Wars movies2012Konferansepaper (Annet vitenskapelig)
  • 44.
    Kalinina, Ekaterina
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Voronova, Liudmila
    Södertörns högskola, Institutionen för samhällsvetenskaper, Journalistik.
    The Battalion: Questioning or reproducing the matrix of domination in war films?2017Konferansepaper (Fagfellevurdert)
  • 45.
    Kalinina, Ekaterina
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Voronova, Liudmila
    Högskolan i Gävle.
    War films and gendered nostalgia for the WWII2015Konferansepaper (Fagfellevurdert)
    Abstract [en]

    The article seeks to explore the common ground between bio-politics, gender, patriotism and war nostalgia. Taking off from the Foucaldian notion of biopolitics as a control apparatus exerted over a population, we provide an insight into the modern construction of Russian nation, where personal and collective sacrifice, traditional femininity and masculinity, orthodox religion andwar become the basis for patriotism. On carefully chosen case studies we will show how the state directly and indirectly regulates peoples lives by producing narratives, which are translated into media discourses and with a core of time create specific “gender norms” – women are seen as fertile mothers giving birth to new soldiers, while men are shown as fighters and defenders of their nation. In the constructed discourses nostalgia for a war plays one of the central roles and becomes a ground of a creation of an idea of a nation as one biological body, where brothers and sisters are united together. In these popular culture narratives people’s bodies become a battlefield of domestic politics. Popular culture hence produces a narrative of a healthy nation to ensure the healthy work- and military force. The authors tackle the above-mentioned aims by conducting visual analysis of several films, where the main characters are women in contrast to the majority of films about war. (Batallion (2015), A zori zdes’ tikhie (2015)). 

  • 46.
    Kalinina, Ekaterina
    et al.
    Södertörns högskola.
    Voronova, Liudmila
    Högskolan i Gävle, Akademin för utbildning och ekonomi, Avdelningen för humaniora, Media- och kommunikationsvetenskap.
    War films and gendered nostalgia for the WWII2015Konferansepaper (Fagfellevurdert)
    Abstract [en]

    The article seeks to explore the common ground between bio-politics, gender, patriotism and war nostalgia. Taking off from the Foucaldian notion of biopolitics as a control apparatus exerted over a population, we provide an insight into the modern construction of Russian nation, where personal and collective sacrifice, traditional femininity and masculinity, orthodox religion andwar become the basis for patriotism. On carefully chosen case studies we will show how the state directly and indirectly regulates peoples lives by producing narratives, which are translated into media discourses and with a core of time create specific “gender norms” – women are seen as fertile mothers giving birth to new soldiers, while men are shown as fighters and defenders of their nation. In the constructed discourses nostalgia for a war plays one of the central roles and becomes a ground of a creation of an idea of a nation as one biological body, where brothers and sisters are united together. In these popular culture narratives people’s bodies become a battlefield of domestic politics. Popular culture hence produces a narrative of a healthy nation to ensure the healthy work- and military force. The authors tackle the above-mentioned aims by conducting visual analysis of several films, where the main characters are women in contrast to the majority of films about war. (Batallion (2015), A zori zdes’ tikhie (2015)). 

  • 47.
    Kotkina, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Cultural Aspects of Contemporary Eurasia in Russia2014Konferansepaper (Annet vitenskapelig)
  • 48.
    Lafauci, Lauren E
    Linköpings universitet, Institutionen för tema, Tema Genus. Linköpings universitet, Filosofiska fakulteten. Simpson College.
    Environmental Histories of Race: Reading Lacunae in the Letters of Southern Planters, Doctors, and their Correspondents2013Konferansepaper (Annet vitenskapelig)
  • 49.
    Lafauci, Lauren E
    Linköpings universitet, Institutionen för tema, Tema Genus. Linköpings universitet, Filosofiska fakulteten.
    " 'Kith and Kin': Thoreau and Yoga"2018Konferansepaper (Annet vitenskapelig)
  • 50.
    Lafauci, Lauren E
    Linköpings universitet, Institutionen för tema, Tema Genus. Linköpings universitet, Filosofiska fakulteten.
    Narratives of Nordic Safety: Preparing for the "Long Emergency"2016Konferansepaper (Annet vitenskapelig)
12 1 - 50 of 97
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