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  • 1. Efimova, Alia
    et al.
    Kamenetzkaya, NatalyaSandomirskaja, Irina
    IdiomA1992Collection/Antologi (Annet vitenskapelig)
  • 2. Kozlova, Natalia
    et al.
    Sandomirskaja, Irina
    ''Я так хочу назвать кино'': "Наивное письмо": опыт лингво-социологического чтения1996Bok (Annet vitenskapelig)
  • 3.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    A Glossolalic Glasnost and the Re-Tuning of the Soviet Subject: Sound Performance in Kira Muratova's Asthenic Syndrome2008Inngår i: Studies in Russian and Soviet Cinema, ISSN 1750-3132, Vol. 2, nr 1, s. 63-83Artikkel i tidsskrift (Annet vitenskapelig)
    Abstract [en]

    This article attempts to interpret Kira Muratova's Asthenic Syndrome (1989) from the point of view of the director's work with sound. I suggest that in composing the sound for the film, Muratova seeks to dissect the filmic convention that treats sound merely as an additional element, which is supposed to support the illusionism of the realistic visual image by complementing it with the illusion of an accompanying realistic audio image. In order to subvert this false motivation of sound by visuality, to highlight sound as an independent agent in the construction of meaning, and to emphasize the explosive critical potential of film sound, Muratova employs techniques of sound performance art and sound installation. She uses the medium of sound to make visible those politics of speaking and hearing that constitute the USSR in crisis, a society that imagines itself through audio metaphors: glasnost, related to the Russian word golos (voice), and perestroika, related to the Russian term nastroika, tuning (of a musical instrument or an acoustic device). As a result, heteroglossy receives a literal implementation in the spoken word, which is acutely and irreparably out of tune, alienated from itself and polytonal in a freakish, morbid and perversely pleasurable way. These effects are achieved through the use of non-professional actors, the use of voices with substandard articulation, the emphasis on hybrid or dialectal prosody and phonation, amateur declamations and recitals and other manipulations of the Soviet norms of high diction. I also explore the genealogy of Muratova's technology in terms of the principles of manipulating the viewer's sensitivity and perception as invented by the Soviet film avant-garde (Eisenstein and Vertov) and contemporary critical theory (Benjamin and Adorno). I thus understand Asthenic Syndrome not only as political critique, but also as a meta-filmic analysis, an allegory of mourning and a diagnosis of asthenia in both film as technology and in the (collective perception of the) USSR as the symbolic product of film technologies

  • 4.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande.
    Allt kunde ha varit annorlunda2013Inngår i: Glänta, ISSN 1104-5205, nr 2-3Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 5. Sandomirskaja, Irina
    Antropofagi utan metaforer: fallet Leningrad2005Inngår i: Glänta, ISSN 1104-5205, nr 3Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 6. Sandomirskaja, Irina
    Blind, Mute, Dead, and Melancholy2001Inngår i: Bra mot melankoli = remedy for melancholy / [ed] Anders Kreuger & Evaldas Stankevičius, Sollentuna: Edsviks konst och kultur , 2001Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
  • 7. Sandomirskaja, Irina
    Der politisch-ökonomische Aspekt der russischen Geduld: Und für den Kefir ein Extra-Dankeschön an alle2000Inngår i: Podium: Literaturzeitschrift, nr 113/114Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 8.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Derrida on the Poetics and Politics of Witnessing2011Inngår i: Rethinking Time: Essays on History, Memory, and Representation / [ed] Hans Ruin, Andrus Ers, Huddinge: Södertörns högskola , 2011, s. 247-255Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 9.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Disoriented Names: Benjamin and Kierkegaard on Politics and History in Language2015Inngår i: Dis-orientations: Philosophy, Literature, and the Losr Grounds of Modernity / [ed] Marcia Sa Cavalcante Schuback & Tora Lane, London: Rowman & Littlefield Publishers, 2015, s. 187-218Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    A comparative reading of Walter Benjamin's linguistic theology and Sören Kirkegaard's theory of the revolutionary age.

  • 10. Sandomirskaja, Irina
    Dressing, Undressing, Cross-Dressing2000Annet (Annet (populærvitenskap, debatt, mm))
  • 11.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande.
    End of la Belle Époque2013Inngår i: Misha Pedan: The End of La Belle Époque, Stockholm: Khimaira förlag , 2013Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 12. Sandomirskaja, Irina
    Heimatbegriff in der sowjetischen und postsowjetischen diskursiven Praxis2002Inngår i: Europa und die Grenzen im Kopf / [ed] Kaser, Karl; Gramshammer-Hohl, Dagmar; Pichler, Robert, Klagenfurt: Wieser-Verlag , 2002, s. 395-415Kapittel i bok, del av antologi (Fagfellevurdert)
  • 13. Sandomirskaja, Irina
    Ikea i Moskva2000Inngår i: Moderna tider, ISSN 1101-6396, Vol. 121, nr November, s. 54-57Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 14. Sandomirskaja, Irina
    [Introduction]: Two Empires and the Sea: Change and Exchange in Search of an Order2004Inngår i: In Search of an Order: Mutual representations in Sweden and Russian during the early age of reason / [ed] Ulla Birgegård & Irina Sandomirskaja, Huddinge: Södertörn University , 2004, s. 7-20Kapittel i bok, del av antologi (Fagfellevurdert)
  • 15.
    Sandomirskaja, Irina
    Södertörns högskola, Avdelning 1, Ryska.
    Kniga o rodine: opyt analiza diskursivnykh praktik = Книга о родине : опыт анализа дискурсивных практик2001Bok (Annet vitenskapelig)
  • 16. Sandomirskaja, Irina
    Moscovia Felix: An Obscene Discourse about an Abscene Place2001Inngår i: Yearbook / Konsthögskolan i Malmö - Malmö Art Academy, Malmö: Konsthögskolan i Malmö (Malmö Art Academy) , 2001Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
  • 17. Sandomirskaja, Irina
    Old Wives’ Tales: Notes on the Rhetoric of the Post-Soviet Intelligentsia1995Inngår i: Intelligentsia in the interim: recent experiences from Central and Eastern Europe / [ed] Fiona Björling, Lund: Slaviska inst., univ. , 1995Kapittel i bok, del av antologi (Fagfellevurdert)
  • 18. Sandomirskaja, Irina
    Proletarian Tourism: Incorporated History and Incorporated Rhetoric1998Inngår i: Soviet Civilization Between Past and Present / [ed] Mette Bryld & Eric Kulavig, Odense: Odense Univ. Press , 1998Kapittel i bok, del av antologi (Fagfellevurdert)
  • 19. Sandomirskaja, Irina
    “Public Artist, Go Away”: Pathfinding in the Citadel of Necessity2001Inngår i: Konst på SÖS: essäer om konst på sjukhus och i annan institutionsmiljö / [ed] Susanne Andersson, Ann Magnusson, Ulla Parkdal, Stockholm: Konstnämnden, Stockholms läns landsting , 2001Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
  • 20.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Return to the Motherland2010Inngår i: The Russia reader: history, culture, politics / [ed] Barker, Adele Marie ; Grant, Bruce, Durham: Duke University Press , 2010, s. 735-742Kapittel i bok, del av antologi (Fagfellevurdert)
  • 21. Sandomirskaja, Irina
    Self-critical Narcissus: on language and power in the mode of seduction1999Annet (Annet (populærvitenskap, debatt, mm))
  • 22. Sandomirskaja, Irina
    Tedium Vitae, Curriculum Vitae2004Annet (Annet (populærvitenskap, debatt, mm))
  • 23.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    The Leviathan, or Language in Besiegement: Lydia Ginzburg’s Prolegomena to Critical Discourse Analysis2012Inngår i: Lydia Ginzburg's Alternative Literary Identities: a Collection of Articles and New Translations, Oxford [u.a.]: Peter Lang Publishing Group, 2012, s. 193-234Kapittel i bok, del av antologi (Fagfellevurdert)
  • 24.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    The New Leviathan: Malignant Governmentality and the Biopolitics of Besiegement (Re Reading Lidia Ginzburg)2012Annet (Annet vitenskapelig)
    Abstract [en]

    An allegory of the omnipotent state, the Leviathan occurs in Lidia Ginzburg’s notes from 1943-44 and in the context of her reflections on the experiences of surviving in, and living on after, the unprecedented human catastrophe of the siege of Leningrad. Ginzburg describes her time as the “era of great experiences and tests” which started in 1914: the era of world wars with their “maximum non-freedom” and the “absolute non-freedoms” imposed by the all-powerful state, the Leviathan. The siege of Leningrad is not an exception from such a history, but a culmination of the “non-freedoms” of Soviet and, more broadly, European modernity of the twentieth century. All of these events/experiences produced a generation that “became history’s experimental material. And history burned it and disemboweled it and minced it into a bloody mess.” In the siege of Leningrad, various dimensions of “non-freedom”— total mobilization and total war, state terror, and mass death – culminate, converge, and confirm one another.  In the struggle for survival amidst destruction, repression, and starvation, Ginzburg tries to understand the Leviathan, the omnipotent state that sanctions and orchestrates the massive obliteration of life. The new Leviathan emerges as a complex aggregate of different power technologies involving various aspects of life and, hence, producing different overlapping regimes of “non-freedoms.”

    According to Ginzburg, the subject is involved in the workings of the Leviathan in many ways. Moreover, as exemplified by the experience of the civilian in the siege, the individual depends on the Leviathan for elementary survival. This political and biopolitical complexity makes Ginzburg’s critique more challenging than the trivial understanding of “non-freedom” as a mere deprivation of rights. Matters of life and death in the siege, as Ginzburg’s witness account shows, are deeply politicized, and the power to administer and distribute life and death constitute the foundation of the New Leviathan’s omnipotence. The New Leviathan’s three vectors of power – repression, discipline, and biopower — each in their own way contribute to the destruction of the human and usher a new, post-human historical subject summed up in the figure of distrofik (a patient of starvation disease in the terminal stage) overpowered by the total indifference between life and death, between living and surviving. I propose to look at the strategies and politics involved in such a subjectivity, with a special emphasis on the “choreography” of besiegement: its spatio-temporal structure, its corporeality, and strategies of surviving its post-human condition, as well as the dilemmas of living on “ever after”.

  • 25.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    The Poetics of Memory and the Politics of Reading: Fourteen Episodes of Remembering2008Inngår i: The Poetics of Memory in Post-Totalitarian Narration / [ed] Johanna Lindbladh, Lund: Center for European Studies , 2008, s. 81-94Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 26. Sandomirskaja, Irina
    Walter Benjamin’s Moscow Dairy: A Mission to the Margins of History1997Inngår i: Reciprocal images: russian culture in the mirror of travellers' accounts / [ed] Peter Ulf Möller, Oslo: Scandinavian University Press , 1997Kapittel i bok, del av antologi (Fagfellevurdert)
  • 27. Sandomirskaja, Irina
    Writing and the magic of power1992Inngår i: Heresies: a feminist publication on art and politics, ISSN 0146-3411, Vol. 7, nr 26Artikkel i tidsskrift (Annet vitenskapelig)
  • 28. Sandomirskaja, Irina
    Writing on the Wall: Remont, Restoration, and Identity1999Inngår i: Through a glass darkly: cultural representations in the dialogue between Central, Eastern and Western Europe / [ed] Fiona Björling, Lund: Department of Slavonic studies , 1999Kapittel i bok, del av antologi (Fagfellevurdert)
  • 29. Sandomirskaja, Irina
    Второй эпиграф: (попытка разночтения) = Vtoroj epigraf: (popytka raznočtenija)2002Inngår i: Wiener Slawistischer Almanach, Wien: Institut für Slavische Philologie, Universität München , 2002, s. 133-151Kapittel i bok, del av antologi (Fagfellevurdert)
  • 30.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande.
    Голая жизнь, злой Бахтин и вежливый Вагинов: “трагедия без хора и автора” = Golaia zhizn’, zloi Bachtin i vezhlivyi Vaginov: ‘tragediia bez chora i bez avtora’2004Inngår i: Telling Forms: 30 Essays in Honour of Peter Alberg Jensen / [ed] Karin Grelz & Susanna Witt, Stockholm: Almqvist & Wiksell International , 2004, s. 340-356Kapittel i bok, del av antologi (Fagfellevurdert)
  • 31. Sandomirskaja, Irina
    Обольщение Родиной: коммерческий язык и симуляция «своего» = Obol'ščenie Rodinoj: Kommerčeskij jazyk i simuljacija "svoego"2001Inngår i: Kultur, Sprache, Ökonomie: Beiträge zur gleichnamigen Tagung an der Wirtschaftsuniversität Wien, 3.-5. Dezember 1999 / [ed] Wolfgang Weitlaner, Wien: Ges. zur Förderung Slawistischer Studien , 2001, s. 399-412Kapittel i bok, del av antologi (Fagfellevurdert)
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