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  • 1.
    Allen, Molly Evangeline
    Universität Tübingen and Columbia University.
    Digitizing Matariki University Museum Coin Collections: International Conference at the Institut für Klassische Archäologie, Eberhard Karls Universität, Tübingen, 22nd to 23rd October 20152015Rapport (Fagfellevurdert)
  • 2.
    Bentancour Garin, Pedro
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    "Alla vägar leder till Rom": Antiken i Australien: en oförutsedd resa2015Inngår i: Medusa. Svensk tidsskrift för antiken, ISSN 0349-456X, nr 2, s. 7-12Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 3.
    Berndt Ersöz, Susanne
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Noise-making rituals in Iron Age Phrygia2015Inngår i: Natur-Kult-Raum: Akten des internationalen Kolloquiums Paris-Lodron-Universität Salzburg, 20-22 Jänner 2012 / [ed] Katja Sporn, Sabine Ladstätter, Michael Kerschner, Wien: Österreiches Archäologisches Institut Wien , 2015, s. 29-44Konferansepaper (Annet vitenskapelig)
  • 4.
    Berndt, Susanne
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Cutting the Gordion knot: The iconography of Megaron 2 at Gordion2015Inngår i: Opuscula: Annual of the Swedish Institutes at Athens and Rome, ISSN 2000-0898, Vol. 8, s. 85-108Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article examines the incised drawings of Early Phrygian Gordion, and in particular those of Megaton 2. Aspects of their iconographic and archaeological contexts are taken in to consideration, as well as literary sources and especially the story of the Gordian knot. The focus of the study is a series of incised labyrinths, which have hitherto not been recognized as such, but which are of particular interest for the analysis of this building. The myth of Theseus and the Minotaur in the labyrinth helps to throw light on both the images of Megaton 2 but also on the story of the Gordion knot, and how these are interlinked with each other. It is suggested that Ariadne's ball of thread and the Gordian knot are two different expressions of a similar concept; both represent sovereignty provided by a Goddess. Megaron 2 seems to have been a building that was intimately connected with both the king and the Phrygian Mother Goddess.

  • 5.
    Bonnier, Anton
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    Creating a common polity. Religion, economy, and politics in the making of the Greek koinon2015Inngår i: Opuscula: Annual of the Swedish Institutes at Athens and Rome, ISSN 2000-0898, Vol. 8, s. 189-190Artikkel, omtale (Annet vitenskapelig)
  • 6.
    Ekroth, Gunnel
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    Heroes: living or dead?2015Inngår i: Oxford Handbook of Ancient Greek Religion / [ed] E. Eidinow & J. Kindt, Oxford: Oxford University Press, 2015, s. 383-396Kapittel i bok, del av antologi (Fagfellevurdert)
  • 7.
    Engsheden, Åke
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Egyptens hieroglyfer i de klassiska författarnas våld2015Inngår i: Medusa. Svensk tidsskrift för antiken, ISSN 0349-456X, Vol. 36, nr 1, s. 17-24Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 8.
    Engsheden, Åke
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Onomastic Miscellanies from the North-Central Delta2015Inngår i: Bulletin de la Sociéte d'Égyptologie de Genève, ISSN 0255-6286, Vol. 30, s. 25-33Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Four different place-names from the north-central Delta are discussed in the article: (1) thename of the town of Disūq, suggested here to derive from an ancient Egyptian expression,possibly ‘the land of Sobek’; (2) Diminka, which may be a compound meaning ‘the new landof Nechao’; (3) idb.wy rx.ty, whose westward location seems supported by a passage in theTemple of Edfu; and finally (4) srn, a hapax, read on a Saite donation stela (Uppsala VM 3208),where the geographical context indicates a location near Buto.

  • 9. Foka, Anna
    Beyond Deviant: Theodora as the Other in Byzantine Imperial Historiography2015Inngår i: Deviant Women: Cultural, Linguistic and Literary Approaches to Narratives of Femininity / [ed] Mäntymaki, T., Rodi-Risberg, M., Foka, A., Oxford: Peter Lang Publishing Group, 2015Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    Early Byzantine historiography offers two contradictory portrayals of Theodora  (Crowned Empress 427-458 CE).  Whereas in Procopius’ Wars of Justinian and Buildings she appears to be a courageous and influential empress, in his later work, Secret History, she is represented as a deviant female figure. Procopius’ narrative of Theodora is overall disapproving of her character and actions. He discusses her early years as a ‘shameless’ performer and a prostitute, brought up in the social margins of Constantinople; Similarly, during her reign, he describes her exercise of power over the palace and her subjects as cruel and violent, driven by premeditated self-interest.  In this chapter, I aim to discuss Theodora’s portrayal by Procopius as a sociologically deviant female; it is a systematic study of what the author considers to be social norm violations that are subject to social sanction. I will specifically concentrate on Theodora’s depiction as a sexually deviant young performer. I will then focus upon actions of cruelty and violence in her political and social career as an Empress.  I will show how the paradigm of Theodora, in Procopius’ Secret History, can be read as both making visible coercive social, political and religious power structures, as well as, disenfranchising femininity in early Byzantium.

  • 10.
    Foka, Anna
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Remixing Classics for the Screen: Woody Allen and the Classical Tradition2015Inngår i: Studia Oliveriana, ISSN 0562-2964, Vol. 1, s. 55-76Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Several films by Woody Allen (Interiors, Oedipus Wrecks, Match Point and Mighty Aphrodite) contain elements of classical tradition that have been neglected or oversimplified by film scholarship as references to the director’s personal engagement with psychoanalysis. Using Mighty Aphrodite (1995) as illustration, I argue that these films convey the expression of contemporary social issues through a complex and multi-layered reception of classical culture that goes beyond pure psychoanalysis. In Mighty Aphrodite, specifically, Allen deploys the strict formalism of tragedy and the myth of Oedipus as film mechanisms for contemporary societal discourse. Via evaluation of film and narrative, I demonstrate that Allen’s classical reception is self-reflexive as it refers back to the very processes of performative arts. Furthermore, Allen utilizes the classical tradition as a form of expression in contemporary classical Hollywood narratives and creates a rich cultural experience for his audience; a cinematic treatise on cultural remix, dramatic formalism and classical reception per se.  

     

  • 11.
    Habetzeder, Julia
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    Intertextuality and Roman visual culture: A new approach to Roman ideal sculpture2015Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    The aim of this project is to acquire new knowledge regarding the role of ideal sculpture in the Roman world. Since the mid-19th century, such sculptures have been studied primarily as Roman copies of Greek originals, using the method of copy criticism. During the last two decades, the dominating influence of this approach has been repeatedly criticized as it does not investigate the place of such sculptures in the Roman cultural context. Yet, no alternative approach has managed to rival that of copy criticism. This project aims to formulate a new mode of studying this fascinating material, an approach that has great potential to produce new insights into the role of ideal sculptures in Roman society. Turning to the concept of intertextuality, this project also aims to introduce a theoretical and multidisciplinary element to the current debate on how to interpret Roman ideal sculpture.

  • 12.
    Habetzeder, Julia
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    Pompejanska fantasier i nöjets tjänst2015Inngår i: Romhorisont. Tidskrift för Föreningen svenska rominstitutets vänner och Svenska institutet i Rom, ISSN 0349-5590, nr 62, s. 20-22Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
    Abstract [sv]

    Om pompejanska influenser i 1920-talets färgglada klassicism. Texten är en återgivning av det föredrag som författaren höll på temadagen "Inspiration och ideal. Pompejanskt i Sverige under 1700-talet-1900-talet" på Konstakademien i Stockholm den 22 november 2014. Temadagen arrangerades av Föreningen svenska rominstitutets vänner, i samband med Pompejiutställningen på Millesgården.

  • 13.
    Habetzeder, Julia
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    The propriety of decorative luxury possessions: Reflections on the occurrence of kalathiskos dancers and pyrrhic dancers in Roman visual culture2015Inngår i: Own and be owned: Archaeological approaches to the concept of possession / [ed] Alison Klevnäs; Charlotte Hedenstierna-Jonson, Stockholm: Stockholm University, Department of Archaeology and Classical Studies , 2015, s. 93-108Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    In a well-known passage of his De architectura (written during thelast decades BC) Vitruvius describes the Roman domus (house) as aself-evident part of the public image of its owner. To Vitruvius, thehouse is not a private sphere, at least not in the sense we like to thinkof our homes today. Instead, Vitruvius emphasizes that the domusserves as the backdrop for at least a part of its owner’s public life,and as such its layout and appearance has a bearing on the owner’spublic persona (Vitr. De arch. 6.5.1-3; Granger 1934:36–39). But itwas not just the appearance of the house itself that was important inthis regard: there was a similar relationship between the home-ownerand the possessions that he chose to put on display in his house.

    During the Late Republican era (133–31 BC), many members ofthe Roman elite set out to acquire art collections to be displayed intheir homes. This paper shows that the decorative luxury possessionsacquired had a power and a capacity of their own. The owner’s tasteand personality were established through the acquisition and displayof these collections.

    To illustrate this point, two motifs are discussed: kalathiskos dancersand pyrrhic dancers (fig. 1). Within the Roman cultural context,these motifs are primarily represented on decorative luxury items.The paper aims to explore the occurrence of the motifs and to explainwhy pyrrhic dancers were depicted less often than kalthiskos dancers(fig. 2), and to relate this circumstance to the agency of decorativeluxury possessions within the Roman cultural context.

  • 14.
    Iordanoglou, Dimitrios
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Språkvetenskapliga fakulteten, Institutionen för lingvistik och filologi.
    ¿Contradiciendo la contradicción?: Protágoras, la antilógica y la proto-filosofía política2015Inngår i: VI Jornadas Filológicas  Aproximaciones interdisciplinarias a la Antigüedad griega y latina / [ed] Laura Almandós Mora & Ronald Forero Álvarez, Bogota: Editorial Kimpres S.A.S , 2015, s. 57-84Kapittel i bok, del av antologi (Fagfellevurdert)
  • 15.
    Iordanoglou, Dimitrios
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Språkvetenskapliga fakulteten, Institutionen för lingvistik och filologi.
    Dissoi logoi [Ljudupptagning] = Motsatta uppfattningar /2015Annet (Annet vitenskapelig)
  • 16.
    Iordanoglou, Dimitrios
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Språkvetenskapliga fakulteten, Institutionen för lingvistik och filologi.
    I, philologus: Några ord till mina studenter, ifall jag hade några2015Inngår i: Klassisk filologi i Sverige: reflexioner, riktningar, översättningar, öden / [ed] Eric Cullhed & Bo Lindberg, Stockholm: Kungl. Vitterhets Historie och Antikvitets Akademien, 2015, s. 31-39Kapittel i bok, del av antologi (Fagfellevurdert)
  • 17.
    Karivieri, Arja
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Arethousan Paliambelan varhaisbysanttilainen kirkko ja seurakuntakeskuksen toiminta: Arkeologinen aineisto ja sen tulkinta2015Inngår i: Skholion, ISSN 2243-4011, nr 1, s. 2-7Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 18.
    Karivieri, Arja
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Tradition and renewal: the archaeology of magic and theurgy in Athens and Rome in late antiquity2015Inngår i: Tradition: transmission of culture in the ancient world / [ed] Jane Fejfer, Mette Moltesen, Annette Rathje, Copenhagen: Museum Tusculanum Press, 2015, s. 181-194Kapittel i bok, del av antologi (Fagfellevurdert)
  • 19.
    Lowe Fri, Maria
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Barbro Santillo Frizell: Byggande vid Medelhavet. Symbol & nytta. Stockholm: Carlssons förlag 2014, 207 s.2015Inngår i: Medusa. Svensk tidsskrift för antiken, ISSN 0349-456X, nr 4, s. 39-41Artikkel, omtale (Annet (populærvitenskap, debatt, mm))
  • 20.
    Lowe Fri, Maria
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Iran. 4000 år av historia, konst, religion, litteratur och språk, redaktörer A. Dahlén och C. Jahani, Reports on Asian and African studies 4, Uppsala universitet2015Inngår i: Medusa. Svensk tidsskrift för antiken, ISSN 0349-456X, nr 2, s. 35-38Artikkel, omtale (Annet (populærvitenskap, debatt, mm))
  • 21.
    Mittag, Peter Franz
    Universität zu Köln.
    Roman Medallions: The Sixth Moneytalk in Uppsala (May 7, 2015)2015Rapport (Fagfellevurdert)
    Abstract [en]

    Starting with C. Julius Caesar the Roman emperors not only minted coins but – at first only occasionally, since the second century AD more regularly – medallions as well. We do not know how the Romans called these special products of the imperial mint – but most of them obviously differ from normal coins by their technical features, and normally medallions are not found in the same contexts as coins. For that reason they must have served for other purposes than regular coinage. Modern numismatists disagree about the question when, why and for whom they were produced. Before focussing these questions it seems to be helpful to focus at first briefly on technical aspects. In a second step I would like to deal with the question why and when medallions where produced and who were the recipients. In the longer third part I would like to call your attention to some selected medallions that are typical for their time.

  • 22.
    Mäntymäki, Tiina
    et al.
    Vaasa University.
    Rodi-Risberg, Marinella
    Foka, Anna
    Introduction2015Inngår i: Deviant Women: Cultural, Linguistic and Literary Approaches to Narratives of Femininity / [ed] Mäntymaki, T., Rodi-Risberg, M., Foka, A., Oxford: Peter Lang Publishing Group, 2015, s. 9-25Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    The construct of the deviant woman is analysed from literary, sociolinguistic and historical-cultural perspectives, revealing insights about cultures and societies. Furthermore, the studies recognise and explain the significance of the concept of deviance in relation to gender that bespeaks a contemporary cultural concern about narratives of femininity.

  • 23.
    Rajala, Ulla
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Robert Garland: Wandering Greeks. The Ancient Greek Diaspora from the Age of Homer to the Death of Alexander the Great2015Inngår i: Arctos: acta philologica fennica, ISSN 0570-734X, Vol. 47, s. 512-513Artikkel, omtale (Annet vitenskapelig)
  • 24.
    Rajala, Ulla
    University of Cambridge, UK.
    The perennial rivers and the changing settlement patterns on the two sides of the Tiber in central Italy: The case studies of Nepi and Gabii2015Inngår i: Rivers in prehistory / [ed] Andrea Vianello, Oxford: Archaeopress, 2015, s. 103-124Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 25. Stenström, Thure
    Recension av Johan Tralau, Monstret i mig. Myter om gränser och vilddjur, Sthlm: Atlantis 20152015Inngår i: Medusa, ISSN 0349-456X, nr 3, s. 41-44Artikkel, omtale (Annet vitenskapelig)
  • 26.
    Svedberg, Alexander
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    A Question of Style: Re-interpreting a Group of Early Hellenistic Terracotta Urns from Etruscan Volterra2015Independent thesis Advanced level (degree of Master (Two Years)), 20 poäng / 30 hpOppgave
    Abstract [en]

    The aim of this study is to re-interpret a small group of terracotta cinerary urns from Volterra. This group, which was produced during the course of the late 4th to late 3rd centuries BCE, has generally been neglected in the study of Volterran cinerary urns. This is primarily due to the fact that these urns have been viewed as ‘simple’, ‘neutral’ and as lacking narrative content. Furthermore, they have been described as a ‘failed experiment’. Based upon this, the thesis aims to prove that the terracotta group was created using contemporary stylistic and iconographical principles, meant to express the Etruscan ideology of death. To achieve this, the use of style in archaeology is first analyzed. Building upon this, the methodological issues relating to the form, style, technology and iconography of the terracotta group is then discussed. Following this discussion, a single urn is chosen as part of a case study. This urn is then compared to contemporary and non-contemporary material types, reaching the conclusion that it most likely depicts Vanth. Based upon this, the study proposes a new understanding of the terracotta group’s form, decoration and context-specific function.

  • 27.
    Tobin, Fredrik
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    The Chamber Tombs of San Giovenale and the Funerary Landscapes of South Etruria2015Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    This study is the first comprehensive examination of the Etruscan chamber tombs at San Giovenale. By compiling all the published data and conducting a field survey, 290 tombs have now been documented at the site. Of these, 224 have never before been published. The primary purpose of the study is to examine three aspects of the chamber tombs: their architecture, the traces of activities connected with them, and their relationship with the landscape.

    By comparing the architecture of these 290 tombs to those found at other sites in south Etruria, rough dates can be assigned to them. The earliest securely dated tombs belong to the 7th century BC and the latest to the 4th century BC. The tombs provide evidence that San Giovenale was not abandoned around 500 BC, as some scholars have claimed. The architecture also provides insight into how the tombs were used. Modifications made to the tombs reveal that they were revisited and modified for new uses over several generations, which is confirmed by the already-published pottery. Ramps and stairs leading up to the top of the tombs suggest that activities took place not only inside the chamber but also outside.

    An analysis of the location of the tombs demonstrates that the earliest ones were positioned on topographically privileged spots such as the edges of plateaus and the tops of hillocks. From the 6th century BC onward, they are also found further down the slopes of the ravines. From as early as the 7th century BC, many different locations at the site were used for burials concurrently. Moreover, the largest tombs are not found grouped together at one location, but rather are scattered among the necropoleis. This spatial organization is likely the result of different families or groups of families each using their own location to bury their dead.

  • 28.
    Webb, Lewis
    Umeå universitet, Humanistiska fakulteten, Institutionen för idé- och samhällsstudier.
    Shame transfigured: Slut-shaming from Rome to cyberspace2015Inngår i: First Monday, ISSN 1396-0466, E-ISSN 1396-0466, Vol. 20, nr 4Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Slut-shaming, the public exposure and shaming of individuals for their (perceived or actual) sexual behavior, is rife on the Internet; it primarily affects women, and it too often has tragic outcomes. Slut-shaming is not new, but a form of cultural suppression of female sexuality that has been practiced since antiquity. In this paper, I historicize this phenomenon, by comparing and contrasting cases of slut-shaming from the Roman Republic with recent cases on the Internet, and I maintain that the focus of this slut-shaming, namely sexual virtue, has remained the same over time, but that the unregulated nature of the Internet has increased its scope and impact. A central contention of this paper is that women have been complicit in this slut-shaming; they have shamed other women for their sexual behavior, and have done so because it conferred social benefits on them. We will see that men and women have used the Internet to perpetuate and maintain the cultural suppression of female sexuality, and expose women to increased scrutiny over their sexual behavior.

  • 29.
    Westberg, David
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Språkvetenskapliga fakulteten, Institutionen för lingvistik och filologi.
    Ancient Greek letter writing: A cultural history (600 BC-150 BC)2015Inngår i: Opuscula: Annual of the Swedish Institutes at Athens and Rome, ISSN 2000-0898, Vol. 8, s. 192-193Artikkel, omtale (Annet vitenskapelig)
  • 30.
    Winkler, Andreas
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    A Contribution to the Revenues of the Crocodile in the Imperial Fayum: The Temple Tax on Property Transfer Revisited2015Inngår i: Bulletin of The American Society of Papyrologists, ISSN 0003-1186, E-ISSN 0191-8710, Vol. 52, s. 239-263Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article examines a number of receipts issued by the priesthood at Tebtunis, which chiefly concern the 'Temple Tax on Property Transfer', usually referred to as the διδραχμία (Σούχου). These texts are mainly dated to the Roman period and written primarily in Demotic. These texts furnish the foundation for a discussion of the fiscal situation of the temple in the first two centuries AD. Finally, it is suggested that the decline of the economic status of the temple brought about by the Roman annexation of the country may have been less dire than often claimed.

  • 31.
    Winkler, Andreas
    Brown University, USA.
    Egypt and the Limits of Hellenism2015Inngår i: Journal of Near Eastern Studies, ISSN 0022-2968, E-ISSN 1545-6978, Vol. 74, nr 2, s. 370-373Artikkel, omtale (Annet vitenskapelig)
  • 32.
    Winkler, Andreas
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    The Bilingual Archive of the Linen Weaver Petechonsis, Son of Thoteus, and O. Bodl. Eg. Inscr. 3282015Inngår i: Ancient Society, ISSN 0066-1619, Vol. 45, s. 97-123Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    In this article, a brief overview of the early Roman texts belonging to the private archive of a Theban linen weaver is presented. The contents of the archive, which consists of receipts, is analysed and discussed. The investigation shows that the original possessor of the archive was not only involved in the textile industry but that he also supplemented his income through agriculture. Finally, a previously unpublished Demotic letter-receipt (O. Bodl. Eg. Inscr. 328) pertaining to the weaving business is edited and examined. A brief discussion of a dyeing tax is also included.

  • 33.
    Winkler, Andreas
    Brown University, USA.
    Third Time’s the Charm? The Councillor Priests and a Document from the Reign of Claudius, Redux2015Inngår i: Journal of the American Research Center in Egypt, ISSN 0065-9991, Vol. 51, nr 1, s. 75-91Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This paper offers a new edition of P.Mich. inv. 664, a Demotic text that has already been edited twice and received miscellaneous reading corrections; further improvements can be made. The papyrus is a receipt issued by the crocodile priesthood of Soknebtunis and is also the oldest text yet known that records in Demotic the payment of the so-called “Temple Tax on Property Transfer.” It is therefore of no small importance for our understanding of the organisation of the priesthood and the fiscal status of the Tebtunis temple in the first century AD.

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