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  • 1.
    Blid, Jesper
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Sacred Movement to Labraunda - an Archaeological Perspective2012Inngår i: HEROM - Journal on Hellenistic and Roman Material Culture, ISSN 2294-4273, Vol. 1, nr 1, s. 157-195Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Sacred movement to the Karian sanctuary of Labraunda in Late Antiquity is here for the first time closely examined. The focus is set on scrutinizing the material remains that emerged from these journeys, and this will be further supplemented by a brief survey of what is known about the equivalent occur- rence in the Imperial period. It is argued that Labraunda's strategic location along the mountain passage between the Mylasa plain and the Karian inland provided safe over-night accommodation and trade opportunities, which consequently stimulated the economy of the sanctuary. Two churches have been excavated immediately outside of the ancient temenoswall, dating from the foundation of Labraunda as a Christian locus sanctus during the early fifth century. The topography of Labraunda with its rich water sources and fertile terraces, along with the eco- nomically fortunate locality, formed an appealing milieu that kept the site's importance also during the Byzantine Middle period.

  • 2.
    Cullhed, Eric
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Språkvetenskapliga fakulteten, Institutionen för lingvistik och filologi.
    The Autograph Manuscripts Containing Eustathius’ Commentary on the Odyssey2012Inngår i: Mnemosyne (Lugduni Batavorum. Print), ISSN 0026-7074, E-ISSN 1568-525X, Vol. 65, nr 3, s. 445-461Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This paper calls into question established views on the relationship between the two autograph MSS containing Eustathius' commentary on the Odyssey, suggesting that we should pay attention to the `stratigraphy' of Marc. gr. 460 in order to better understand the way in which these manuscripts were produced.

  • 3.
    Ekroth, Gunnel
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    Aspects of ancient Greek cult. Context, ritual and iconography (Aarhus studies in Mediterranean Antiquity, ASMA, 8), eds. J. Tae Jensen et al.2012Inngår i: Opuscula, ISSN 2000-0898, Vol. 5, s. 190-192Artikkel, omtale (Fagfellevurdert)
  • 4.
    Ekroth, Gunnel
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    Pelops joins the party: Transformations of a hero-cult within the festival at Olympia2012Inngår i: Greek and Roman festivals: Content, Meaning, and Practice / [ed] J.R. Brandt & J.W. Iddeng, Oxford: Oxford University Press , 2012, s. 95-137Kapittel i bok, del av antologi (Fagfellevurdert)
  • 5.
    Habetzeder, Julia
    Stockholms universitet, Antikens kultur och samhällsliv.
    Dancing with decorum: The eclectic usage of kalathiskos dancers and pyrrhic dancers in Roman visual culture2012Inngår i: Opuscula: Annual of the Swedish Institutes at Athens and Rome, ISSN 2000-0898, Vol. 5, s. 7-47Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article examines two groups of motifs in Roman visual culture: females modelled on kalathiskos dancers, and males modelled on pyrrhic dancers. Eclecticism is emphasized as a strategy which was used to introduce novelties that were appropriate within a Roman cultural context. The figures representing kalathiskos dancers and pyrrhic dancers were both changed in an eclectic manner and this resulted in motifs representing the goddess Victoria, and the curetes respectively.

    Kalathiskos dancers and eclectic Victoriae figure on many different media at least from the Augustan era and into the 2nd century AD. It is argued here that the establishment of these two motifs in Roman visual culture is closely related to the aesthetics which came to the fore during the reign of Augustus. Thereafter, both kalathiskos dancers and eclectic Victoriae lingered on in the Roman cultural context until many of the material categories on which they were depicted ceased to be produced.

    Unlike the kalathiskos dancers, the male figures modelled on pyrrhic dancers are so rare within Roman visual culture that we can only assume they were, to some extent, perceived as an inappropriate motif. This can most likely be explained by the negative attitude, amongst the Roman elite, towards male dancing.

  • 6.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Dancing with decorum: The eclectic usage of kalathiskos dancers and pyrrhic dancers in Roman visual culture2012Inngår i: Opuscula: Annual of the Swedish Institutes at Athens and Rome, ISSN 2000-0898, Vol. 5, s. 7-47Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article examines two groups of motifs in Roman visual culture: females modelled on kalathiskos dancers, and males modelled on pyrrhic dancers. Eclecticism is emphasized as a strategy which was used to introduce novelties that were appropriate within a Roman cultural context. The figures representing kalathiskos dancers and pyrrhic dancers were both changed in an eclectic manner and this resulted in motifs representing the goddess Victoria, and the curetes respectively.

    Kalathiskos dancers and eclectic Victoriae figure on many different media at least from the Augustan era and into the 2nd century AD. It is argued here that the establishment of these two motifs in Roman visual culture is closely related to the aesthetics which came to the fore during the reign of Augustus. Thereafter, both kalathiskos dancers and eclectic Victoriae lingered on in the Roman cultural context until many of the material categories on which they were depicted ceased to be produced.

    Unlike the kalathiskos dancers, the male figures modelled on pyrrhic dancers are so rare within Roman visual culture that we can only assume they were, to some extent, perceived as an inappropriate motif. This can most likely be explained by the negative attitude, amongst the Roman elite, towards male dancing.

  • 7.
    Habetzeder, Julia
    Stockholms universitet, Institutionen för arkeologi och antikens kultur.
    Evading Greek models: Three studies on Roman visual culture2012Doktoravhandling, med artikler (Annet vitenskapelig)
    Abstract [en]

    For a long time, Roman ideal sculptures have primarily been studied within the tradition of Kopienkritik. Owing to some of the theoretical assumptions tied to this practice, several important aspects of Roman visual culture have been neglected as the overall aim of such research has been to gain new knowledge regarding assumed Classical and Hellenistic models. This thesis is a collection of three studies on Roman ideal sculpture. The articles share three general aims: 1. To show that the practice of Kopienkritik has, so far, not produced convincing interpretations of the sculpture types and motifs discussed. 2. To show that aspects of the methodology tied to the practice of Kopienkritik (thorough examination and comparison of physical forms in sculptures) can, and should, be used to gain insights other than those concerning hypothetical Classical and Hellenistic model images. 3. To present new interpretations of the sculpture types and motifs studied, interpretations which emphasize their role and importance within Roman visual culture.

    The first article shows that reputed, post-Antique restorations may have an unexpected—and unwanted—impact on the study of ancient sculptures. This is examined by tracing the impact that a restored motif ("Satyrs with cymbals") has had on the study of an ancient sculpture type: the satyr ascribed to the two-figure group "The invitation to the dance". The second article presents and interprets a sculpture type which had previously gone unnoticed—The satyrs of "The Palazzo Massimo-type". The type is interpreted as a variant of "The Marsyas in the forum", a motif that was well known within the Roman cultural context. The third article examines how, and why, two motifs known from Classical models were changed in an eclectic fashion once they had been incorporated into Roman visual culture. The motifs concerned are kalathiskos dancers, which were transformed into Victoriae, and pyrrhic dancers, which were also reinterpreted as mythological figures—the curetes.

  • 8.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Evading Greek models: Three studies on Roman visual culture2012Doktoravhandling, med artikler (Annet vitenskapelig)
    Abstract [en]

    For a long time, Roman ideal sculptures have primarily been studied within the tradition of Kopienkritik. Owing to some of the theoretical assumptions tied to this practice, several important aspects of Roman visual culture have been neglected as the overall aim of such research has been to gain new knowledge regarding assumed Classical and Hellenistic models. This thesis is a collection of three studies on Roman ideal sculpture. The articles share three general aims: 1. To show that the practice of Kopienkritik has, so far, not produced convincing interpretations of the sculpture types and motifs discussed. 2. To show that aspects of the methodology tied to the practice of Kopienkritik (thorough examination and comparison of physical forms in sculptures) can, and should, be used to gain insights other than those concerning hypothetical Classical and Hellenistic model images. 3. To present new interpretations of the sculpture types and motifs studied, interpretations which emphasize their role and importance within Roman visual culture.

    The first article shows that reputed, post-Antique restorations may have an unexpected—and unwanted—impact on the study of ancient sculptures. This is examined by tracing the impact that a restored motif ("Satyrs with cymbals") has had on the study of an ancient sculpture type: the satyr ascribed to the two-figure group "The invitation to the dance". The second article presents and interprets a sculpture type which had previously gone unnoticed—The satyrs of "The Palazzo Massimo-type". The type is interpreted as a variant of "The Marsyas in the forum", a motif that was well known within the Roman cultural context. The third article examines how, and why, two motifs known from Classical models were changed in an eclectic fashion once they had been incorporated into Roman visual culture. The motifs concerned are kalathiskos dancers, which were transformed into Victoriae, and pyrrhic dancers, which were also reinterpreted as mythological figures—the curetes.

  • 9.
    Habetzeder, Julia
    Stockholms universitet, Antikens kultur och samhällsliv.
    The impact of restoration: The example of the dancing satyr in the Uffizi2012Inngår i: Opuscula: Annual of the Swedish Institutes at Athens and Rome, ISSN 2000-0898, Vol. 5, s. 133-163Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    The aim of this article is to show that reputed restorations may have an unexpected impact on the study of ancient sculpture. During the 17th-19th centuries a number of restored antiques where held in exceptionally high regard. One of the consequences of their renowned was the production of copies and adaptations in different scales and media. Such reproductions did not distinguish between the ancient and the restored parts of the work.

    Today these reproductions are centuries old, and in many cases their provenance has long since been forgotten. Therefore, such post-antique sculptures are easily misinterpreted as ancient. Subsequently, they are at times used as evidence of ancient sculptural production. Needless to say, this may cause flawed notions of Classical sculpture.

    The complexity of this relationship, between the ancient and the restored, is here exemplified by tracing the impact that a restored motif – “satyrs with cymbals” – has had on the study of an ancient sculpture type – the satyr attributed to “The invitation to the dance”.

  • 10.
    Habetzeder, Julia
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    The impact of restoration: The example of the dancing satyr in the Uffizi2012Inngår i: Opuscula: Annual of the Swedish Institutes at Athens and Rome, ISSN 2000-0898, Vol. 5, s. 133-163Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    The aim of this article is to show that reputed restorations may have an unexpected impact on the study of ancient sculpture. During the 17th-19th centuries a number of restored antiques where held in exceptionally high regard. One of the consequences of their renowned was the production of copies and adaptations in different scales and media. Such reproductions did not distinguish between the ancient and the restored parts of the work.

    Today these reproductions are centuries old, and in many cases their provenance has long since been forgotten. Therefore, such post-antique sculptures are easily misinterpreted as ancient. Subsequently, they are at times used as evidence of ancient sculptural production. Needless to say, this may cause flawed notions of Classical sculpture.

    The complexity of this relationship, between the ancient and the restored, is here exemplified by tracing the impact that a restored motif – “satyrs with cymbals” – has had on the study of an ancient sculpture type – the satyr attributed to “The invitation to the dance”.

  • 11.
    Hedlund, Ragnar
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    Recension av G. Kovacs & C.W. Marshall (eds.), Classics and Comics, Oxford: Oxford university press, Oxford 2011.2012Inngår i: Opuscula. Annual of the Swedish Institutes at Athens and Rome, ISSN 2000-0898, Vol. 5, s. 201-202Artikkel, omtale (Fagfellevurdert)
  • 12.
    Iordanoglou, Dimitrios
    et al.
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Språkvetenskapliga fakulteten, Institutionen för lingvistik och filologi.
    Persson, Mats
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för idé- och lärdomshistoria.
    Tidigare än, men ändå samtida: Om det förflutna i antik grekisk historieskrivning2012Inngår i: Lychnos, s. 93-134Artikkel i tidsskrift (Fagfellevurdert)
  • 13.
    Karivieri, Arja
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Patrons and Viewers in Late Antique Greece: From Houses and Villas to Early Christian Churches2012Inngår i: Patrons and Viewers in Late Antiquity / [ed] Stine Birk & Birte Poulsen, Aarhus: Aarhus Universitetsforlag, 2012, s. 217-235Kapittel i bok, del av antologi (Fagfellevurdert)
  • 14.
    Karlsson, Lars
    et al.
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    Blid, Jesper
    Stockholms Universitet.
    Henry, Olivier
    Institute Francaise d' Études Anatoliennes .
    Hedlund, Ragnar
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    Labraunda 2011: A preliminary report on the Swedish excavations with an appendix by R. Hedlund2012Inngår i: Opuscula: Annual of the Swedish Institutes at Athens and Rome, ISSN 2000-0898, Vol. 5, s. 49-87Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    The main goals of the 2011 campaign were the excavation of the Kepez tower, the West Church and the necropoleis. The tower of Kepez was excavated and black-gloss pottery indicates a date in the 3rd century BC. The 2011 excavations in the West Church uncovered three Late Roman and Byzantine building phases. Among the finds from Late Antiquity was a well-preserved glass lamp with a Greek inscription and a marble figurine, possibly representing an apostle or a saint. The excavations in the necropolis uncovered eleven tombs in the Area 5B, located along the Sacred Way, completing the excavation initiated in 2010. New tombs were discovered in the territory east and south of the sanctuary. Finally, the three stone sarcophagi inside the Built Tomb were moved in order to facilitate complete excavation and the cleaning of all the interior space of this monumental tomb. The conservation of architectural marble was continued and included the conservation of an Ionic column capital and an anta capital from Andron B. Thomas Thieme and Pontus Hellstrom prepared the publication of the andrones.

  • 15.
    Klingborg, Patrik
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    Utgrävningar i en antik stoa: 2012 års säsong på Poros2012Inngår i: Medusa. Svensk tidsskrift för antiken, ISSN 0349-456X, nr 3, s. 23-28Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 16.
    Lindhagen, Adam
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Är det Hadrianus jaktvilla som ligger gömd under olivlundarna?2012Inngår i: Populär arkeologi, ISSN 0281-014X, nr 2, s. 4-7Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 17.
    Lowe Fri, Maria
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Detecting Social Developmentthrough Manufacturing Processes: A case study of Palaikastro (Crete)2012Inngår i: Matters of Scale: Processes and courses of events in the past and the present / [ed] N. M. Burström & F. Fahlander, Stockholm: Stockholm University, 2012, s. 111-128Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 18.
    Pedersén, Olof
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Språkvetenskapliga fakulteten, Institutionen för lingvistik och filologi.
    Ancient Near East on Google Earth: Problems, Preliminary Results, and Prospects2012Inngår i: Proceedings of the 7th International Congress on the Archaeology of the Ancient Near East: 12 April - 16 April 2010, the British Museum and UCL, London. 3, Fieldworks and recent research / [ed] Matthews, Roger and Curtis, John, Wiesbaden: Harrassowitz Verlag, 2012, s. 385-393Kapittel i bok, del av antologi (Fagfellevurdert)
  • 19.
    Siapkas, Johannes
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Classical Others: Anthropologies of Antiquity2012Inngår i: Lychnos: årsbok för idé- och lärdomshistoria, Uppsala: Lärdomshistoriska samfundet , 2012, s. 209-229Kapittel i bok, del av antologi (Fagfellevurdert)
  • 20.
    Siapkas, Johannes
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Introduction: Situating Classical Studies2012Inngår i: Lychnos, ISSN 0076-1648, s. 115-117Artikkel i tidsskrift (Fagfellevurdert)
  • 21.
    Svedberg, Alexander
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur.
    Amasonerna: En laddad myt2012Inngår i: Medusa. Svensk tidsskrift för antiken, ISSN 0349-456X, Vol. 33, nr 2, s. 33-39Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
    Abstract [sv]

    Amasonmyten har diskuterats från antiken fram till våra dagar. Samma frågor har ofta ställts: varför uppstod myten och vilka var amasonerna? Amasonmyten var liksom de flesta grekiska myter variationsrik och det dröjde århundraden innan en kanonisk myt växte fram.

  • 22.
    Tobin, Fredrik
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    Nya perspektiv på San Giovenales gravar2012Inngår i: Romhorisont, ISSN 0349-5590, nr 57, s. 8-Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 23.
    von Ehrenheim, Hedvig
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Greek incubation rituals and healing sanctuaries2012Konferansepaper (Annet vitenskapelig)
  • 24.
    von Ehrenheim, Hedvig
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    Origins of Greek incubation2012Konferansepaper (Annet vitenskapelig)
  • 25.
    von Ehrenheim, Hedvig
    Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.
    The titulus Lucinae and the saint Lucina2012Inngår i: San Lorenzo in Lucina: The transformations of a Roman quarter / [ed] Olof Brandt, Stockholm: Svenska Institutet i Rom , 2012, s. 155-176Kapittel i bok, del av antologi (Fagfellevurdert)
  • 26.
    Weiberg, Erika
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    Recension: D.J. Pullen, Nemea Valley Archaeological Project Volume I: The Early Bronze Age Village of Tsoungiza Hill, Princeton: The American School of Classical Studies at Athens, 2011.2012Inngår i: The Classical journal, ISSN 0009-8353, E-ISSN 2327-5812Artikkel, omtale (Annet vitenskapelig)
  • 27.
    Weiberg, Erika
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.
    What can Resilience Theory do for (Aegean) Archaeology?2012Inngår i: Matters of scale: Processes and courses of events in archaeology and cultural history / [ed] N.M. Burström, F. Fahlander, Stockholm: Stockholm University, 2012, s. 146-165Kapittel i bok, del av antologi (Annet vitenskapelig)
1 - 27 of 27
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