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  • 1.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Det dumma nätet2010Inngår i: Efter The Pirate Bay / [ed] Jonas Andersson & Pelle Snickars, Stockholm: Kungliga biblioteket , 2010, s. 49-72Kapittel i bok, del av antologi (Fagfellevurdert)
  • 2.
    Andersson, Jonas
    Goldsmiths College, University of London.
    For the good of the net: The Pirate Bay as strategic sovereign2009Inngår i: Culture Machine, ISSN 1465-4121, E-ISSN 1465-4121, Vol. 10, s. 64-108Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    In this essay I will argue that as peer-to-peer (p2p)-based file-sharing increasingly becomes the norm for media acquisition among the general Internet public, entities such as The Pirate Bay and associated quasi-institutional entities such as Piratbyrån, Zeropaid, TorrentFreak, etc. have begun to appear less as a reactive force (i.e. ‘breaking the rules’) and more as a proactive one (‘setting the rules’). In providing platforms for sharing and for voicing dissent towards the established entertainment industry, the increasing autonomy gained by these piratical actors becomes more akin to the concept of ‘positive liberty’ than to a purely ‘negative,’ reactive one.1 Rather than complain about the conservatism of established forms of distribution they simply create new, alternative ones. Entities such as The Pirate Bay can thus be said to have effectively had the ‘upper hand’ in the conflict over the future of copyright and digital distribution. They increasingly set the terms with regard to establishing not only technical protocols for distribution but also codes of behaviour and discursive norms. The entertainment industry is then forced to react to these terms. In this sense, the likes of The Pirate Bay become – in the language of French philosopher Michel de Certeau (1984) – strategic rather than tactical. With this, however, comes the added problem of becoming exposed by their opponents as visible perpetrators of particular acts. The strategic sovereignty of sites such as The Pirate Bay makes them appear to be the reason for the wider change in media distribution, not just an incidental side-effect of it.

  • 3.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    It takes (at least) two to tango2011Inngår i: Re-Public: Re-Imagining Democracy, ISSN 1791-857X, nr 6 febArtikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 4.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Learning from the file-sharers: Civic modes of justification versus industrial ones2012Inngår i: Arts Marketing: An International Journal, ISSN 2044-2084, Vol. 2, nr 2, s. 104-117Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Purpose – The purpose of this paper is to better understand the world-view of cultural consumers who download and share copyrighted content for free.

    Design/methodology/approach – By utilizing a critical discourse analysis of the arguments given by file-sharers in online forums and in interviews, focusing on the arguments which arise for justifying certain everyday uses, and contrasting these with their material and structural conditions, a critical approach is sought, inquiring on the validity of certain tropes. Particularity was achieved by making a geographically delimited case study.

    Findings – The case study helps to conceptualize online sociality, with wider application than this geographical setting only. As BitTorrent technology makes every downloader share his/her files while downloading, file-sharing is found to accommodate individual opportunism, and a world-view that puts the consumer at the centre of agency, in turn reinforcing the civic idea of cultural access and diversity as a human right.

    Research limitations/implications – Previous findings have correlated heavy file-sharing with heavy consumption of culture. However, given the greater ability of previewing material and of acquiring more obscure content, how have the habits and consumption patterns changed among media consumers who routinely file-share? More detailed studies are needed, on how individual users come to question their own role, and the impact of their own actions – and what the level of awareness actually is (in different geographical/demographic settings) of the conditions for cultural production, distribution and consumption. A range of potential new research areas and scenarios is listed.

    Practical implications – Given the common constituents seen in the world-views of file-sharers, this civic approach to intellectual property could prompt professional producers, distributors, rights holders and regulators to consider the actual visibility of potential impacts of file-sharing. The civic approach suggests that file-sharers can reconcile with individual authors or artists, as long as these are found to have precarious economic conditions, and not be affiliated with an industrial mode of reasoning. Cultural producers that are seen to adhere to a civic (amateur- or fan-like) mode of reasoning – rather than an industrial (professional) one – are met with more sympathy among consumers.

    Originality/value – The paper is of interest for media sociology, cultural studies, and policymaking within the cultural industries.

  • 5.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Not necessarily an intervention: The Pirate Bay and the case of file-sharing2013Inngår i: Media Interventions / [ed] Kevin Howley, New York, NY: Peter Lang Publishing Group, 2013, s. 302-320Kapittel i bok, del av antologi (Fagfellevurdert)
  • 6.
    Andersson, Jonas
    Goldsmiths, University of London.
    The fantasy of cultural control, and the crisis of distribution2008Inngår i: Deptford.TV Diaries, volume II: Pirate Strategies / [ed] Adnan Hadzi et al., London: Openmute , 2008, s. 101-108Kapittel i bok, del av antologi (Fagfellevurdert)
  • 7.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap. Goldsmiths, University of London.
    The metamorphosis of music-listening and the (alleged) obliteration of the aura2010Inngår i: Sounds of the Overground: Selected papers from a postgraduate colloquium on ubiquitous music and music in everyday life / [ed] Nedim Hassan & Holly Tessler, Turku (Åbo): International Institute for Popular Culture , 2010, s. 58-71Kapittel i bok, del av antologi (Fagfellevurdert)
  • 8.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    The origins and impacts of the Swedish file-sharing movement: A case study2011Inngår i: Critical Studies in Peer Production (CSPP), Vol. 1, nr 1, s. 1-18Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    If it is possible to speak of a coherent file-­sharing movement in Sweden, what are the principal societal factors shaping it? This paper contextualises the recent history of Swedish peer­-to-­peer­-based file­sharing as forming part of a wider shift in politics towards a late-modern collective ethic. Everyday file-­sharers operate as ‘occasional activists’, as pirate institutions not only speak for, but also run and build the networks. Such institutions ­ The Pirate Bay, Piratbyrån, and The Pirate Party ­ cannot be explained by invoking market logics, online communitarianism, or political motivation alone. The cyberliberties activism animating these hubs is connected to the larger framework of balancing utilitarianism, nationalism, individual autonomy and collectivism in Sweden. Further, the emergent Swedish file­-sharing justificatory regime hinges on a general view of what the internet is, what it is good for, and how it should look in the future, as the file-­sharer argumentation rests on the inevitability of unrestricted file exchange on the internet, while the industrialist concerns of the cultural industries emphasize instead how exchange should be regulated and sanctioned by accountable providers.

  • 9.
    Andersson, Jonas
    Goldsmiths, University of London.
    The Pirate Bay and the ethos of sharing2006Inngår i: Deptford.TV Diaries / [ed] Adnan Hadzi et al., London: Openmute , 2006, s. 69-75Kapittel i bok, del av antologi (Fagfellevurdert)
  • 10.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    The quiet agglomeration of data: How piracy is made mundane2012Inngår i: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, Vol. 6, nr 1, s. 585-605Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article conceptually outlines P2P-based file-sharing as a totality, a mass utility, and a backdrop to everyday cultural life. It elaborates on a recent study of Swedish file-sharers to sketch some important constituents of what would constitute a "piracy culture." It shows that the actual file-sharer argumentation is not fully synonymous with established notions of "piracy" but rather reveals the complexity of the phenomenon and how the discourse invoking it relies on modes of justification that are not entirely commensurable. Moreover, the file-sharer rhetoric is contingent on a range of entities and infrastructures that condition actual usage. Noting the institutionalized, semi-anonymous, and depersonalized elements to file-sharing, I propose a different interpretation than regarding it as a "gift economy" like the tight-knit communities Mauss described in 1923. Instead, I propose a metaphor borrowed from Titmuss' example of blood donors that acknowledges the perceived "need" for culture and the associated "right" to access content that file-sharers are exercising.

  • 11. Andersson, Jonas
    et al.
    Snickars, Pelle
    Efter The Pirate Bay2010 (oppl. 1)Bok (Fagfellevurdert)
    Abstract [sv]

    En bok om fildelningens teknik, politik, juridik och moral. Hur ska vi förhålla oss till vår nya digitala verklighet?

    Förstår vi kraften i Internet bäst genom en uppsättning av illasinnade repressiva förkortningar (Ipred, FRA, Acta) eller genom en förutsättningslös politisk diskussion kring vilket slags lagstiftning som ska gälla för den digitala domänen? De svenska riksdagspartiernas växlande syn på fildelning och upphovsrätt har under de senaste åren flankerats av nya, och mer radikala sätt att betrakta frågan.

    Boken för ett resonemang om vår nya digitala verklighet. Ett antal skribenter nalkas ämnet från olika utgångspunkter och ger en bred bild av vad som är annorlunda i vår tid; efter Pirate Bay. Redaktörer är Jonas Andersson och Pelle Snickars.

  • 12.
    Andersson, Jonas
    et al.
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Snickars, Pelle
    Introduktion: Efter The Pirate Bay2010Inngår i: Efter The Pirate Bay / [ed] Jonas Andersson & Pelle Snickars, Stockholm: Kungliga biblioteket , 2010, s. 9-48Kapittel i bok, del av antologi (Fagfellevurdert)
  • 13.
    Andersson, Jonas
    et al.
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Snickars, Pelle
    Nätanonymitet ett demokratiskt värde2011Inngår i: Svenska Dagbladet, ISSN 1101-2412, nr 6 augArtikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 14.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Bloggen som annex till akademin: En skådeplats för kunskapande och vänskapande2015Inngår i: Universitetet som medium / [ed] Matts Lindström, Adam Wickberg Månsson, Lund: Mediehistoria, Lunds universitet , 2015, s. 109-134Kapittel i bok, del av antologi (Fagfellevurdert)
  • 15.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Catering for Whom?: The Problematic Ethos of Audiovisual Distribution Online2015Inngår i: Besides the Screen: Moving Images through Distribution, Promotion and Curation / [ed] Virginia Crisp & Gabriel Menotti Gonring, Palgrave Macmillan, 2015, 1, s. 65-84Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    The purpose of this chapter is to make some general conclusions from recently conducted fieldwork on one of the world’s most comprehen- sive, but also selective, communities for film swapping; I have chosen to omit the name of this community out of concern for its members. Specialist torrent sites like these are unregulated in that they are not sanctioned by the copyright industry – yet, internally, they remain highly regulated. The chapter provides an overview and a discussion of these sites, and the way these are integrated in a wider economy of film circulation, user agency, knowledge and affects. In theorizing my findings, I mainly draw on theories of culture and sociality outlined by Pierre Bourdieu. 

  • 16.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    De digitala vidderna styrs från ovan2014Inngår i: Svenska Dagbladet, ISSN 1101-2412, nr 23 junArtikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 17.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Honorability and the Pirate Ethic2015Inngår i: A Reader on International Media Piracy: Pirate Essays / [ed] Tilman Baumgärtel, Amsterdam: Amsterdam University Press, 2015, s. 81-110Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 18.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Hur flöden moduleras: vad som hamnar på agendan i sociala medier2015Inngår i: Digital Politik: Sociala medier, deltagande och engagemang / [ed] Eric Carlsson, Bo Nilsson, Simon Lindgren, Göteborg: Daidalos, 2015, s. 39-66Kapittel i bok, del av antologi (Fagfellevurdert)
  • 19.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Kritiska perspektiv i medieforskningens undervegetation2014Annet (Annet (populærvitenskap, debatt, mm))
  • 20.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Online File Sharing: Innovations in Media Consumption2014 (oppl. 1)Bok (Annet vitenskapelig)
    Abstract [en]

    This book summarizes the role that The Pirate Bay has played during the last decade, but also connects the history of this infamous site with the emergence of legal services such as Spotify. The book also serves as an up-to-date summary of various strands of research on file sharing—particularly, user motivation and justification.

     — 

    It is apparent that file sharing on the Internet has become an emerging norm of media consumption—especially among young people. This book provides a critical perspective on this phenomenon, exploring issues related to file sharing, downloading, peer-to-peer networks, "piracy," and (not least) policy issues regarding these practices. Andersson Schwartz critically engages with the justificatory discourses of the actual file-sharers, taking Sweden as a geographic focus. By focusing on the example of Sweden—home to both The Pirate Bay and Spotify—he provides a unique insight into a mentality that drives both innovation and deviance and accommodates sharing in both its unadulterated and its compliant, business-friendly forms.

     — 

    Online file sharing does not only entail music files but movies, software, and e-books alike. The phenomenon has been an integral part of online life for more than a decade. From my own and other researchers' findings it is apparent that unregulated file sharing is an emergent norm—if not even a new condition to media consumption—especially among young people. In countries like the US, the UK, Sweden, and South Korea, access to high-speed broadband is commonplace; both file sharers who I have interviewed and those who speak out in online forums hold that file sharing is as natural an element online as trees would be in the forest. This original and thought-provoking book critically summarizes debates on this topic, on a level which is approachable to undergraduates, yet useful for postgraduates and senior scholars as well. The book is based on a novel approach that fuses close-range, micro observations of user behavior and reasoning with macro perspectives of political economy and infrastructural features of digitization. Through exploring the reflexive management of the self, found among media audiences, insights into more innovative modes of management in the media industries are elicited. Through merging an ontological inquiry (popularized by theorists such as Bruno Latour) with an economics of complexity and networks (popularized by theorists like Manuel Castells) new insights into both online sociality, media anthropology, and modes of accumulation can be sought. The continuity between Spotify and illegal file sharing is explored through a critical account that examines the discourses of both file sharers and industry stalwarts. Tendencies towards "information idealism" and "networked accumulation" are scrutinized; they are found to be endemic among actors striving to extract value from online, granular dissemination. In the first place, the book would suit undergraduates on courses in media and communications—especially undergrad courses in new media, and the sociology of the Internet. The book can be seen as a critical introduction, a historical overview, as well as a case study of file-sharing—explaining the infrastructures, the particular modes of media use involved; ultimately, sketching out a political economy of unregulated file-sharing, based on the current historical record, listing some observed economic repercussions, alongside potential future ones. A major secondary market would be postgraduate students, Ph.D. students, researchers, and lecturers. The great appeal with this book is that it would be of interest to several groups within academia. It would appeal both to scholars of my own subject, media and communications (especially, the history and sociology of new, digital media)—but it would appeal also to scholars of science and technology studies (STS), since the topic raises numerous interesting questions about the nature of technology, the complexity of agency and morality, while simultaneously offering a "case study," and thus some specificity in an otherwise broad, slippery subject.

  • 21.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Twittertyckarna sväljer kamelerna: Makthavare måste stå immuna mot Twitter2014Inngår i: Expressen, ISSN 1103-923X, nr 9 aprArtikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 22.
    Andersson Schwarz, Jonas
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Burkart, Patrick
    Texas A&M University.
    Introduction: Piracy and Social Change2015Inngår i: Popular Communication, ISSN 1540-5702, E-ISSN 1540-5710, Vol. 13, nr 1, s. 1-5Artikkel i tidsskrift (Fagfellevurdert)
  • 23.
    Andersson Schwarz, Jonas
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Burkart, PatrickTexas A&M University.
    Special Issue: Piracy and Social Change2015Collection/Antologi (Fagfellevurdert)
  • 24.
    Andersson Schwarz, Jonas
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Burkart, Patrick
    Texas A&M University.
    Aufderheide, Patricia
    American University.
    Jaszi, Peter
    American University.
    Kelty, Christopher
    University of California, Los Angeles.
    Coleman, Gabriella
    McGill University.
    Piracy and Social Change: Roundtable Discussion2015Inngår i: Popular Communication, ISSN 1540-5702, E-ISSN 1540-5710, Vol. 13, nr 1, s. 87-99Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This roundtable discussion draws together researchers with an interest of overcoming purely juridical treatment of piracy in their work. Christopher Kelty and Gabriella Coleman consider the aspects of cyberculture, which conflictually engage with intellectual property rights, through various communities of technology practice, including hackers. Patricia Aufderheide and Peter Jaszi’s work on fair use addresses the growing opportunities for creators in the United States to utilize the tradition in their creative fields. Jonas Andersson Schwarz and Patrick Burkart, co-editors of this special issue, have researched user motivations and political activism around copyright and software patent reforms, partially explaining the emergence of dozens of European Pirate Parties, beginning with the Swedish Pirates in 2006.

  • 25.
    Andersson Schwarz, Jonas
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Hammarlund, Johan
    Kjellberg, Magnus
    di Grado, Stefan
    ”Åsikter på sociala medier är inte den allmänna opinionen”2014Inngår i: Dagens Nyheter, ISSN 1101-2447, nr 25 december, s. 5-Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 26.
    Andersson Schwarz, Jonas
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Palmås, Karl
    Introducing the panspectric challenge: A reconfiguration of regulatory values in a multiplatform media landscape2013Inngår i: Central European Journal of Communication, ISSN 1899-5101, Vol. 6, nr 2, s. 219-233Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Taking Sweden as a case study, the role of public service broadcasting (PSB) is explored, with a focus on issues of data retention and innovation that accompany web distribution. The issue of predicting audience preferences by means of data retention is investigated, and the related problem of organizational autonomy when interacting with commercial actors in the digital sphere. We hypothesize that previous tendencies towards paternalism might be equally supplemented by tendencies towards so-called “panspectric” surveillance and tracking, given a technological environment where such practices are increasingly common. We argue that the absence of advertising partially helps keep these broadcasters from panspectric temptation. Still, practices such as Facebook integration entail a panspectric element. We ask whether the potential increase in the efficacy of targeting audiences promised by panspectric practices might be offset by its negative impact on civic accountability. Is there a possibility for a “benign,” democratically accountable panspectrocism?

  • 27.
    Arpe, Dennis
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för ABM.
    Policy och predikament: En kvalitativ studie av kemisternas erfarenhet av Chalmers implementering av OA-policy2015Independent thesis Advanced level (degree of Master (Two Years)), 20 poäng / 30 hpOppgave
    Abstract [en]

    The starting point of this study is a letter to the Swedish Research Council which maintained the difficulty to reconcile chemistry with open access. Previous studies show that when other sciences is increasing in both the deposition rate and selection of OA journals, there is a lull in chemistry. The purpose of the master thesis is to gain an understanding of chemists reluctance to open access in the light of the implementation of Chalmers' mandating open access policy and through field theoretical perspectives understand why. The survey is conducted with a qualitative approach and the empirical data consist of interview material from nine interviews that took place at Chalmers Department of Chemistry and Chemical Engineering. The interviews show that chemists believe that the idea of open access is certainly sympathetic but incompatible with the chemical sciences. It is believed that the discipline´s traditions, practice and publishing culture as well as opportunities for career differs from other sciences, including what open access is concerned. This uniqueness has not been taken into account in the implementation of OA policies of funding agencies and universities, according to the informants.

    Evaluations of other universities implementations of open acces policies have identified success factors like support, legal advice and hands-on help in self-archiving. According to the results of this thesis, functionality and infrastructure appears to be less significant if university management and funders does not establish an atmosphere of alliance and thus undermines confidence in the policy and its proponents. The study confirms the importance of the researchers feel invited and involved in the process of change.

  • 28.
    Axell, Cecilia
    et al.
    Linköpings universitet, Institutionen för samhälls- och välfärdsstudier, Lärande, Estetik, Naturvetenskap (LEN). Linköpings universitet, Utbildningsvetenskap.
    Boström, Johan
    Linnaeus University, Department of Physics and Electrical Engineering, Växjö, Sweden.
    Preschoolers’ Conceptions of Technological Artefacts and Gender in Picture Books2016Inngår i: PATT-32 Proceedings Technology Education for 21st Century Skills / [ed] J. de Vries, Arien Bekker-Holtland and Gerald van Dijk, ITEEA , 2016, s. 57-64Konferansepaper (Fagfellevurdert)
    Abstract [en]

    Picture books are a frequent element of daily preschool activities (Damber, Nilsson & Ohlsson, 2013; Simonsson, 2004; SOU 2006:75). They are important pedagogical tools that can help children acquire an understanding of the everyday technology they come in contact with, as well as the human application of technology (Axell, 2015; Axell & Boström, 2015). These are skills that are emphasised in the Swedish preschool curriculum. In the curriculum it is also stated that the preschool should counteract traditional gender patterns and gender roles (Skolverket, 2010). However, an investigation of a selection of picture books aimed at preschool children shows that the books content is somewhat problematic. Many of the picture books provide a focus on the function of separate artefacts without any sort of context or explanation of their implications in a societal context. There also tends to be an emphasis on traditional masculine-coded technology in the books. Building and making and working with machines is depicted as a male activity. The male stereotype is essentially connected with different kinds of vehicles like cars, airplanes, motorbikes, tractors etc. (Axell & Boström, 2015; See also Holbrok, 2008). Based on these previous findings, the aim of this pilot study was to obtain an initial concept about how children’s literature may influence preschool children’s view on technological artefacts. The study was conducted through semi-structured interviews with four five-year-olds, two girls and two boys. Through a thematic analysis (Braun & Clarke, 2006) three overarching themes were identified: The relationship between design and function, anthropomorphic animals as users of artefacts, and gender and artefacts. Some of the key findings were that the 5-year-olds did not know what “technology” is, but had good knowledge about tools. Additionally, they did not genderise any of the artefacts included in the study.

  • 29.
    Berg, Martin
    Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, Centrum för samhällsanalys (CESAM).
    Improve me! 100 days of wristband guidance2015Konferansepaper (Fagfellevurdert)
    Abstract [en]

    Body monitoring devices are increasingly turning into machines that not only track personal activity but also provide suggestions on how to lead a life that is assumed to be continuously improved. By measuring, interpreting and correlating various data sources, these devices are assumed to provide an understanding that goes beyond everyday self knowledge. Although these devices most certainly can provide information on how to run faster or sleep better, it remains unclear how it feels to gain a deeper understanding of oneself by means of a technological device. This paper approaches this question in an auto-ethnographic study (by the author of this paper) where the Jawbone UP wristband and the ”Smart Coach” insight and coaching ”engine” will be used and the suggestions for improvement slavishly followed during 100 days. This system crunches personal data in various ways in order to provide ”actionable insights and uniquely personalized guidance” (jawbone.com).

  • 30.
    Bergenwall, Peder
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för ABM.
    Tv-spel som kultur?: En kvantitativ studie över tv-spelens kulturella plats på folkbiblioteket.2014Independent thesis Advanced level (degree of Master (Two Years)), 20 poäng / 30 hpOppgave
    Abstract [en]

    This study examines the cultural place and status of video and computer games in the Swedish public library. Using works on popular culture and the theories of Pierre Bourdieu, this study employs quantitative methods, as well as textual analysis, to analyze the results of an online questionnaire with 19 questions focusing on selection criteria, shelf placement, perceived competence, as well as reasoning for having or not having these games in the library. 286 out of the 440 libraries contacted is participating in the study, and the libraries consist exclusively of public libraries in Sweden that are found in the database of the Royal Library.

    The results of this study show that a larger number of libraries than previously indicated have started to provide electronic games to their patrons. At the same time, patterns in the data and comments suggests that these games in many cases still do not enjoy the same level of cultural recognition as other media. Indicative of this is the way most libraries seem to focus on the medium being exclusively for their young patrons, with seem-ingly very little in the way of investment for adults. Also relevant is selection process being highly influenced by the type and amount of violence in the games, regardless of the level of competence and knowledge about games among library staff. These findings relate to and expand upon previous studies regarding electronic games, cul-ture and the public library. This study constitutes a two years master’s thesis in Archive, Library and Museum studies.

  • 31.
    Bjur, Jakob
    et al.
    JMG.
    Bolin, Göran
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Review of Existing and Emerging Audience Research in Sweden2011Inngår i: Overview of European Audience Research: Research Report of the COST Action IS0906 Transforming Audiences, Transforming Societies / [ed] Bilandzic, Helena ; Carpentier, Nico ; Patriarche, Geoffroy ; Ponte, Cristina ; Schrøder, Kim ; Vossen, Emilie; Zeller, Frauke, Brussels: COST , 2011, s. 150-156Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 32.
    Bolin, Göran
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Cultural Technologies in Cultures of Technology2012Inngår i: Cultural Technologies: The Shaping of Culture in Media and Society / [ed] Bolin, Göran, New York: Routledge, 2012, s. 1-15Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 33.
    Bolin, Göran
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Dracula och Frankenstein: om existentiella skräckmyter för unga människor2010Inngår i: Motsträviga synsätt: Om rörliga bilder som bjuder motstånd / [ed] Rönnberg, Margareta ; Westling, Karolina, Visby: Filmförlaget , 2010, s. 105-116Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 34.
    Bolin, Göran
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Generationer av mobilbruk2011Inngår i: Lycksalighetens ö: fyrtioen kapitel om politik, medier och samhälle : SOM-undersökningen 2010 / [ed] Holmberg, Sören ; Weibull, Lennart ; Oscarsson, Henric, Göteborg: SOM-institutet , 2011, s. 489-498Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 35.
    Bolin, Göran
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Kartritarens problem i det samtida medielandskapet2010Inngår i: Norden och världen: Perspektiv från forskningen om medier och kommunikation / [ed] Broddason, Torbjörn ; Kivikuru, Ullamaija ; Tufte, Birgitte ; Weibull, Lennart ; Østbye, Helge, Göteborg: Göteborgs universitet , 2010, s. 67-74Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 36.
    Borgström, Ulrika
    et al.
    Södertörns högskola, Institutionen för livsvetenskaper.
    Svalqvist, Louise
    Södertörns högskola, Institutionen för livsvetenskaper.
    Att berätta historia: En studie om museers verksamhet2009Independent thesis Basic level (degree of Bachelor), 15 poäng / 22,5 hpOppgave
    Abstract [en]

    The purpose of this essay is to look at how museums design their activities as tourist destinations through the dissemination of history. In order to research this problem we have posed the following questions: How do museums act in order to animate and interpret history? What does the future hold for the museums? In order to find the answers to these questions we have made a deep-going analysis of the activities of four museums, Nordiska Museet, Etnografiska Museet, Historiska Museet and Naturhistoriska Museet. These museums have been analyzed by means of interviews, observations and the study of documents. Our theoretical perspective is informed by a hermeneutic perspective as well as Foucault´s definition of museums as institutions, and the concept of storytelling. Our conclusions are as follows: Museums have progressed from an Enlightenment ideal to a more post-modern approach, which means that they want to activate the visitors and make them reflect and form their own opinion by presenting different versions of the past that will stimulate imagination. Our belief is that this trend will continue and the museums will become even more oriented towards creative tourism at the same time as they will protect their position as vehicles and creators of knowledge and guardians of the Swedish cultural heritage. Unfortunately a growing centralization of the field is working in the direction of limiting the range of offers and restricting the museums´ potential to offer different versions of the past.

  • 37.
    Boulter, Caitlin
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Teologiska fakulteten, Teologiska institutionen.
    Unheard Voices: Representation of Roma in Swedish and German Media Discourse2015Independent thesis Advanced level (degree of Master (Two Years)), 20 poäng / 30 hpOppgave
    Abstract [en]

    This thesis examines the prevalence of Roma voices in Swedish and German newspaper articles specifically about Roma individuals or groups. It explores the importance of discursive self-representation for minority and marginalised groups, and evaluates the level of participation afforded to the Roma in three of the largest newspapers in each country, across a varied political spectrum. Sweden and Germany both profess to be seeking solutions to the widespread discrimination against Roma within their own countries and across Europe, and therefore provide interesting comparative case studies, both due to their historical relationship with Roma populations and in light of contemporary events. This study uses quantitative analysis to determine the percentage of newspaper articles about Roma that include a Roma voice and qualitative analysis to investigate the variety of voices included. The findings are then analysed using theories regarding European identity-building, Orientalism, and media analysis. The thesis concludes with a reflection upon the impact of under- or misrepresentation on minority groups, and includes recommendations for the improvement of representation and participation of marginalised voices in media discourse.

  • 38. Bublitz, Hannelore
    et al.
    Kaldrack, IrinaRöhle, TheoKarlstads universitet, Fakulteten för humaniora och samhällsvetenskap (from 2013), Institutionen för geografi, medier och kommunikation.Winkler, Hartmut
    Unsichtbare Hände: Automatismen in Medien-, Technik- und Diskursgeschichte2011Collection/Antologi (Annet vitenskapelig)
    Abstract [de]

    Im Verhältnis von Medien, Technik und Menschen gewinnt Unkontrolliertes an Terrain: ›Intelligente‹ Objekte scheinen nach eigenen Gesetzen zu handeln, im gesellschaftlichen Raum setzt sich durch, was niemand gewollt hat, Prozesse verselbstständigen sich. Der Band knüpft – durchaus kritisch – an die Geschichte einer populären Metapher an und wirft ein neues Licht auf Prozesse, die hinter dem Rücken der Subjekte nicht kalkulierbare Wirkungen haben. Mit der Perspektive der Automatismen verbunden, zeigt der Band mit Beiträgen aus dem Bereich der Kultur- und Medienwissenschaft, der Soziologie und Informatik, wie sich Strukturen jenseits bewusster Planung durch Selbststeuerung etablieren.

  • 39. Bublitz, Hannelore
    et al.
    Kaldrack, IrinaRöhle, TheoKarlstads universitet, Fakulteten för humaniora och samhällsvetenskap (from 2013), Institutionen för geografi, medier och kommunikation.Zeman, Mirna
    Automatismen – Selbst-Technologien2013Collection/Antologi (Annet vitenskapelig)
    Abstract [de]

    Mit Automatismen zwangsläufig verbunden ist die Frage nach dem Selbst und nach den Bedingungen, die es hervorbringen. Automatismen setzen ein ›Selbst‹ einerseits voraus, andererseits ist zu fragen, wie ein ›Selbst‹ entsteht, wie es sich stabilisiert und reproduziert, und welchen Anteil hieran wiederum Automatismen haben. Auf Seiten der Technik kann das Konzept der Automatismen abgegrenzt werden gegenüber Theorien zum Automaten. Im Fokus des Bandes stehen Selbsttechnologien in einem umfassenden Sinne: kulturelle Muster der Selbstkonstitution, Prozesse der Selbststeuerung und Praktiken der Selbstführung wie auch Formen des Selbstmanagements.

  • 40.
    Burkart, Patrick
    et al.
    Texas A&M University.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Editorial Introduction: Piracy and Social Change— Revisiting Piracy Cultures2015Inngår i: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, Vol. 9, nr 1, s. 792-797Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article introduces the contributions to this special section of the journal, frames the scope of contemporary digital piracy research in the social sciences and humanities, and relates the research project to neighboring fields in communication and media studies.

  • 41.
    Burkart, Patrick
    et al.
    Texas A&M University .
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Gunboat Diplomacy and Pirate Sanctuaries: The Use of Trade Agreements to Promote Copyright Reform2013Inngår i: Communication and Media Policy in the Era of the Internet: Theories and Processes / [ed] Maria Löblich & Senta Pfaff-Rüdiger, Baden-Baden: Nomos Verlagsgesellschaft, 2013, 1, s. 133-145Kapittel i bok, del av antologi (Fagfellevurdert)
  • 42.
    Burkart, Patrick
    et al.
    Texas A&M University.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Post-Privacy and Ideology2014Inngår i: Media, Surveillance and Identity: Social Perspectives / [ed] André Jansson & Miyase Christensen, New York, NY: Peter Lang Publishing Group, 2014, s. 218-237Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    We offer reflections on the counter-discourse of “post-privacy” that has become prevalent among some net activists. The post-privacy position advocates the abandonment of privacy activism and personal privacy hygiene based on the conviction that digital privacy is both untenable and socially unrewarded. This laissez-faire attitude towards surveillance reveals deep anxieties about the loss of control over domains previously associated with autonomy, self-presentation and personal visibility. In our effort to make sense of post-privacy advocacy, we propose a framework within which post-privacy ideology is interpreted through the doxa and the praxis of maintaining personal online privacy under conditions of state and corporate surveillance.

  • 43.
    Burkart, Patrick
    et al.
    Texas A&M University.
    Andersson Schwarz, JonasSödertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Special Section: Piracy & Social Change—Revisiting Piracy Cultures2015Collection/Antologi (Fagfellevurdert)
  • 44.
    Carpentier, Nico
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Samhällsvetenskapliga fakulteten, Institutionen för informatik och media.
    Who to serve and how?: A discourse-theoretical analysis of public service broadcasting as a floating signifier2015Inngår i: Media and Communication / Mediji i komunikacije, ISSN 2336-9981, Vol. 2, nr 4, s. 7-23Artikkel i tidsskrift (Fagfellevurdert)
  • 45.
    Castaldo Lunden, Elizabeth
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap. Stockholm University.
    Exploring the Intersections of Fashion, Film, and Media2018Collection/Antologi (Fagfellevurdert)
    Abstract [en]

    Since the turn of the twentieth century, the film industry has played a key role in the promotion and representation of fashion. Likewise, fashion’s mediated character through newsreels, television, newspapers, magazines, photography, and even paintings has facilitated the study of costume and dress history. Film scholars have dedicated efforts to the study of fashion, film, and media, focusing mostly but not exclusively on matters of representation through costume design. Significant contributions from scholars like Jane Gaines, Stella Bruzzi, Tamar Jeffers McDonald, and Adrienne Munich among others have paved the way for an interdisciplinary approach to study fashion from a film and media perspective and shaped a multitude of intercultural links between cinema and other media practices. Far from being an exhausted topic, however, the intersections between the fashion and film industries offer a vast potential that is increasingly becoming of interest to early career scholars around the globe. This special issue seeks to widen the existing research network, presenting articles from postgraduate students and early career researchers from different background with a dedicated interest in researching the intersections between fashion, film, and media. These papers provide an overview of the ways in which these areas of study overlap and intertwine.

  • 46.
    Conti, Eugenio
    Mittuniversitetet, Fakulteten för humanvetenskap, Avdelningen för turismvetenskap och geografi.
    Nature-based tourism and experience value co-creation on Instagram2018Inngår i: ISCONTOUR 2018 Tourism Research Perspectives: Proceedings of the International Student Conference in Tourism Research / [ed] Christian Maurer & Barbara Neuhofer, 2018, s. 373-378Konferansepaper (Fagfellevurdert)
    Abstract [en]

    Social media and mobile-based applications act as an increasingly critical source of experience value creation in tourism and nature-based tourism, as confirmed by the most recent trends in the industry. Although being one of the most popular mobile-based social media, Instagram is still underrepresented in value creation research, and no study has been conducted specifically in nature-based tourism. Moreover, current research on value lack of interpretive methodologies able to grasp the complexity of experience value creation from a phenomenological point of view. This research aims at tackling these gaps by conducting an in-depth investigation on experience value creation on Instagram in nature-based tourism. A combination of different types of qualitative data, obtained through a participatory netnography, will be collected on Instagram, and consequently triangulated and analyzed by means of grounded theory. While assessing the depth of value creation emerging from personal, elicited tourist narratives, in a way not seen yet in similar studies, the results are argued to expand the theoretical understanding of experience value creation in nature-based tourism and service research.

  • 47.
    Dahlberg, Leif
    KTH, Skolan för datavetenskap och kommunikation (CSC), Medieteknik och interaktionsdesign, MID.
    A Modern Trial: A Study of the Use of Video-Recorded Testimonies in the Swedish Court of Appeal2013Inngår i: Studies in Law, Politics, and Society, ISSN 1059-4337, Vol. 61, s. 81-135Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    The essay studies the introduction and use of audio-visual media in contemporary Swedish courtroom praxis and how this affects social interaction and the constitution of judicial space. The background to the study is the increasing use of video technology in law courts during the last decennium, and in particular the reformed trial code regulating court proceedings introduced in Sweden in 2008. The reform is called A Modern Trial (En modernare raättegång, Proposition 2004/05:131). An important innovation is that testimonies in lower level court proceedings now are video recorded and, in case of an appeal trial, then are screened in the appellate court. The study of social interaction and the constitution of judicial space in the essay is based in part on an ethnographic study of the Stockholm appellate court(Svea hovraätt) conducted in the fall 2010; in part on a study of the preparatory works to the legal reform; and in part on research on how media technology affects social interaction and the constitution of space and place.

  • 48.
    Dahlberg, Leif
    KTH, Skolan för datavetenskap och kommunikation (CSC), Medieteknik och interaktionsdesign, MID.
    All Aboard the Louis Vuitton Train!2016Inngår i: Pólemos, ISSN 2036-4601, Vol. 10, nr 1, s. 179-195Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    The article discusses fashion advertising as a means to access and understand contemporary social imaginary significations of the body politic, focusing on an advertising for Louis Vuitton. The article suggest that one can read advertising as a form of continuous, running commentary that society makes of itself, and through which one can unearth the social imaginary. The article finds a plethora of meanings in the selected advertising for Louis Vuitton, but the central finding is that the fashion advertising represents community as an absence of community; in other words as a deficit that the brand somehow is able to rectify.

  • 49.
    Dahlberg, Leif
    KTH, Skolan för datavetenskap och kommunikation (CSC), Medieteknik och interaktionsdesign, MID.
    Det akademiska samtalet2015Inngår i: Universitetet som medium / [ed] Matts Lindström & Adam Wickberg Månsson, Lund: Mediehistoria, Lunds universitet , 2015, s. 195-223Kapittel i bok, del av antologi (Fagfellevurdert)
  • 50.
    Dahlberg, Leif
    KTH, Skolan för datavetenskap och kommunikation (CSC), Medieteknik och interaktionsdesign, MID.
    Spacing Law and Politics: The Constitution and Representation of the Juridical2016 (oppl. 1)Bok (Fagfellevurdert)
    Abstract [en]

    Examining the inherent spatiality of law, both theoretically and as social practice, this book presents a genealogical account of the emergence and the development of the juridical. In an analysis that stretches from ancient Greece, through late antiquity and early modern and modern Europe, and on to the contemporary courtroom, it considers legal and philosophical texts, artistic and literary works, as well as judicial practices, in order to elicit and document a series of critical moments in the history of juridical space. Offering a more nuanced understanding of law than that found in traditional philosophical, political or social accounts of legal history, Dahlberg forges a critical account of the intimate relations between law and politics that shows how juridical space is determined and conditioned in ways that are integral to the very functioning – and malfunctioning – of law.

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