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  • 1.
    Azhgikhina, N.
    et al.
    Moscow State University, Russian Federation.
    Sandomirskaia, Irina
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi.
    Bad girls, apocalyptic beasts, redemption: A tribute to Helena Goscilo2016Inngår i: Transgressive Women in Modern Russian and East European Cultures: From the Bad to the Blasphemous / [ed] Yana Hashamova , Beth Holmgren & Mark Lipovetsky, New York: Routledge, 2016, s. 192-208Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 2. Birgegård, Ulla
    et al.
    Sandomirskaja, IrinaSödertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    In search of an order: mutual representations in Sweden and Russia during the early age of reason2004Collection/Antologi (Annet vitenskapelig)
    Abstract [en]

    The essays presented in this book cover that age of European rationality during which, by fits and starts, between intermittent wars and armistices, the gradual move took place from the epoch of the Baroque to Classicism and then to the age of Romaticism. During the period, one of the empires evolves into a European superpower, reaches its apogee and slowly declines; in the meantime, its counterpart on the other shore closely watches and emulates its neighbour/enemy/big brother and gradually masters the art of being an empire. We leave the scene of the narrative delineated in this volume at the turning point when the impoverished Sweden sets out on the path towards European nation statehood, leaving the newly magnificent Russia to shine on land and sea in its stubborn pursuit on unrestricted dominion. The stage of this historical drama is not only populated by armies and navies, but also enlivened by an incessant flow of travelers traversing the expanses of the other, in both directions and beyond each other's confines, in search of each other's secrets, the keys to the other's (and consequently one's own) symbolic constitution.

  • 3. Efimova, Alia
    et al.
    Kamenetzkaya, NatalyaSandomirskaja, Irina
    IdiomA1992Collection/Antologi (Annet vitenskapelig)
  • 4.
    Gradskova, Yulia
    et al.
    Stockholms universitet.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Petrusenko, Nadezda
    Södertörns högskola, Institutionen för historia och samtidsstudier, Historia. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Pussy Riot: Reflections On Receptions: Some Questions Concerning Public Reactions in Russia to the Pussy Riot’s Intervention and Trial2013Inngår i: Baltic Worlds, ISSN 2000-2955, Vol. 6, nr 1, s. 56-Artikkel i tidsskrift (Fagfellevurdert)
  • 5. Kozlova, Natalia
    et al.
    Sandomirskaja, Irina
    ''Я так хочу назвать кино'': "Наивное письмо": опыт лингво-социологического чтения1996Bok (Annet vitenskapelig)
  • 6.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    A Cosmopolitan in Search of a Fatherland: Admiral Shishkov and the Linguistic Myth of the Russian Empire2004Inngår i: In search of an order: mutual representations in Sweden and Russia during the early age of reason / [ed] Ulla Birgegård, Irina Sandomirskaja, Huddinge: Södertörns högskola , 2004, s. 155-172Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 7.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    A Glossolalic Glasnost and the Re-Tuning of the Soviet Subject: Sound Performance in Kira Muratova's Asthenic Syndrome2008Inngår i: Studies in Russian and Soviet Cinema, ISSN 1750-3132, Vol. 2, nr 1, s. 63-83Artikkel i tidsskrift (Annet vitenskapelig)
    Abstract [en]

    This article attempts to interpret Kira Muratova's Asthenic Syndrome (1989) from the point of view of the director's work with sound. I suggest that in composing the sound for the film, Muratova seeks to dissect the filmic convention that treats sound merely as an additional element, which is supposed to support the illusionism of the realistic visual image by complementing it with the illusion of an accompanying realistic audio image. In order to subvert this false motivation of sound by visuality, to highlight sound as an independent agent in the construction of meaning, and to emphasize the explosive critical potential of film sound, Muratova employs techniques of sound performance art and sound installation. She uses the medium of sound to make visible those politics of speaking and hearing that constitute the USSR in crisis, a society that imagines itself through audio metaphors: glasnost, related to the Russian word golos (voice), and perestroika, related to the Russian term nastroika, tuning (of a musical instrument or an acoustic device). As a result, heteroglossy receives a literal implementation in the spoken word, which is acutely and irreparably out of tune, alienated from itself and polytonal in a freakish, morbid and perversely pleasurable way. These effects are achieved through the use of non-professional actors, the use of voices with substandard articulation, the emphasis on hybrid or dialectal prosody and phonation, amateur declamations and recitals and other manipulations of the Soviet norms of high diction. I also explore the genealogy of Muratova's technology in terms of the principles of manipulating the viewer's sensitivity and perception as invented by the Soviet film avant-garde (Eisenstein and Vertov) and contemporary critical theory (Benjamin and Adorno). I thus understand Asthenic Syndrome not only as political critique, but also as a meta-filmic analysis, an allegory of mourning and a diagnosis of asthenia in both film as technology and in the (collective perception of the) USSR as the symbolic product of film technologies

  • 8.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    A Politeia in Besiegement: Lidiia Ginzburg on the Siege of Leningrad as a Political Paradigm2010Inngår i: Slavic Review: American quarterly of Russian, Eurasian and East European studies, ISSN 0037-6779, E-ISSN 2325-7784, Vol. 69, nr 2, s. 306-326Artikkel i tidsskrift (Annet vitenskapelig)
  • 9.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Aesopian Language: The Politics and Poetics of Naming the Unnameable2015Inngår i: The vernaculars of Communism: Language, ideology, and Power in the Soviet Union and Eastern Europe / [ed] Petre Petrov and Lara Ryazanova-Clarke, London: Routledge, 2015, s. 63-88Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    Aesopian language (or Aesopian speech) is an important component of Soviet language culture, a cultureof expression under surveillance and censorhip that invented various modes of the  circumlocution and euphemization of politically sensitive topics. In this chapter, I am illustrating some of the innumerable ways of organizing communcation under the sign of (sometimes imagined) prosecution. I am describing various practices of Aesopian circumlocution and summarizing theoretical work in Soviet literary history that addressed this peculiar phenomenon in Russian and Soviet literary tradition. I am also discussing the aesthetics and politics of Aesopian language and its role as a means of expressing political dissent as this was seen by its practitioners inside the USSR and by the theorists who worked with the matters of language and power in the West.

  • 10.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi.
    After the End of the World: Panorama2017Inngår i: The End of the World: Contemporary Philosophy and Art / [ed] Marcia Sa Cavalcante Schuback & Susanna Lindberg, London: Rowman & Littlefield International, 2017, s. 235-256Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 11.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande.
    Allt kunde ha varit annorlunda2013Inngår i: Glänta, ISSN 1104-5205, nr 2-3Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 12. Sandomirskaja, Irina
    Antropofagi utan metaforer: fallet Leningrad2005Inngår i: Glänta, ISSN 1104-5205, nr 3Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 13.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi.
    Bakhtin In Bits And Pieces: Poetic Scholarship, Exilic Theory, And A Close Reading Of The Disaster2017Inngår i: Slavic and East European Journal, ISSN 0037-6752, E-ISSN 2325-7687, Vol. 61, nr 2, s. 278-298Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This essay is an attempt to interpret Mikhail Bakhtin’s working notes in a new way, by reading them as instances of fragmented writing produced in exile during the war. To capture the specific way Bakhtin’s thinking reveals itself in a difficult relationship with writing, I read these pieces through the prism of critical categories suggested by Maurice Blanchot in his book The Writing of the Disaster (1980). By means of comparative reading of these two quite disparate authors, I hope to demonstrate that the very fragmentariness of Bakhtin’s writing, a well as its unfinished and ”un-worked” character, opens it up for critical reflection.  The fragments in question should be read as exilic theory rather than merely biographic data or preliminary materials that suffer, not surprisingly, from intellectual and writerly incompleteness. This essay also discusses ambiguities in Bakhtin the asyndetic writer (a stylistic trait especially difficult to solve in translation) as methodologically central for an understanding of his philosophy of history and language.

  • 14.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    “Bez stali i leni”: Aesopian Language and Legitimacy2012Inngår i: Power and Legitimacy: Challenges from Russia / [ed] Per-Arne Bodin, Stefan Hedlund, Elena Namli, London: Routledge, 2012, s. 188-198Kapittel i bok, del av antologi (Fagfellevurdert)
  • 15. Sandomirskaja, Irina
    Blind, Mute, Dead, and Melancholy2001Inngår i: Bra mot melankoli = remedy for melancholy / [ed] Anders Kreuger & Evaldas Stankevičius, Sollentuna: Edsviks konst och kultur , 2001Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
  • 16.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Blokada v slove: Ocerki kriticeskoj teorii i biopolitiki jazyka2013Bok (Annet vitenskapelig)
  • 17.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Catastrophe, restoration, and kunstwollen: Igor Grabar, cultural heritage, and soviet reuses of the past2015Inngår i: Ab Imperio: Theory and History of Nationalities and Nationalism in the post-Soviet Realm, ISSN 2166-4072, E-ISSN 2164-9731, Vol. 2015, nr 2, s. 339-362Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    When discussing Bolshevik cultural politics, both scholars and the public today emphasize what the Bolsheviks destroyed. In this essay, however, the focus is on what they “preserved,” and especially how they preserved it, to what purpose, and with what consequences. The article reconstructs the ideology and practices of cultural heritage in Soviet Russia from the vantage point of Bolshevik policies in reuses of the past. As an example, in reading the writing of the authority in Soviet cultural heritage industry, Igor Grabar, the author reconstructs the process of aestheticization, commodification, and internationalization of the Russian Orthodox icon.

  • 18.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Cinema Thinking the Unthinkable: Cold War Film and the Non-Reality of Russia2008Inngår i: Russia and its Other(s) on Film: Screening Intercultural Dialogue / [ed] Hutchings, Stephen, London: Palgrave , 2008, s. 130-147Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 19.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi.
    Clarice and Photogeny, or, “Not Knowing the Concept of ‘Enough’”2017Inngår i: Ad Marciam / [ed] Hans Ruin & Jonna Bornemark, Huddinge: Södertörns högskola, 2017, s. 199-209Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 20.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Den fördömda lyckan, eller socialismens ekonomiska problem i Moskva2017Inngår i: Revolution och existens: läsningar av Andrej Platonov / [ed] Tora Lane, Stockholm: Ersatz , 2017, s. 133-156Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 21. Sandomirskaja, Irina
    Der politisch-ökonomische Aspekt der russischen Geduld: Und für den Kefir ein Extra-Dankeschön an alle2000Inngår i: Podium: Literaturzeitschrift, nr 113/114Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 22.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Derrida on the Poetics and Politics of Witnessing2011Inngår i: Rethinking Time: Essays on History, Memory, and Representation / [ed] Hans Ruin, Andrus Ers, Huddinge: Södertörns högskola , 2011, s. 247-255Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 23.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Det nakna livet -- en läroplan2007Inngår i: Glänta, ISSN 1104-5205, nr 1, s. 3-17Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 24.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Disoriented Names: Benjamin and Kierkegaard on Politics and History in Language2015Inngår i: Dis-orientations: Philosophy, Literature, and the Losr Grounds of Modernity / [ed] Marcia Sa Cavalcante Schuback & Tora Lane, London: Rowman & Littlefield Publishers, 2015, s. 187-218Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    A comparative reading of Walter Benjamin's linguistic theology and Sören Kirkegaard's theory of the revolutionary age.

  • 25. Sandomirskaja, Irina
    Dressing, Undressing, Cross-Dressing2000Annet (Annet (populærvitenskap, debatt, mm))
  • 26.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi.
    "Där en människa inte bör vara": Poeten framför det förflutna utan minne2016Inngår i: Historiens hemvist II: Etik, politik och historikerns ansvar / [ed] Patricia Lorenzoni & Ulla Manns, Makadam Förlag, 2016, s. 177-192Kapittel i bok, del av antologi (Fagfellevurdert)
  • 27.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi.
    "Där en människa inte bör vara": Poeten framför det förflutna utan minne2016Inngår i: Historiens hemvist: II: Etik, politik och historikerns ansvar / [ed] Patricia Lorenzoni & Ulla Manns, Göteborg: Makadam Förlag, 2016, s. 177-192Kapittel i bok, del av antologi (Fagfellevurdert)
  • 28.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande.
    End of la Belle Époque2013Inngår i: Misha Pedan: The End of La Belle Époque, Stockholm: Khimaira förlag , 2013Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 29. Sandomirskaja, Irina
    Heimatbegriff in der sowjetischen und postsowjetischen diskursiven Praxis2002Inngår i: Europa und die Grenzen im Kopf / [ed] Kaser, Karl; Gramshammer-Hohl, Dagmar; Pichler, Robert, Klagenfurt: Wieser-Verlag , 2002, s. 395-415Kapittel i bok, del av antologi (Fagfellevurdert)
  • 30. Sandomirskaja, Irina
    Ikea i Moskva2000Inngår i: Moderna tider, ISSN 1101-6396, Vol. 121, nr November, s. 54-57Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 31. Sandomirskaja, Irina
    [Introduction]: Two Empires and the Sea: Change and Exchange in Search of an Order2004Inngår i: In Search of an Order: Mutual representations in Sweden and Russian during the early age of reason / [ed] Ulla Birgegård & Irina Sandomirskaja, Huddinge: Södertörn University , 2004, s. 7-20Kapittel i bok, del av antologi (Fagfellevurdert)
  • 32.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Jazyk-Stalin: "Marksizm i voprosy jazykoznanija" kak lingvisticeskij povorot vo vselennoj SSSR2006Inngår i: Landslide of the Norm: Language Culture in Post-Soviet Russia / [ed] Ingunn Lunde & Tine Roesen, Bergen: Dept. of Russian Studies , 2006, s. 263-291Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 33.
    Sandomirskaja, Irina
    Södertörns högskola, Avdelning 1, Ryska.
    Kniga o rodine: opyt analiza diskursivnykh praktik = Книга о родине : опыт анализа дискурсивных практик2001Bok (Annet vitenskapelig)
  • 34.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och kommunikation, Filosofi.
    L'engage, or The Faculty of Unnecessary Things2010Inngår i: En annan humaniora - en annan tid = Another humanities - another time / [ed] Carl Cederberg & Hans Ruin, Huddinge: Södertörns högskola , 2010, s. 23-31Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 35.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi.
    Lydia Ginzburg'S Prose: Reality In Search Of Literature, by Emily Van Buskirk2017Inngår i: Tulsa Studies in Women's Literature, ISSN 0732-7730, E-ISSN 1936-1645, Vol. 36, nr 1, s. 233-235Artikkel, omtale (Annet vitenskapelig)
  • 36. Sandomirskaja, Irina
    Moscovia Felix: An Obscene Discourse about an Abscene Place2001Inngår i: Yearbook / Konsthögskolan i Malmö - Malmö Art Academy, Malmö: Konsthögskolan i Malmö (Malmö Art Academy) , 2001Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
  • 37.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Naivnie pis'mo pjatnadtsat' let spustja, ili Na snert' soavtora2012Inngår i: Neprikosnovennyj zapas, ISSN 0869-6365, nr 82Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 38. Sandomirskaja, Irina
    Old Wives’ Tales: Notes on the Rhetoric of the Post-Soviet Intelligentsia1995Inngår i: Intelligentsia in the interim: recent experiences from Central and Eastern Europe / [ed] Fiona Björling, Lund: Slaviska inst., univ. , 1995Kapittel i bok, del av antologi (Fagfellevurdert)
  • 39.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    One Sixth of the World: Avant-garde Film, the Revolution of Vision, and the Colonization of the USSR Periphery during the 1920s (Towards a Postcolonial Deconstruction of the Soviet Hegemony)2008Inngår i: From Orientalism to Postcoloniality / [ed] Kerstin Olofsson, Huddinge: Södertörns högskola , 2008, s. 8-31Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 40.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Ot avgusta k avgustu: Dokumental'noe kino kak arkhiv pokhishchennykh revoljutsij2012Inngår i: Novoe literaturnoe obozrenie, ISSN 0869-6365, E-ISSN 2309-9968, nr 117Artikkel i tidsskrift (Annet vitenskapelig)
  • 41. Sandomirskaja, Irina
    Proletarian Tourism: Incorporated History and Incorporated Rhetoric1998Inngår i: Soviet Civilization Between Past and Present / [ed] Mette Bryld & Eric Kulavig, Odense: Odense Univ. Press , 1998Kapittel i bok, del av antologi (Fagfellevurdert)
  • 42. Sandomirskaja, Irina
    “Public Artist, Go Away”: Pathfinding in the Citadel of Necessity2001Inngår i: Konst på SÖS: essäer om konst på sjukhus och i annan institutionsmiljö / [ed] Susanne Andersson, Ann Magnusson, Ulla Parkdal, Stockholm: Konstnämnden, Stockholms läns landsting , 2001Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
  • 43.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Rage, Body, and Power Talk in the City of Hunger: the Politics of Womanliness in Lidia Ginzburg’s Notes from the Siege of Leningrad2012Inngår i: Embracing Arms Cultural Representation of Slavic and Balkan Women in War / [ed] Helena Goscilo, Yana Hashamova, Budapest: Central European University Press, 2012, s. 131-151Kapittel i bok, del av antologi (Fagfellevurdert)
  • 44.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Return to the Motherland2010Inngår i: The Russia reader: history, culture, politics / [ed] Barker, Adele Marie ; Grant, Bruce, Durham: Duke University Press , 2010, s. 735-742Kapittel i bok, del av antologi (Fagfellevurdert)
  • 45.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Saving Stalin's Imperial City: Historic Preservation in Leningrad, 1930-19502016Inngår i: Slavic Review: American quarterly of Russian, Eurasian and East European studies, ISSN 0037-6779, E-ISSN 2325-7784, Vol. 75, nr 3, s. 787-788Artikkel, omtale (Annet vitenskapelig)
  • 46. Sandomirskaja, Irina
    Self-critical Narcissus: on language and power in the mode of seduction1999Annet (Annet (populærvitenskap, debatt, mm))
  • 47.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Skin to Skin: Language in the Soviet Education of Deaf–Blind Children, the 1920s and 1930s2008Inngår i: Studies in East European thought, ISSN 0925-9392, E-ISSN 1573-0948, Vol. 60, nr 4, s. 321-337Artikkel i tidsskrift (Annet vitenskapelig)
    Abstract [en]

    The article deals with surdotiflopedagogika, a doctrine of special education for deaf-blind-mute children as it was developed in the USSR in the 1920s and 1930s. In the spirit of social constructivism of the early Stalinist society, surdotiflopedagogika presents itself as a technology for the manufacture of socially useful human beings out of handicapped children with sight and hearing impairments, "half-animals, half-plants". Surdotiflopedagogika's institutionalization and rationale as these were evolving under the special patronage of Maxim Gorkij are analysed. Its experimental aspect is also discussed. Exploring and implementing the most advanced ideas in the technology of communication, surdotiflopedagogika sought to compensate for the loss of speech, hearing, and sight by supplying the child with mechanical and human prostheses, including other people (assistants), technical devices, techniques of the body, and multiple communication codes to be translated from one into another. In the case of Soviet deaf-blind education, the Soviet subject appears as a technologically enhanced, collectively shared, and extended body in a permanent process of translation, internal as well as external. Technologies of language and acculturation that are of particular interest. Surdotiflopedagogika's method as it appears in the theoretical writing of Ivan Afanasjevic Sokoljanskij (1889-1960), the teacher of the legendary deaf-blind author and educator Ol'ga Ivanovna Skorokhodova (19147-1982) are given particular attention

  • 48. Sandomirskaja, Irina
    Tedium Vitae, Curriculum Vitae2004Annet (Annet (populærvitenskap, debatt, mm))
  • 49.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    The Leviathan, or Language in Besiegement: Lydia Ginzburg’s Prolegomena to Critical Discourse Analysis2012Inngår i: Lydia Ginzburg's Alternative Literary Identities: a Collection of Articles and New Translations, Oxford [u.a.]: Peter Lang Publishing Group, 2012, s. 193-234Kapittel i bok, del av antologi (Fagfellevurdert)
  • 50.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    The New Leviathan: Malignant Governmentality and the Biopolitics of Besiegement (Re Reading Lidia Ginzburg)2012Annet (Annet vitenskapelig)
    Abstract [en]

    An allegory of the omnipotent state, the Leviathan occurs in Lidia Ginzburg’s notes from 1943-44 and in the context of her reflections on the experiences of surviving in, and living on after, the unprecedented human catastrophe of the siege of Leningrad. Ginzburg describes her time as the “era of great experiences and tests” which started in 1914: the era of world wars with their “maximum non-freedom” and the “absolute non-freedoms” imposed by the all-powerful state, the Leviathan. The siege of Leningrad is not an exception from such a history, but a culmination of the “non-freedoms” of Soviet and, more broadly, European modernity of the twentieth century. All of these events/experiences produced a generation that “became history’s experimental material. And history burned it and disemboweled it and minced it into a bloody mess.” In the siege of Leningrad, various dimensions of “non-freedom”— total mobilization and total war, state terror, and mass death – culminate, converge, and confirm one another.  In the struggle for survival amidst destruction, repression, and starvation, Ginzburg tries to understand the Leviathan, the omnipotent state that sanctions and orchestrates the massive obliteration of life. The new Leviathan emerges as a complex aggregate of different power technologies involving various aspects of life and, hence, producing different overlapping regimes of “non-freedoms.”

    According to Ginzburg, the subject is involved in the workings of the Leviathan in many ways. Moreover, as exemplified by the experience of the civilian in the siege, the individual depends on the Leviathan for elementary survival. This political and biopolitical complexity makes Ginzburg’s critique more challenging than the trivial understanding of “non-freedom” as a mere deprivation of rights. Matters of life and death in the siege, as Ginzburg’s witness account shows, are deeply politicized, and the power to administer and distribute life and death constitute the foundation of the New Leviathan’s omnipotence. The New Leviathan’s three vectors of power – repression, discipline, and biopower — each in their own way contribute to the destruction of the human and usher a new, post-human historical subject summed up in the figure of distrofik (a patient of starvation disease in the terminal stage) overpowered by the total indifference between life and death, between living and surviving. I propose to look at the strategies and politics involved in such a subjectivity, with a special emphasis on the “choreography” of besiegement: its spatio-temporal structure, its corporeality, and strategies of surviving its post-human condition, as well as the dilemmas of living on “ever after”.

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