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  • 1.
    Björklund, Elisabet
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för idé- och lärdomshistoria.
    Freedom to choose: Reproduction and women's agency in three Swedish films of the 1980s2019Ingår i: Making the invisible visible: Reclaiming women's agency in Swedish film history and beyond / [ed] Ingrid Stigsdotter, Lund: Nordic Academic Press, 2019Kapitel i bok, del av antologi (Refereegranskat)
  • 2.
    Björklund, Elisabet
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för film och litteratur (IFL).
    Freedom to choose: Reproduction and women's agency in three Swedish films of the 1980s2019Ingår i: Making the invisible visible: Reclaiming women's agency in Swedish film history and beyond / [ed] Ingrid Stigsdotter, Lund: Nordic Academic Press, 2019, s. 139-158Kapitel i bok, del av antologi (Refereegranskat)
  • 3.
    Björklund, Elisabet
    Linnéuniversitetet, Institutionen för film och litteratur (IFL).
    'Mom might have a job (or be socializing too much!)': 'The right to love', children’s sexuality and parenthood2017Ingår i: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 7, nr 1, s. 13-25Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    Having been unavailable for many years, the Swedish film Rätten att älska (‘The right to love’) was restored by the Swedish Film Institute in 2013 and made accessible for research. In many ways a typical example of the sex education film genre of its time, the film is simultaneously unusual because it deals with children’s sexuality. This article explores and discusses the representation of children in the film in relation to how it connects to issues of parenthood.

  • 4.
    Björklund, Elisabet
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för film och litteratur (IFL).
    'Mom might have a job (or be socializing too much!)': 'The right to love', children’s sexuality and parenthood2017Ingår i: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 7, nr 1, s. 13-25Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    Having been unavailable for many years, the Swedish film Rätten att älska (‘The right to love’) was restored by the Swedish Film Institute in 2013 and made accessible for research. In many ways a typical example of the sex education film genre of its time, the film is simultaneously unusual because it deals with children’s sexuality. This article explores and discusses the representation of children in the film in relation to how it connects to issues of parenthood.

  • 5.
    Björklund, Elisabet
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för film och litteratur (IFL).
    Omstridd information: Maj Wechselmanns Omställningen och kritik mot kommersiellt material om att få barn på 1970-talet2019Ingår i: Efterkrigstidens samhällskontakter / [ed] Fredrik Norén och Emil Stjernholm, Lund: Mediehistoria, Lunds universitet , 2019, s. 217-244Kapitel i bok, del av antologi (Refereegranskat)
  • 6.
    Björklund, Elisabet
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för idé- och lärdomshistoria.
    Omstridd information: Maj Wechselmanns Omställningen och kritik mot kommersiellt material om att få barn på 1970-talet2019Ingår i: Efterkrigstidens samhällskontakter / [ed] Fredrik Norén; Emil Stjernholm, Lund: Mediehistoria, Lunds universitet , 2019, s. 217-244Kapitel i bok, del av antologi (Refereegranskat)
  • 7.
    Björklund, Elisabet
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för film och litteratur (IFL). Uppsala University.
    Realism or 'grotesque cliches'?: Jan Halldoff's The Corridor and the Swedish debate on abortion in the 1960s2019Ingår i: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 9, nr 1, s. 117-130Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    Swedish filmmaker Jan Halldoff's fiction film Korridoren (The Corridor) premiered in 1968 to a mainly positive Swedish reception. Shot at Karolinska Hospital and criticizing the Swedish healthcare system, the film became much debated and can furthermore be seen as a turning point in Swedish film history regarding the portrayal of medical institutions and professionals. In this article, the film and its reception are analysed in relation to the Swedish debate on abortion at the time. While the film is clearly critical of Swedish welfare society, the way it depicts abortion is more conservative. Highlighting this as well as the role of actual medical professionals in the film, the article demonstrates how the film relates to representations of abortion in the past and discusses connections between the film industry and medicine at this historical moment.

  • 8.
    Björklund, Elisabet
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för idé- och lärdomshistoria. Uppsala Univ, Dept Hist Sci & Ideas, Uppsala, Sweden;Linnaeus Univ, Film Studies, Vaxjo, Sweden.
    Realism or 'grotesque cliches'?: Jan Halldoff's The Corridor and the Swedish debate on abortion in the 1960s2019Ingår i: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 9, nr 1, s. 117-130Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    Swedish filmmaker Jan Halldoff's fiction film Korridoren (The Corridor) premiered in 1968 to a mainly positive Swedish reception. Shot at Karolinska Hospital and criticizing the Swedish healthcare system, the film became much debated and can furthermore be seen as a turning point in Swedish film history regarding the portrayal of medical institutions and professionals. In this article, the film and its reception are analysed in relation to the Swedish debate on abortion at the time. While the film is clearly critical of Swedish welfare society, the way it depicts abortion is more conservative. Highlighting this as well as the role of actual medical professionals in the film, the article demonstrates how the film relates to representations of abortion in the past and discusses connections between the film industry and medicine at this historical moment.

  • 9.
    Björklund, Elisabet
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för film och litteratur (IFL). Uppsala University, Sweden.
    Sins of the fathers?: Syphilis, HIV/AIDS, and innocent women and children2018Ingår i: A Visual History of HIV/AIDS: Exploring the Face of AIDS Film Archive / [ed] Elisabet Björklund, Mariah Larsson, Abingdon & New York, NY: Routledge, 2018, s. 165-180Kapitel i bok, del av antologi (Refereegranskat)
  • 10.
    Björklund, Elisabet
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för idé- och lärdomshistoria. Linnéuniversitetet, Institutionen för film och litteratur.
    Sins of the fathers?: Syphilis, HIV/AIDS, and innocent women and children2019Ingår i: A Visual History of HIV/AIDS: Exploring the Face of AIDS Film Archive / [ed] Elisabet Björklund & Mariah Larsson, Abingdon & New York: Routledge, 2019, s. 165-180Kapitel i bok, del av antologi (Refereegranskat)
  • 11.
    Björklund, Elisabet
    Lund University.
    Statlig sexpropaganda?: UR:s och RFSU:s sexualupplysningsfilm Sex på kartan2014Ingår i: Den nya svenska filmen: Kultur, kriminalitet & kakofoni / [ed] Erik Hedling, Ann-Kristin Wallengren, Stockholm: Bokförlaget Atlantis, 2014, s. 245-268Kapitel i bok, del av antologi (Övrigt vetenskapligt)
  • 12.
    Björklund, Elisabet
    Lund University.
    Statlig sexpropaganda?: UR:s och RFSU:s sexualupplysningsfilm Sex på kartan2014Ingår i: Den nya svenska filmen: Kultur, kriminalitet & kakofoni / [ed] Erik Hedling, Ann-Kristin Wallengren, Stockholm: Bokförlaget Atlantis , 2014, s. 245-268Kapitel i bok, del av antologi (Övrigt vetenskapligt)
  • 13.
    Björklund, Elisabet
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för idé- och lärdomshistoria.
    Swedish sex education films and their audiences: representations, address and assumptions about influence2020Ingår i: Communicating the history of medicine: Perspectives on audiences and impact / [ed] Solveig Jülich & Sven Widmalm, Manchester: Manchester University Press, 2020, s. 162-183Kapitel i bok, del av antologi (Refereegranskat)
  • 14.
    Björklund, Elisabet
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för film och litteratur (IFL).
    Swedish sex education films and their audiences: representations, address and assumptions about influence2020Ingår i: Communicating the history of medicine: Perspectives on audiences and impact / [ed] Solveig Jülich, Sven Widmalm, Manchester: Manchester University Press, 2020, s. 162-183Kapitel i bok, del av antologi (Refereegranskat)
  • 15.
    Björklund, Elisabet
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för film och litteratur (IFL). Uppsala University.
    The Limits of Sexual Depictions in the Late 1960s2016Ingår i: Swedish Cinema and the Sexual Revolution: Critical Essays / [ed] Elisabet Björklund, Mariah Larsson, Jefferson, NC: McFarland, 2016, s. 126-138Kapitel i bok, del av antologi (Refereegranskat)
  • 16.
    Björklund, Elisabet
    Linnéuniversitetet, Institutionen för film och litteratur (IFL).
    The Limits of Sexual Depictions in the Late 1960s2016Ingår i: Swedish Cinema and the Sexual Revolution: Critical Essays / [ed] Elisabet Björklund, Mariah Larsson, Jefferson, NC: McFarland , 2016, s. 126-138Kapitel i bok, del av antologi (Refereegranskat)
  • 17.
    Björklund, Elisabet
    Lund University.
    The Most Delicate Subject: A History of Sex Education Films in Sweden2012Doktorsavhandling, monografi (Övrigt vetenskapligt)
    Abstract [en]

    The aim of this dissertation is to present a history of sex education films in Sweden, from their beginnings until the late 1970s, relating the films to the changing historical context of the Swedish welfare society. Within this framework, the dissertation explores two main sets of questions. First, utilizing a contextual understanding of genre, the dissertation analyzes how the films were produced, exhibited, and censored, what position and status they had, and where the borders were understood to be to kindred types of film, such as exploitation and pornography. Second, the norms and ideas about sexuality that the films construct are explored from a social constructionist perspective and put in historical context. Apart from the films themselves, the material used consists of censorship records, archival material, and articles and reviews from the daily press and the trade press.

    The study demonstrates that the sex education film has always been a delicate genre, and that this delicacy is related to the medium and to the fact that cinema is part of the commercial market. The sex education film came to Sweden through imported films during the silent era and was relatively common at Swedish movie theaters from the 1920s to the early 1970s. Very quickly, it became a contested genre thought to be in need of regulation, which can be seen in the censorship procedures. For instance, until the 1950s, screenings were often restricted through gender segregation. When film censorship was liberalized in the 1960s, sex education films could show more than before, and when the films in the sexually explicit Language of Love series (1969–1972) were released, their relationship to pornography became a central point of discussion. The changing views on using film in school sex education are also examined. Here, it is shown that if film was seen as a potentially helpful tool in the 1920s and 1930s, this view had changed into a more skeptical position by the early 1970s.

    In the analysis of the content of the films, only Swedish examples are studied. In the first group of theatrically shown films of this kind, which appeared in the 1940s and 1950s, sexuality is represented as problematic through the themes of venereal disease and abortion. Here, casual sex is seen as immoral and abortion is condemned. At the same time, the films display how traditional and modern views on sexuality and gender were under negotiation during this period. While reproduction was the dominating perspective in school films well into the 1970s, the Language of Love films display a radically different perspective on sex, not least because of their focus on sexual pleasure. However, while the films advocate a liberal idea about sexuality according to which science leads to liberation, a focus on romantic long-term relationships can also be noted. Throughout the period, there is an emphasis on rationality and science and on a secular perspective on sex in which love is seen as more important than matrimony. In this way, the films in general reflect a strong belief in modernity and progress that was characteristic of Sweden during the welfare era.

  • 18.
    Björklund, Elisabet
    Lund University.
    The Most Delicate Subject: A History of Sex Education Films in Sweden2012Doktorsavhandling, monografi (Övrigt vetenskapligt)
    Abstract [en]

    The aim of this dissertation is to present a history of sex education films in Sweden, from their beginnings until the late 1970s, relating the films to the changing historical context of the Swedish welfare society. Within this framework, the dissertation explores two main sets of questions. First, utilizing a contextual understanding of genre, the dissertation analyzes how the films were produced, exhibited, and censored, what position and status they had, and where the borders were understood to be to kindred types of film, such as exploitation and pornography. Second, the norms and ideas about sexuality that the films construct are explored from a social constructionist perspective and put in historical context. Apart from the films themselves, the material used consists of censorship records, archival material, and articles and reviews from the daily press and the trade press.

    The study demonstrates that the sex education film has always been a delicate genre, and that this delicacy is related to the medium and to the fact that cinema is part of the commercial market. The sex education film came to Sweden through imported films during the silent era and was relatively common at Swedish movie theaters from the 1920s to the early 1970s. Very quickly, it became a contested genre thought to be in need of regulation, which can be seen in the censorship procedures. For instance, until the 1950s, screenings were often restricted through gender segregation. When film censorship was liberalized in the 1960s, sex education films could show more than before, and when the films in the sexually explicit Language of Love series (1969–1972) were released, their relationship to pornography became a central point of discussion. The changing views on using film in school sex education are also examined. Here, it is shown that if film was seen as a potentially helpful tool in the 1920s and 1930s, this view had changed into a more skeptical position by the early 1970s.

    In the analysis of the content of the films, only Swedish examples are studied. In the first group of theatrically shown films of this kind, which appeared in the 1940s and 1950s, sexuality is represented as problematic through the themes of venereal disease and abortion. Here, casual sex is seen as immoral and abortion is condemned. At the same time, the films display how traditional and modern views on sexuality and gender were under negotiation during this period. While reproduction was the dominating perspective in school films well into the 1970s, the Language of Love films display a radically different perspective on sex, not least because of their focus on sexual pleasure. However, while the films advocate a liberal idea about sexuality according to which science leads to liberation, a focus on romantic long-term relationships can also be noted. Throughout the period, there is an emphasis on rationality and science and on a secular perspective on sex in which love is seen as more important than matrimony. In this way, the films in general reflect a strong belief in modernity and progress that was characteristic of Sweden during the welfare era.

  • 19.
    Björklund, Elisabet
    Lund University.
    "This Is a Dirty Movie": Taxi Driver and "Swedish Sin"2011Ingår i: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 1, nr 2, s. 163-176Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    This article examines a well-known sequence in Martin Scorsese’s 1976 film Taxi Driver in which the main character Travis Bickle takes his date Betsy to the movies and convinces her to see a Swedish sex education film. The article analyses the representation of Swedish cinema and Swedish sexuality in Taxi Driver, but also discusses the short sequence from a Swedish perspective, revealing a contemporary popular Swedish misconception about it. For this purpose, the sequence as well as the subsequent Swedish interpretation of it are contextualized and considered in relation to the widespread notion of ‘Swedish sin’.

  • 20.
    Björklund, Elisabet
    Lund University.
    "This Is a Dirty Movie": Taxi Driver and "Swedish Sin"2011Ingår i: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 1, nr 2, s. 163-176Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    This article examines a well-known sequence in Martin Scorsese’s 1976 film Taxi Driver in which the main character Travis Bickle takes his date Betsy to the movies and convinces her to see a Swedish sex education film. The article analyses the representation of Swedish cinema and Swedish sexuality in Taxi Driver, but also discusses the short sequence from a Swedish perspective, revealing a contemporary popular Swedish misconception about it. For this purpose, the sequence as well as the subsequent Swedish interpretation of it are contextualized and considered in relation to the widespread notion of ‘Swedish sin’.

  • 21.
    Björklund, Elisabet
    Lund University.
    Å lære seg kjærlighetens språk: om svensk seksualopplysningsfilm på kino på 60- og 70-tallet2013Ingår i: Z filmtidsskrift, ISSN 0800-1464, E-ISSN 0807-271X, nr 2Artikel i tidskrift (Övrig (populärvetenskap, debatt, mm))
    Abstract [no]

    Den mest kjente svenske seksualopplysningsfilmen er uten tvil Ur kärlekens språk fra 1969. Zs skribent plasserer filmen og dens oppfølgere i sin samtid og ser også filmene i lys av en lengre tradisjon av svensk seksualopplysningsfilm.

  • 22.
    Björklund, Elisabet
    Lund University.
    Å lære seg kjærlighetens språk: om svensk seksualopplysningsfilm på kino på 60- og 70-tallet2013Ingår i: Z filmtidsskrift, ISSN 0800-1464, E-ISSN 0807-271X, nr 2Artikel i tidskrift (Övrig (populärvetenskap, debatt, mm))
    Abstract [no]

    Den mest kjente svenske seksualopplysningsfilmen er uten tvil Ur kärlekens språk fra 1969. Zs skribent plasserer filmen og dens oppfølgere i sin samtid og ser også filmene i lys av en lengre tradisjon av svensk seksualopplysningsfilm.

  • 23.
    Björklund, Elisabet
    et al.
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för film och litteratur (IFL).
    Brauerhoch, Annette
    Holmlund, Chris
    Editorial2015Ingår i: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 5, nr 2, s. 75-80Artikel i tidskrift (Övrigt vetenskapligt)
  • 24.
    Björklund, Elisabet
    et al.
    Linnéuniversitetet, Institutionen för film och litteratur (IFL).
    Brauerhoch, Annette
    Holmlund, Chris
    Editorial2015Ingår i: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 5, nr 2, s. 75-80Artikel i tidskrift (Övrigt vetenskapligt)
  • 25.
    Björklund, Elisabet
    et al.
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för film och litteratur (IFL).
    Brauerhoch, AnnetteHolmlund, Chris
    Journal of Scandinavian Cinema: Special Issue: Sexuality in Scandinavian Cinema2015Samlingsverk (redaktörskap) (Refereegranskat)
  • 26.
    Björklund, Elisabet
    et al.
    Linnéuniversitetet, Institutionen för film och litteratur (IFL).
    Brauerhoch, AnnetteHolmlund, Chris
    Journal of Scandinavian Cinema: Special Issue: Sexuality in Scandinavian Cinema2015Samlingsverk (redaktörskap) (Refereegranskat)
  • 27.
    Björklund, Elisabet
    et al.
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för idé- och lärdomshistoria. Linnéuniversitetet, Institutionen för film och litteratur.
    Larsson, MariahLinnéuniversitetet, Institutionen för film och litteratur.
    A Visual History of HIV/AIDS: Exploring the Face of AIDS Film Archive2019Samlingsverk (redaktörskap) (Refereegranskat)
  • 28.
    Björklund, Elisabet
    et al.
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för idé- och lärdomshistoria. Linnéuniversitetet, Institutionen för film och litteratur.
    Larsson, Mariah
    Linnéuniversitetet, Institutionen för film och litteratur.
    Introduction2019Ingår i: A Visual History of HIV/AIDS: Exploring the Face of AIDS Film Archive / [ed] Elisabet Björklund & Mariah Larsson, Abingdon & New York: Routledge, 2019, s. 1-13Kapitel i bok, del av antologi (Refereegranskat)
  • 29.
    Björklund, Elisabet
    et al.
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för film och litteratur (IFL). Uppsala University.
    Larsson, Mariah
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för film och litteratur (IFL).
    Introduction: Beyond Swedish Summers2016Ingår i: Swedish Cinema and the Sexual Revolution: Critical Essays / [ed] Elisabet Björklund, Mariah Larsson, jefferson, North Carolina: McFarland, 2016, 1, s. 1-7Kapitel i bok, del av antologi (Refereegranskat)
  • 30.
    Björklund, Elisabet
    et al.
    Linnéuniversitetet, Institutionen för film och litteratur (IFL).
    Larsson, Mariah
    Linnéuniversitetet, Institutionen för film och litteratur (IFL).
    Introduction: Beyond Swedish Summers2016Ingår i: Swedish Cinema and the Sexual Revolution: Critical Essays / [ed] Elisabet Björklund, Mariah Larsson, jefferson, North Carolina: McFarland , 2016, 1, s. 1-7Kapitel i bok, del av antologi (Refereegranskat)
  • 31.
    Björklund, Elisabet
    et al.
    Uppsala University.
    Larsson, MariahLinnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för film och litteratur (IFL).
    Swedish Cinema and the Sexual Revolution: Critical Essays2016Samlingsverk (redaktörskap) (Refereegranskat)
  • 32.
    Björklund, Elisabet
    et al.
    Linnéuniversitetet, Institutionen för film och litteratur (IFL).
    Larsson, MariahLinnéuniversitetet, Institutionen för film och litteratur (IFL).
    Swedish Cinema and the Sexual Revolution: Critical Essays2016Samlingsverk (redaktörskap) (Refereegranskat)
  • 33.
    Larsson, Mariah
    et al.
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för film och litteratur (IFL).
    Björklund, ElisabetLinnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för film och litteratur (IFL). Uppsala University.
    A Visual History of HIV/AIDS: Exploring the Face of AIDS Film Archive2018Samlingsverk (redaktörskap) (Refereegranskat)
  • 34.
    Larsson, Mariah
    et al.
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för film och litteratur (IFL).
    Björklund, Elisabet
    Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för film och litteratur (IFL).
    Introduction2018Ingår i: A Visual History of HIV/AIDS: Exploring the Face of AIDS Film Archive / [ed] Elisabet Björklund, Mariah Larsson, London & New York: Routledge, 2018, s. 1-13Kapitel i bok, del av antologi (Refereegranskat)
1 - 34 av 34
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