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  • 1.
    Amy, Worrall
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Not a Girl, Not yet a Woman.: How do I look at Girls?2018Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    I’m not a girl, not yet a woman, but I do have popular sensibilities.

    Pop music plucks ideas and symbols from where ever it pleases to create a new narrative. So do I. Reflecting on how I see women and how the gaze of others affects this. By mapping my magpie like collection of images, songs, paintings and films I tell the story of my girl gang. My ceramic sculptures are a physical manifestation of my research into different ways of looking at girls.

  • 2.
    Bengtsson, Jonas
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Den Konstnärliga skapandeprocessen.: Ett personligt perspektiv.2018Independent thesis Basic level (degree of Bachelor), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    By reflecting upon the works I make and my thoughts surrounding them I've been looking to develop my way of understanding and working with art. By looking at both creative and emotional aspects underlying the artistic process I try to understand what impact they have on both the art and the artist.

    Through my working process and by writing about my thoughts and emotions during this project I come to the conclusion that this is what can be referred to as a cathartic experience for me.

  • 3.
    Berg, Fredda
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Clonehenge:Mancave2019Independent thesis Basic level (degree of Bachelor of Fine Arts), 180 HE creditsStudent thesis
    Abstract [sv]

    Mitt examensarbete tar avstamp i hur historia och historieskrivning alltid ärspekulativ. I det skrivna arbetet har jag undersökt hur avbildningar och teorierkring förhistorisk tid ser ut, och diskuterar tendensen att fylla historiskainformationsgap med antaganden som på olika sätt speglar och förstärker samtidanormer.

  • 4.
    Bjurmar, Johan
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Hållpunkter - Landmarks: En reflektion över begreppet landskap2018Independent thesis Basic level (degree of Bachelor of Fine Arts), 180 HE creditsStudent thesis
  • 5.
    Dover, Noam
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    EMBRACING THE DIGITAL TO THE HAND MADE: Bridging digital technology with glassblowing moulds crafting methods2017Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    Abstract

    This report accompanies my Master project in the fields of ceramic and glass, the CRAFT! MA program, Konstfack. In this project I fuse my industrial design toolbox and my current engagement in open-source 3D printing technology with my ceramic and glass craft practice. The first pair brings in notions of innovation and an active approach towards technological change, while the second carry ancient craft methods and knowledge. I develop and make 3D printers for clay and use them as an experimental ceramic work method. In this research based practice I use ceramics as the material for 3D printed glassblowing moulds. This act represents a link between ceramic and glass crafts, one that was known to the ancient Roman craftsmen. 

    A view on craft and digital innovation

    Although the computer is in use for several decades now, in most crafts it is still used mainly as an assistive device and we seem not to look at it as a professional tool; as a craft tool. New methods of making are out there. We need to have two toolboxes now: Our traditional one and our new digital one. We can already CAD our concepts, control CNC machines and build 3D-printers customised to our growing new practice. We share our new knowledge on open-source platforms, teach each other through the web (and around the globe) how to apply digital techniques to our craft. We now have the opportunity to join hands with the movements of democratisation of contemporary manufacturing techniques and reinvent our practice, our tools and what new-craft could be.

  • 6.
    Dovsten, Evelina
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Every sampling is a testimony2019Independent thesis Advanced level (degree of Master (Two Years)), 80 credits / 120 HE creditsStudent thesis
    Abstract [en]

    A self portrait. With an auto ethnographic study method and my own craft; glass making I examine tacit knowledge. A portrait not only of me, but also the human in need of control. An invite to look at our society and see how the measurable is in charge and positivistic science have the leading position in knowledge production. 

    I aim for the subjective, the knowledge stored in my body which is passed on through making, in to the glass to be kept.

  • 7.
    Dovsten, Evelina
    University College of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Verktyglighet2016Independent thesis Basic level (degree of Bachelor), 180 HE creditsStudent thesis
    Abstract [sv]

    Jag har skapat ett verktyg för att kunna synliggöra mina egna tysta kunskaper. Under 120 timmar blåste jag en och samma form och sparade allt i en kronologisk ordning. Formen eller glaset blev ett verktyg genom vilket jag sedan kunde studera min kroppsliga inlärning utifrån. Jag ser mitt verk som en processberättande dagbok. Ett utsnitt av ett arbete ur vilket jag sedan kan betrakta min kroppsliga inlärning ur ett nytt perspektiv; genom glaset.

  • 8.
    Eronen, Evelina
    University College of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Kihlonniemi: minnet av en plats2016Independent thesis Basic level (degree of Bachelor of Fine Arts)Student thesis
  • 9.
    Forsberg, Elin
    University College of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Drömmar: ett glasprojekt om en sorgeprocess2016Independent thesis Basic level (degree of Bachelor of Fine Arts)Student thesis
  • 10.
    Gewalt, Sara
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Sacred and profane2018Independent thesis Basic level (degree of Bachelor), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    With employing the intuitive method as the initial approach in my bachelor work, I seek to express what I feel but can not see. In my body and in the clay. In my thoughts and in the clay. A meeting of the hand and the thought in which the subconscious and conscious build in unison.

    My bachelor work has been a searching process with clay, where I’ve allowed my memories and my states of mind to color my work.

     My hands describe an alternative world from my subconscious and conscious states.

     A world in which nothing is what it seems.

  • 11.
    Ghasemloo, Polat
    University College of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Den prekära konsthantverkaren II2016Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [sv]

    I mitt examensarbete har jag undersökt min prekära situation som konsthantverkare och hemtjänstpersonal. Arbetet innehåller reflektioner från den prekära situation det innebär att arbeta i hemtjänsten och att vara brukare. Jag belyser mina medvetna och omedvetna översättningsprocesser från hemtjänsten till mitt konsthantverkskap. Arbetsprocessen i verkstaden binds ihop med prekariatets mindre synliga delar. Identitet, tillhörighet och gemenskap.

  • 12.
    Hultqvist, Caroline
    University College of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Formad natur2016Independent thesis Basic level (degree of Bachelor of Fine Arts)Student thesis
  • 13.
    Karlsson, Ida
    University College of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Att skapa sig själv: identitet & självbild2016Independent thesis Basic level (degree of Bachelor of Fine Arts)Student thesis
  • 14.
    Krissberg, Alex
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Crafted Architecture, An Investigation into Handcrafted Glass Techniques2018Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    This paper is an investigation into the crossroads of traditional and contemporary glass craft techniques. Through innovative methods in the workshop I have set out to bring glass into the public sphere using the potential for handcraft in architecture.

  • 15.
    Kuhs, Simone
    University College of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Saker som inte finns och saker som inte har hänt (II)2017Independent thesis Basic level (degree of Bachelor of Fine Arts), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    Abstract

    Saker som inte finns och saker som inte har hänt (II)

    Things that do not exist and things that haven´t happened (II)

    It feels like I have a bulb of glass around my head. I'm in the real world but still I am not. My head is in another dimension. I can see that my body is moving but the movement feels unreal and

    disconnected. Sounds are distorted – a sound from my head lies like a layer over all the sounds

    around me. To be in the real world but not belonging, a place where sounds and movements feel

    different and strange. It´s a quiet state, a secret panic that doesn’t show itself outwards. You must

    wait, it will eventually pass.

     

    My bachelor project is about a psychological state, which I call bathroom-psychosis. It’s about being

    traumatised by sexual abuse. My work is about what happens afterwards, when the trauma is not

    present. It’s about the human mind's ability to shut off and block difficult states but its lacking ability to take care of the mind fully. It’s a silent panic, turned

    inwards – inside the own body. It´s a secret. A feeling you must suffocate. It must be hidden.

     

  • 16.
    Larsson, Jakob
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Verkstaden för potentiell keramik: Eadem Mutata Resurgo2018Independent thesis Basic level (degree of Bachelor), 180 HE creditsStudent thesis
  • 17.
    Larsson, Kristin
    University College of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Hybriderna2017Independent thesis Basic level (degree of Bachelor of Fine Arts), 20 credits / 30 HE creditsStudent thesis
    Abstract [sv]

    This essay and the work within describes my project where I have been investigating the possibilities to explore the material pewter through my craftsmanship as a glassblower. I've been trying to find new methods and expressions in my work by adding another material to my practice and questioning my own tradition as a glassblower and my perception of glass. Inspired by post humanist theories on materialism I have through a experimental approach developed a method of combining the two materials into objects or Hybrids.

  • 18.
    Levén, Kristina
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Within and Beyond: A collaboration by the Glass Craft duo BarroLevén2018Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    In this collaborative Craft Master project by Ulrika Barr and Kristina Levén, we have investigated how glass can affect an environment to create a space in between. A “Ma-space” that could offer a pause in the everyday life in relation to the public sphere. We have worked parallel with two expressions of glass in relation to a room. Rocks of Glass casted hot glass together with Foamglas and colors and Veils of Glass- fused window glass in leaded techniques. By using filming as a medium, projections brings out the inner world of the glass. Sound is another layer in the collage installation outcome.The collaboration has been from first idea and intuitive investigations in the workshop to the final installation.The material outcome is a unique expression for this Glass Craft duo called BarroLevén. The written part of the project includes both common and separate parts.

  • 19.
    Marinina, Nina
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Grey Flowers2018Independent thesis Advanced level (degree of Master (Two Years)), 80 credits / 120 HE creditsStudent thesis
    Abstract [en]

    This paper presents my master project Grey Flowers” which is an incarnation of a poetic metaphor to a ceramic flower sculpture. The project is an installation of crafted flowers as a strong symbol of a short lived moment which has now stopped for ages. This sculptural work is based on the notion of decadence of the 19th century and presents a new way which it can been interpreted.

    Ceramics, clay and firing processes are used as a methods of unpredictability and a “happy accident”. The main aim of the project is to create a feeling of abandonment by showing decaying and dying beauty. The sculptural work investigates the different aspects of the flower and its representation trying to show different approaches tothinking and working while telling about the same idea.

  • 20.
    Melgarejo Martinez, Maria Fernanda
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Craft in violent dynamics2017Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    In concrete words this master project is the exploration of violent dynamics through craft practices. Using performance as a method of creation in a collaborative project; clay as the main material, the maker’s body as the subject and sound as the space, having the possibility to transform and exchange their rolls during the creation process. The work is thought to be presented in a public space or a space which can be accessible to a wide range of people. The ephemeral characteristic of the piece lead me to use multi-media documentation and on-the-side pieces which have been crucial for this exploration.

  • 21.
    Nestor, Johanna
    University College of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Den moderna kakelugnen2016Independent thesis Basic level (degree of Bachelor of Fine Arts)Student thesis
  • 22.
    Netterberg, Ida
    University College of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Ur jord2016Independent thesis Basic level (degree of Bachelor of Fine Arts)Student thesis
  • 23.
    Nossbring, Rasmus
    University College of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    De som väntar2017Independent thesis Basic level (degree of Bachelor), 20 credits / 30 HE creditsStudent thesis
  • 24.
    Olofsson, Ammy
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Computer-human relation through glass: a part of the masters project “Growing Computers, Connecting Bodies, Cutting the Cord”2016Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    In this master project I investigate materiality, transhumanism and alternative ways of producing knowledge and new discussions in the fields of glass craft, electronics and biotechnology. I make do-it-yourself glass computers and explore the relation between body/human-machine/computer with a hacker approach.

  • 25.
    Petrone, Elsa
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Vila i mig2019Independent thesis Basic level (degree of Bachelor of Fine Arts), 20 credits / 30 HE creditsStudent thesis
  • 26.
    Pettersson, Mattias
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Dinosaurier, drakar, vapen, rymdskepp, aliens, eld, monster, farliga djur: Om att passa in i samhället eller hitta hem utanför.2019Independent thesis Basic level (degree of Bachelor of Fine Arts), 5 HE creditsStudent thesis
    Abstract [en]

    Dinosaurs, dragons, weapons, spaceships, aliens, fire, monsters, dangerous animals. Never interested me. That's why they interest me. Through intuitive sculpting, stories about my traumas, lusts and needs are formed, and about the society they exist in. I can see a tension towards the boy I never was/the man I never became, and a longing after to now approach him om my own terms. The sculptures are crooked, weak, broken, naive and weird, and in this becomes a vital space where that is allowed. The pieces are standing with the underdogs. In a movement upwards.​

  • 27.
    Polsk, Camille
    University College of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Moder Jord: Ett utforskande av terrakottakrukan, odlingslust och piedestalen2017Independent thesis Basic level (degree of Bachelor), 180 HE creditsStudent thesis
  • 28.
    Rhodiner, Petter
    University College of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Mycraft: material, görande, upplysning2016Independent thesis Basic level (degree of Bachelor of Fine Arts)Student thesis
  • 29.
    Rhodiner, Petter
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    What Happens on Earth Stays on Earth2018Independent thesis Advanced level (degree of Master (Two Years)), 5 credits / 7,5 HE creditsStudent thesis
    Abstract [en]

    In this project I look at our relationship to Nature and how it is expressed in western material culture. 

    I propose that this relationship is ambivalent and paradoxical and seek means to make this evident. 

    I look to 18th century gardens for a historical and cultural context and to Rene Descartes for an explanation as to how this ambivalence came to be. 

    This is the work of someone who thinks too much, makes cynical and wide sweeping assumptions about human behavior and has access to a workshop 7 days a week for 2 years. 

  • 30. Sandell, Richard
    et al.
    Lennon, RachaelSmith, MattUniversity of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Prejudice and Pride: LGBTQ heritage and its contemporary implications2018Collection (editor) (Other academic)
  • 31.
    Smith, Matt
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Flux: Parian Unpacked2018 (ed. 1)Book (Other (popular science, discussion, etc.))
  • 32.
    Smith, Matt
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Queering the Historic House: Destabilizing Heteronormativity in the National Trust2017In: Sexuallity and Gender at Home: Experience, Politics and Transgression / [ed] Brent Pilkey, Rachael M. Scicluna, Ben Campkin, Barbara Penner, London: Bloomsbury Academic, 2017, 1, p. 105-120Chapter in book (Refereed)
  • 33.
    Smith, Matt
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Queering the Museum2017In: The Ceramics Reader / [ed] Andrew Livingstone and Kevin Petrie, London: Bloomsbury Academic, 2017, 1, p. 363-372Chapter in book (Refereed)
  • 34.
    Smith, Matt
    et al.
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Flood, Catherine
    Victoria and Albert Museum.
    Disobedient Curating: Matt Smith speaks with Catherine Flood2017In: Art Journal of the College Art Association, ISSN 0004–3249, Vol. 76, no 3-4, p. 92-100Article in journal (Other academic)
  • 35.
    Tengå, Tove
    University College of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Calculating craft2016Independent thesis Basic level (degree of Bachelor of Fine Arts)Student thesis
  • 36.
    Vainio, Sabrina
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    PLACE TO FORGIVE2018Independent thesis Basic level (degree of Bachelor of Fine Arts), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    A text about the difficulties of letting go of worries and forgiving oneself. This is discussed through the practice of mindfulness and the ritual as an artistic process. Dedicating time and acknowledging the present generates presence, visible in the artistic objects. The method of Collage reflects this through piece by piece building stronger artwork and a stronger self.    

  • 37.
    Vinay, Miriam
    University of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Flyttnycklar2018Independent thesis Basic level (degree of Bachelor), 180 HE creditsStudent thesis
  • 38.
    Wallert, Lisa
    University College of Arts, Crafts and Design, Department of Crafts (KHV), Ceramics & Glass.
    Embodied: A bodily investigation through ceramic sculpture2016Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    Abstract

    Embodied evolves around the tactility of the present body, in relation to the eternal absence and the perishability of itself end the world that surrounds it. I work with ceramic sculpture, where the body in relation to the material and the world is both my theme and my method. The body is always present and a basic condition to experience and make objects; it is the subject, the objectand the execution in my work. The written part of my examwork is based on my process and studiowork.

1 - 38 of 38
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