Change search
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
Vlado Kristls Don Quijote
University West, Department of Economics and IT, Division of Media and Design.ORCID iD: 0000-0002-7111-9661
2011 (German)In: Maske und Kothurn, ISSN 0025-4606, E-ISSN 2305-0667, ISSN ISSN 0025-4606, no 3-4, p. 237-244Article in journal (Other academic) Published
Abstract [en]

The author studies the animated film Don Quixote (1962) by Vladimir Kristl and sees it as one of the first works of art which depicts a mechanical and dehumanized world marked by the loss of subjectivity and the violent erasure of cultural differences between people as an image of global civilization.

Place, publisher, year, edition, pages
Wien: Böhlau Verlag Ges. , 2011. no 3-4, p. 237-244
Keywords [sv]
Animation, globalisering, avantgarde
National Category
Humanities
Research subject
HUMANITIES, Cinematography
Identifiers
URN: urn:nbn:se:hv:diva-3873OAI: oai:DiVA.org:hv-3873DiVA, id: diva2:460436
Available from: 2011-11-30 Created: 2011-11-30 Last updated: 2017-12-08Bibliographically approved

Open Access in DiVA

No full text in DiVA

Search in DiVA

By author/editor
Ajanović, Midhat
By organisation
Division of Media and Design
In the same journal
Maske und Kothurn
Humanities

Search outside of DiVA

GoogleGoogle Scholar

urn-nbn

Altmetric score

urn-nbn
Total: 299 hits
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf