Three interactive scenes of The Crystal Cabinet
2011 (English)In: Body, ISSN 1470-9120, E-ISSN 1470-9120, Vol. 10, no 1, 1-13 p.Article in journal (Refereed) Published
This article focus’ on three interactive scenes from The Crystal Cabinet (2008) producing singular scenic subjects as an effect of movement-body-technology-voice-word-connections. In three video excerpts I will elaborate on how two dancers and one opera singer, in an ambiguous way control, obey, command and succumb to the expressions and rhythms of a digital voice reading texts by William Blake. The interactive performance technology was developed and used as a way to acquire new rhythms and discover new kinetic possibilities in a non-hierarchic connection of body, movement and text. Rather than regarding the elaborations of the digital voice as the final outcome of the interaction, we wanted to set up a scenic situation where the rhythms of the voice where circled back to the performers bodies and elaboration of the choreography.
Place, publisher, year, edition, pages
2011. Vol. 10, no 1, 1-13 p.
Humanities and religion - Other humanities and religion
Artistic research, choreography, perfomance, interactivity, technology, Humaniora och religionsvetenskap - Övrig humaniora och religionsvetenskap
Research subject Music Performance
IdentifiersURN: urn:nbn:se:ltu:diva-15204Local ID: eb335cc7-cf59-495b-8e3d-7bd6f37bacd1OAI: oai:DiVA.org:ltu-15204DiVA: diva2:988178
Validerad; 2011; 20110511 (asauna)2016-09-292016-09-29Bibliographically approved