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University of the Arts London, UK ; Collective CREative Dissent C.CRED ; The alt.SPACE Network of Artist Research Groups.
University of Falmouth, UK.
2010 (English)In: Deleuze and Contemporary Art / [ed] Simon O'Sullivan, Stephen Zepke, Edinburgh: Edinburgh University Press, 2010, 286-309 p.Chapter in book (Other academic)
Abstract [en]

Francesco Kulla approaches the lighthouse. Its white crystal eye marks a termination of his journey. And the other, the ruby eye, object of his devotion, was the sign that he should first depart. He has been on the road for years, perhaps decades. In any event, when he tells it, he will exaggerate. Proceeding step by step, always in the same dirt-black suit, always barefoot.² Now with a baseball cap, pilfered, its caption: ‘Can I buy you a drink or do you just want the cash?’ Soiled, his hair beneath it, the same. Without shoes but with head protected. 

Place, publisher, year, edition, pages
Edinburgh: Edinburgh University Press, 2010. 286-309 p.
Keyword [en]
Deleuze and Guattari, Creative Critical Writing, Performative Writing, Contemporary Art
National Category
Literary Composition Cultural Studies Philosophy
Research subject
Humanities, Creative writing
URN: urn:nbn:se:lnu:diva-55668ISBN: 9780748638383OAI: diva2:954134
The Outlands
Available from: 2016-08-20 Created: 2016-08-20 Last updated: 2016-09-16Bibliographically approved

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Ståhl, Ola
Literary CompositionCultural StudiesPhilosophy

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