Change search
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
Seth Siegelaub´s manifesto: A discourse analysis of The Artist’s Reserved Rights Transfer and Sale Agreement
Södertörn University, School of Culture and Education.
2015 (English)Independent thesis Advanced level (degree of Master (One Year)), 20 credits / 30 HE creditsStudent thesis
Abstract [en]

In early 1971, a year before he abandoned the art world, the American art dealer and independent curator Seth Siegelaub (1941-2013) published The Artist’s Reserved Rights Transfer and Sale Agreement (ARRTSA) in New York. Its stated aim was to change the power relations on the art market more in favor of the artists. This study departs from the observation that despite being a seemingly ideal way to assert artist’s rights, ARRTSA has only been used by a few artists. While the reason for this reluctance has not been sufficiently researched, my study also shows that there is a lack of academic work that considers this area of research in art history. In order to shed light on this field I am using Fairclough’s theory and by applying his dialectical method of Critical Discourse Analysis, I examine the discourses in which ARRTSA is included as a particular discourse and event.

The analysis of Siegelaub’s practice and position in combination with a close linguistic analysis of his introductory text highlights aspects and dimensions that have been previously occluded or under- acknowledged. The result of the analysis shows that the discourse stresses solidarity, insistence and consistency for artists and makes a moral appeal to collectors, but the text also reproduces the idiosyncratic energy and ambiguities that was surrounding his driven persona. I argue that despite all the purported benefits of ARRTSA, artists are instilled with a sense of uncertainty and risk, because it becomes apparent how informal and unregulated the art world is and how the art market-logic yields more power than the artist. Hence, the idea of pursuing artist’s rights through the use of written agreements remains largely unexplored. 

Place, publisher, year, edition, pages
2015. , 88 p.
Keyword [en]
Seth Siegelaub, The Artist’s Reserved Rights Transfer and Sale Agreement, artist’s contract, Critical Discourse Analysis, Norman Fairclough, rhetorical analysis, linguistic analysis, conceptual art, art manifesto
National Category
Art History
Identifiers
URN: urn:nbn:se:sh:diva-29975OAI: oai:DiVA.org:sh-29975DiVA: diva2:926931
Subject / course
Art History
Uppsok
Humanities, Theology
Supervisors
Available from: 2016-05-10 Created: 2016-05-10 Last updated: 2016-05-10Bibliographically approved

Open Access in DiVA

fulltext(39500 kB)268 downloads
File information
File name FULLTEXT01.pdfFile size 39500 kBChecksum SHA-512
229bcb8b87ffa87d855e56399593077de8251524bfcba2f2c2c22772a6e5acd4171587bbe7230266230c46c54d787bd3e2f1f7fce5186511cba65ad4fe7fb256
Type fulltextMimetype application/pdf

By organisation
School of Culture and Education
Art History

Search outside of DiVA

GoogleGoogle Scholar
Total: 268 downloads
The number of downloads is the sum of all downloads of full texts. It may include eg previous versions that are now no longer available

urn-nbn

Altmetric score

urn-nbn
Total: 416 hits
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf