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”More Than a Feeling”: En kvalitativ studie om hur synkronisering kan stärka en artists varumärke.
Linnaeus University, School of Business and Economics, Department of Marketing.
Linnaeus University, School of Business and Economics, Department of Marketing.
Linnaeus University, School of Business and Economics, Department of Marketing.
2016 (Swedish)Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
Abstract [sv]

Syfte

Syftet med denna uppsats är att genom en kvalitativ studie förstå hur artister och dess representanter inom den svenska musikbranschen kan stärka en artist varumärke genom synkronisering av musik, samt vilka aspekter som borde beaktas vid synkroniseringen.

Metod

Denna uppsats är genomförd med en kvalitativ metod med deduktiv ansats, med vissa inslag av induktiv ansats. Detta metodval blev en självklarthet då samtliga hade ett intresse och ambition att titta närmare på ämnet och gå in på djupet. Genom teorin och litteraturen har vi skapat oss en stabil grund med hjälp av marknadsföringsmässiga begrepp såsom varumärke och samarbeten. Vi har även använt oss av teorier som är hämtade direkt från musikbranschen gällande synkronisering.Uppsatsens empiri utgjordes utav åtta personer med inblick och stor erfarenhet i musikbranschen. Samtliga intervjuades genom semistrukturerade intervjuer.

Slutsatser

Genom vår analys och slutsats har vi kommit fram till att artister måste förhålla sig till många aspekter vid placering av deras musik i rörlig bild. Det vi kommit fram till och det vi kommer att beröra i slutsatsen är image, kongruens, estetik och att kapitalisera möjligheten. Om dessa aspekter genomförs på rätt sätt, så kan artistens varumärke bli starkare tack vare synkronisering.

Abstract [en]

The purpose of this study is through a qualitative study understand how artists and their representatives in the Swedish music industry can strengthen an artist brand by synchronizing music, and what aspects should be taken into account in the synchronization.This study is based on a qualitative research approach with a primary deductive approach, with some elements of inductive approach. These approaches of methods became obvious for us because we had an interest and desire to look more closely at the subject and going into depth. The empirical data consisted of eight people with insight and extensive experience of the swedish music industry. All the interviews were semi-structured interviews.Through our theory and literature, we have created a stability based on marketing theories, such as branding and relations. We have even used theories, which are directly collected from the music business about synchronization.Throughout our analysis and final discussion we concluded that artist must take into account many aspects of the placement of their music when synchronizing. We have referred to and discussed these aspects in the conclusions wich are; Image, congruence aesthetics and capitalize the possibility. The artists brand can become stronger, if these aspects are done right.

Place, publisher, year, edition, pages
2016. , 68 p.
Keyword [sv]
Reklammusik, Filmmusik, Rörlig bild, Reklam, Synkronisering, Artist, Upphovsman, Upphovsperson, Image, Identitet, Varumärke, Kongruens, Relationer, Musikbranschen, Sell-out, Promotion, Co-branding.
National Category
Business Administration
Identifiers
URN: urn:nbn:se:lnu:diva-51937OAI: oai:DiVA.org:lnu-51937DiVA: diva2:916967
Subject / course
Business Administration - Marketing
Educational program
Music & Event Management Programme, 180 credits
Supervisors
Examiners
Available from: 2016-04-06 Created: 2016-04-05 Last updated: 2016-04-06Bibliographically approved

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