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L'Homme sous le masque: Une étude du personnage principal dans Le Fantôme de l'Opéra
Dalarna University, School of Humanities and Media Studies, French.
2015 (French)Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
Abstract [fr]

L’objet de la présente étude est le personnage principal dans l’oeuvre Le Fantôme de l’Opéra de Gaston Leroux. Le but de cette analyse littéraire est de mettre en évidence l'ambiguïté et la complexité psychologique et morale de ce personnage.L’analyse est basée sur les théories de Vincent Jouve à propos de la perception du personnage romanesque. Le résultat de l'analyse montre que l'ambiguïté du personnage principal peut être déduite de ce que Jouve appelle le « système de la sympathie » constitué de trois codes : le code narratif, le code affectif et le code culturel.

Abstract [en]

The object of this study is the main character in the novel Le Fantôme de l’Opéra by Gaston Leroux. The purpose of this literature analysis is to highlight the ambiguity and complexity surrounding this character based on a psychological and moral point of view.The analysis is based on the theories of Vincent Jouve about the perception of a fictional character. The result of the analysis shows that the ambiguity of the main character can be deduced from what Jouve calls the "system of sympathy" consisting of three codes : the narrative code, the affective code and the cultural code.

Place, publisher, year, edition, pages
2015.
Keyword [en]
The Phantom of the Opera, Gaston Leroux, character study, Vincent Jouve, system of sympathy
Keyword [fr]
Le Fantôme de l’Opéra, Gaston Leroux, étude de personnage, Vincent Jouve, système de sympathie
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URN: urn:nbn:se:du-17982OAI: oai:DiVA.org:du-17982DiVA: diva2:822801
Available from: 2015-06-17 Created: 2015-06-17

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CiteExportLink to record
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  • apa
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