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Dans som utställningsobjekt: Upplevelser och erfarenheter av tid och rörele i Dansmuseets permanenta utställning
Södertörn University, School of Culture and Communication, Art history.
2010 (Swedish)Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
Abstract [en]

This essay concerns dance as an exhibition object by examining the permanent exhibition at The Museum of Dance in Stockholm, Dansmuseet. Due to its dependence on the temporality and movement of the lived body, dance does not easily lend itself to being exhibited in a traditional exhibition display; and since the live dance performance itself is ostensibly absent at the exhibition display, other means of representation must be relied upon in order to evoke the exhibition visitors’ experiences of time and movement as well as the feeling of dance. Starting from a phenomenological first-person perspective, as an exhibition visitor, I present three ways in which such experiences may come about. The cross-section of the experience evoked and the means that trigger them are intermedial, spatial, and performative taking their departure in the visitor’s pre-understanding of dance.

Place, publisher, year, edition, pages
2010. , 36 p.
Keyword [en]
dance, exhibition, museum, performativity, performance, Dansmuseet, Rolf de Maré
Keyword [sv]
dans, utställande, museum, performativitet, performance, Dansmuseet, Rolf de Maré
National Category
Art History
Identifiers
URN: urn:nbn:se:sh:diva-24574OAI: oai:DiVA.org:sh-24574DiVA: diva2:746072
Subject / course
Art History
Uppsok
Humanities, Theology
Supervisors
Available from: 2014-09-18 Created: 2014-09-11 Last updated: 2016-10-20Bibliographically approved

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CiteExportLink to record
Permanent link

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Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
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