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Wann gehören Partiturtexte zum 'Werkganzen' eines Opernlibrettos?
Stockholm University, Faculty of Humanities, Department of Baltic Languages, Finnish and German, German.
2012 (German)In: Editio: Internationales Jahrbuch für Editionswissenschaft, ISSN 0931-3079, E-ISSN 1865-9446, Vol. 26, no 1, 108-122 p.Article in journal (Other academic) Published
Abstract [en]

This essay deals with one of the main questions in a future Germanistic editorial theory of the opera libretto as a literary work: under which circumstances are texts contained in musical scores to be regarded parts of the genesis of the libretto and these text carriers to be seen as parts of its transmission? In this essay, it is argued that the answer to this question is dependent on the individual development process of the libretto and decided by three criteria: an author-oriented, an authorization-oriented and a stemmatic one. A preliminary classification of development processes of librettos, based upon these criteria, is sketched.

Place, publisher, year, edition, pages
2012. Vol. 26, no 1, 108-122 p.
Keyword [de]
Libretto; Editionstheorie; Oper
National Category
General Literature Studies
Research subject
German
Identifiers
URN: urn:nbn:se:su:diva-85972DOI: 10.1515/editio-2012-0009OAI: oai:DiVA.org:su-85972DiVA: diva2:585736
Projects
Operalibrettot - editionsteori, genre, intermedialitet
Funder
Swedish Research Council, 421-2010-1501
Available from: 2013-01-10 Created: 2013-01-10 Last updated: 2017-12-06Bibliographically approved

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Citation style
  • apa
  • ieee
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  • en-GB
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  • nn-NB
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