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Fahlström stannade i Stockholm: ”HÄTILA RAGULPR PÅ FÅTSKLIABEN” och diktarkonferensen i Sigtuna 1953
(Linnaeus University Centre for Intermedial and Multimodal Studies (IMS))ORCID iD: 0000-0002-2400-4124
2019 (Swedish)In: Edda. Nordisk tidsskrift for litteraturforskning, ISSN 0013-0818, E-ISSN 1500-1989, Vol. 106, no 1, p. 39-53Article in journal (Refereed) Published
Abstract [sv]

Öyvind Fahlströms berömda manifest för konkret poesi «HÄTILA RAGULPR PÅ FÅTSKLIABEN» (1954) skrevs i en reaktion på diktarkonferensen i Sigtuna den 10–12 april 1953, som blev det incitament han behövde för att skriva om ett förmodligen redan påbörjat program till ett manifest. Det svenska litterära fältet existerade helt oberoende av den transnationella avantgardeströmning han promoverar i sin estetik och konferensen utgjorde därför enbart accidens för manifestets tillkomst. En diskussion av del ett med dess förlöjligande av den bidrar därmed inte med någon kunskap om manifestets essens: dess program. Med en bättre förståelse av relationen mellan Sigtunakonferensen och Fahlströms manifest skapas en mer rättvisande bild av femtiotalet, samtidigt som man i framtida forskning kan fokusera manifestets tonvikt på processualitet och performativitet.

Abstract [en]

Öyvind Fahlström’s famous manifesto for concrete poetry «HÄTILA RAGULPR PÅ FÅTSKLIABEN» (1954) was written as a reaction to the authors conference in Sigtuna 10–12 April 1953, which was the incentive he needed to rewrite a program that had probably already been started into a manifesto. However, Fahlström’s own interests must be subsumed under a transnational avant-garde aesthetics. The Swedish literary field existed in parallel to the international avant-garde movements that he promoted and that in principle occurred independently of the Swedish field. The conference was therefore only an accidence for the advent of the manifesto, and a discussion of part one with its ridicule will contribute no knowledge about its essence: his program. With a better understanding of the relation between the Sigtuna conference and Fahlström’s manifesto, a more accurate view of the Swedish 1950s can be established, at the same time as future research can focus the essence of the manifesto: its processuality and performativity.

Place, publisher, year, edition, pages
Oslo: Universitetsforlaget, 2019. Vol. 106, no 1, p. 39-53
Keywords [en]
Öyvind Fahlström, Sigtuna Foundation, manifesto, concrete poetry, neo-avant-garde, the Fifties
Keywords [sv]
Öyvind Fahlström, Sigtunastiftelsen, manifest, konkret poesi, neoavantgarde, femtiotal
National Category
General Literature Studies
Research subject
Comparative Literature
Identifiers
URN: urn:nbn:se:lnu:diva-89586DOI: 10.18261/issn.1500-1989-2019-01-04OAI: oai:DiVA.org:lnu-89586DiVA, id: diva2:1361128
Available from: 2019-10-15 Created: 2019-10-15 Last updated: 2019-10-23Bibliographically approved

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