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The recording and sound aesthetics of tropical music in Colombia
Instituto Tecnologico Metropolitano. (ARP2017)
Number of Authors: 12019 (English)In: Proceedings of the 12th Art of Record Production Conference: Mono: Stereo: Multi / [ed] Jan-Olof Gullö, Stockholm: Royal College of Music (KMH) & Art of Record Production , 2019, p. 55-70Chapter in book (Refereed)
Abstract [en]

The record production made in Colombia during the boom of danceabletropical music between the 1960s and the 1970s had a prominenttranscendence in the historical development of the Colombian musicindustry. On the other hand, the phenomenon of tropical urban music oftoday is similar to that of more than 40 years ago, considering that the twomoments take place mostly in the city of Medellín, and are more related tosociocultural situations than to the purely musicological ones. Thus, thispaper aims to show the points of coincidence of both eras from the study oftheir record productions versus the commercial and socioculturalcircumstances of these genres

Place, publisher, year, edition, pages
Stockholm: Royal College of Music (KMH) & Art of Record Production , 2019. p. 55-70
National Category
Music
Identifiers
URN: urn:nbn:se:kmh:diva-3119ISBN: 978-91-983869-9-8 (print)OAI: oai:DiVA.org:kmh-3119DiVA, id: diva2:1320399
Available from: 2019-06-04 Created: 2019-06-04 Last updated: 2019-10-09Bibliographically approved

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CiteExportLink to record
Permanent link

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Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
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  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
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  • Other locale
More languages
Output format
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  • asciidoc
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