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Neoliberal Sounds? The Politics of Beyoncé’s Voice on “Run The World (Girls)”
Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.ORCID iD: 0000-0002-1505-4357
2016 (English)In: PopScriptum, Vol. 12Article in journal (Other academic) Published
Place, publisher, year, edition, pages
Berlin, 2016. Vol. 12
Keywords [en]
Popular Music; Voice; Gender and Sexuality; Neoliberalism; Post-Feminism
National Category
Humanities and the Arts
Research subject
Musicology
Identifiers
URN: urn:nbn:se:uu:diva-356160OAI: oai:DiVA.org:uu-356160DiVA, id: diva2:1233268
Available from: 2018-07-17 Created: 2018-07-17 Last updated: 2018-07-31Bibliographically approved

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fulltext(149 kB)39 downloads
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File name FULLTEXT01.pdfFile size 149 kBChecksum SHA-512
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Type fulltextMimetype application/pdf

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Muchitsch, Veronika
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CiteExportLink to record
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Citation style
  • apa
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