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Att brottas med musiken: En självstudie i erfarandet av dynamik utifrån ett solostycke
Karlstad University, Faculty of Arts and Social Sciences (starting 2013), Department of Artistic Studies (from 2013).
2018 (Swedish)Independent thesis Basic level (professional degree), 10 credits / 15 HE creditsStudent thesisAlternative title
To wrestle with the music : A study in dynamics experience through a solo piece (English)
Abstract [sv]

För att komma underfund med och bli medveten om min egen övning kring dynamik och dess utförande har jag utfört en studie kring detta. Syftet grundas i flera kommentarer från lärare på masterclasses och lektioner om att jag aldrig utför tillräckligt med dynamik i stycket jag framför. Mina forskningsfrågor handlar om hur jag erfar min egen instudering och gestaltning av de dynamiska skillnaderna i flöjtsolostycket Density 21.5avEdgard Varése, hur detta upplevs vid framträdande och rummets påverkan. I bakgrundskapitlet presenteras hur dynamik får ökad betydelse genom historien, hur dynamik kan utföras på tvärflöjt, tidigare forskning kring instudering av stycken och akustik samt det teoretiska perspektivet kroppsfenomenologi av Merleau-Ponty. Metodkapitlet tydliggör studiens upplägg och hur övandesituationer har dokumenterats genom loggbok samt ljud- och videoinspelning. Detta har sedan analyserats genom kroppsfenomenologins glasögon. Ett försök har även gjorts för att tydliggöra faktorer som kan förbättra min dynamikkontroll och dess erfarande. Slutligen sker en diskussion om hur kroppens vanor och aktivitet påverkar utförandet vid både övning och framträdande.

Abstract [en]

In order to find out and become aware of my own use of dynamics and the use of it in performance, I have made a study on this. The purpose is based on several comments during master classes and lessons, as I have always been told that I never express enough dynamics in the performed piece. My research is based on the experience of my own practice and the development of big dynamic contrasts in the flute piece Density 21.5 byEdgard Varése. I also explore and look at the influences of the room acoustic and the matter it has on the actual dynamic. The background research emphasizes how dynamics are gaining importance through history, how to use dynamics on the flute, previous research that has been made on the study of pieces and acoustics and also the theoretical perspective of body phenomenology by Merleau-Ponty. The method chapter clarifies the structure of the study and how practice situations have been highlighted through logbook, audio- and video recording. This has then been analyzed through detailed body phenomenology and an attempt has also been made to clarify factors that can improve my own dynamic control and its experience. Finally, there is a discussion which brings up how habits and activities of the body affect the experience in both practice and performance.  

Place, publisher, year, edition, pages
2018. , p. 27
Keywords [en]
flute solo, body phenomenology, Merleau-Ponty, dynamics, dynamic control and experience
Keywords [sv]
flöjtsolo, kroppsfenomenologi, Merleay-Ponty, utförande av dynamik, dynamikkontroll och erfarande
National Category
Music
Identifiers
URN: urn:nbn:se:kau:diva-68415OAI: oai:DiVA.org:kau-68415DiVA, id: diva2:1230683
Subject / course
Music
Educational program
Music Teacher Education Programme (300 ECTS credits)
Supervisors
Examiners
Available from: 2018-07-04 Created: 2018-07-04 Last updated: 2018-07-04Bibliographically approved

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