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Who gets to play the electronic musik?: A gender equal perspective on Lost Beach club stage in Ecuador.
Linnaeus University, Faculty of Arts and Humanities, Department of Music and Art.
2016 (English)Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
Abstract [en]

The purpose with this thesis was to, through a gender perspective, get an insight in equality between genders at the electronic music stage is in Ecuador, with the renowed club Lost Beach Club as a sample for this study. The thesis is based on an observation study made in November 2016 at three different events, marketing materials and correspondence with a producer. The result was adopted through some different approaches of feministic theory and showed that on the electronic music stage at Lost Beach Club gender equality was not presented, and no consciousness about the subject existed. Men was more represented than women but they all got the same response and respect from the audience. The women was excluded unconsciously since they did not have the same opportunities to reach the big stages as men because of the masculine norms in the field. 

Place, publisher, year, edition, pages
2016. , p. 33
National Category
Musicology Gender Studies
Identifiers
URN: urn:nbn:se:lnu:diva-62664OAI: oai:DiVA.org:lnu-62664DiVA, id: diva2:1092021
Subject / course
Musicology
Educational program
Arts and Culture Programme, 180 credits
Supervisors
Examiners
Available from: 2017-06-28 Created: 2017-04-28 Last updated: 2017-06-28Bibliographically approved

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Who gets to play the electronic music?(657 kB)28 downloads
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Type fulltextMimetype application/pdf

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CiteExportLink to record
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Citation style
  • apa
  • ieee
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  • de-DE
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Output format
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