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Autenticitet i musik: En undersökning om gränsdragningen mellan musikbranschens spelregler och den autentiska upplevelseprodukten
2012 (Swedish)Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
Abstract [en]

In this examination report we, as experience creators, have examined the concept of authenticity and how it presents itself in music, on its own and as a part of an experience product in the music business. Using a hermeneutic approach, we have chosen to interview four musicians and other key people in the music business.We do not present a clear and simple answer, though this subject is too complex to explain in just one sentence. Instead we have constructed three models that show one way of understanding authenticity. The first model is an approach to maintain authenticity in different processes. The second model shows how different actors can work closely in a team toward the same goal, named KBM-platform, which stands for Creator, Business and Management. The model shows how these three can work together. The third model analyses attitude and its influence on the music and the music business.We also discuss that authenticity is in harmony with other aspects of humanity, specifically our mind, body and feelings. It comes down to the self and self awareness as well as the processes of music creation, both internal and external.

Place, publisher, year, edition, pages
2012. , 51 p.
Keyword [en]
Social Behaviour Law
Keyword [sv]
Samhälls-, beteendevetenskap, juridik, autenticitet, upplevelseprodukt, musikbranschen
URN: urn:nbn:se:ltu:diva-54622Local ID: b8fbf3f3-cf1e-439e-ac11-767c7dea8776OAI: diva2:1028004
Subject / course
Student thesis, at least 15 credits
Educational program
Professional Experience Production, bachelor's level
Validerat; 20120327 (anonymous)Available from: 2016-10-04 Created: 2016-10-04Bibliographically approved

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Truedsson, SandraForsberg, Maria-Pia

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