Sann på scen: En deltagande undersökning av hur olika tekniker för scenisk gestaltning kan användas i ett konsertförberedande arbete
Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
The purpose of the work was to investigate and compare how two different theater-techniques can function in the preparatory work before two concerts. I chose to do two short concerts as the artistic part of the study, each with three songs. The first concert was prepared with Michael Chekhov's technique and the second one with Konstantin Stanislavski's Method.In the description of the musical and theatrical material I have explained the parts of Chekhov's and Stanislavski's techniques that I have been working wih - exercises and ways of thinking - as well as the six songs included in the study. I the process description I have outlined how I worked with the songs and what the outcome was, which exercises that turned out to work well and which didn't, and also reflected upon what the reasons for this might be.The conclusion is that one can gain a lot from working with both Chekhov and Stanislavski and that what works best is dependent on the situation and character of the song.
Place, publisher, year, edition, pages
2013. , 31 p.
Konstnärligt arbete, Scenisk gestaltning, Konserförberedelse, Stanislavskij, Tjechov
IdentifiersURN: urn:nbn:se:ltu:diva-51187Local ID: 86510513-33b2-4e37-8352-47c85864c3b9OAI: oai:DiVA.org:ltu-51187DiVA: diva2:1024550
Subject / course
Student thesis, at least 15 credits
Music, bachelor's level
Johanson, Kjell-PederUnander-Scharin, Åsa
Validerat; 20130512 (global_studentproject_submitter)2016-10-042016-10-04Bibliographically approved