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Intertextuality and Roman visual culture: A new approach to Roman ideal sculpture
Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Antikens kultur och samhällsliv.ORCID-id: 0000-0002-2412-5735
2015 (engelsk)Konferansepaper, Oral presentation only (Annet vitenskapelig)
Abstract [en]

The aim of this project is to acquire new knowledge regarding the role of ideal sculpture in the Roman world. Since the mid-19th century, such sculptures have been studied primarily as Roman copies of Greek originals, using the method of copy criticism. During the last two decades, the dominating influence of this approach has been repeatedly criticized as it does not investigate the place of such sculptures in the Roman cultural context. Yet, no alternative approach has managed to rival that of copy criticism. This project aims to formulate a new mode of studying this fascinating material, an approach that has great potential to produce new insights into the role of ideal sculptures in Roman society. Turning to the concept of intertextuality, this project also aims to introduce a theoretical and multidisciplinary element to the current debate on how to interpret Roman ideal sculpture.

sted, utgiver, år, opplag, sider
2015.
Emneord [en]
Roman sculpture; Roman visual culture;
HSV kategori
Forskningsprogram
Estetik; Antikens kultur och samhällsliv; Konstvetenskap
Identifikatorer
URN: urn:nbn:se:uu:diva-274490OAI: oai:DiVA.org:uu-274490DiVA, id: diva2:896610
Konferanse
Replicas in Roman art. Redeeming the replica? Thursday 1st and Friday 2nd October 2015. Oxford University, Classical Art Research Centtre. Lecture Theatre, Ioannou Centre for Classical and Byzantine Studies, 66 St Giles', Oxford OX1 3LU
Prosjekter
Intertextuality and Roman visual culture. A new approach to Roman ideal sculpture
Forskningsfinansiär
Riksbankens Jubileumsfond, P13-0122:1
Tilgjengelig fra: 2016-01-21 Laget: 2016-01-21 Sist oppdatert: 2016-01-21

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Replicas in Roman Art: Redeeming the Copy?

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