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Marsyas Unbound
Stockholms universitet, Humanistiska fakulteten, Institutionen för arkeologi och antikens kultur, Antikens kultur och samhällsliv.ORCID-id: 0000-0002-2412-5735
2014 (engelsk)Konferansepaper, Oral presentation only (Annet vitenskapelig)
Abstract [en]

In the presentation of the workshop "Reading emotions in ancient visual culture" the following question is posed: "Why was the agonizing sculpture of Marsyas about to be flayed so popular in the early Roman empire?" This paper will suggest an answer to this question. I wish to emphasize that there was an alternative version of the myth of Marsyas, one where he manages to escape the cruel fate that Apollo had set out for him. Instead, Marsyas settled in Italy, where his image was later to be placed in Roman fora as a symbol of liberty. I will suggest that there was a Roman tradition of depicting Marsyas "unbound" - after having escaped from Apollo and arrived in Italy. Agonizing as the depictions of the hanging Marsyas are, in a Roman context they were perhaps not necessarily seen to represent the final hours of Marsyas' life.

sted, utgiver, år, opplag, sider
2014.
HSV kategori
Forskningsprogram
antikens kultur och samhällsliv
Identifikatorer
URN: urn:nbn:se:su:diva-103130OAI: oai:DiVA.org:su-103130DiVA, id: diva2:715806
Konferanse
Reading Emotions in Ancient Visual Culture. The Semiotics of a Pre-Modern World, Swedish Institute in Rome, 16-17 April 2014
Forskningsfinansiär
Riksbankens Jubileumsfond
Tilgjengelig fra: 2014-05-06 Laget: 2014-05-06 Sist oppdatert: 2016-01-22bibliografisk kontrollert

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Reading Emotions in Ancient Visual Culture - Programme(50 kB)75 nedlastinger
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