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The Harmony of Noise: Constructing a Unified System for Representation of Pitch, Noise and Spatialization
Kungl. Musikhögskolan, Institutionen för komposition, dirigering och musikteori. Medieteknik och interaktionsdesign, MID, Media Technology and Interaction Design, MID.ORCID-id: 0000-0003-1239-6746
2017 (engelsk)Inngår i: Proceedings of the 13th International Symposium on Computer Music Multidisciplinary Research / [ed] Richard Kronland-Martinet, Sølvi Ystad, Mitsuko Aramaki, Marseille: Les éditions de PRISM , 2017, s. 550-555Konferansepaper, Publicerat paper (Fagfellevurdert) [Kunstnerisk arbeiden]
Abstract [en]

As a composer of both electroacoustic and acosutic works, I have been puzzled by the lasting discrepancy between the theoretical frameworks surrounding instrumental and electroacoustic music theory, particularly with regard to algorithmic composition. This text outlines the basic ideas for my doctoral studies, focusing on the digital representation of sound for composition, analysis and performance, both as data and graphic notation with the aim of bringing the worlds of acoustic and electronic music closer together.

sted, utgiver, år, opplag, sider
Marseille: Les éditions de PRISM , 2017. s. 550-555
Emneord [en]
Notation, Aural Sonology, Algorithmic Composition, Spatialization
HSV kategori
Identifikatorer
URN: urn:nbn:se:kmh:diva-2654OAI: oai:DiVA.org:kmh-2654DiVA, id: diva2:1183764
Konferanse
CMMR2017 13th International Symposium on Computer Music Multidisciplinary Research
Prosjekter
The Harmony of NoiseTilgjengelig fra: 2018-02-19 Laget: 2018-02-19 Sist oppdatert: 2020-12-30bibliografisk kontrollert

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