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Filming a New Earth: Ecopolitical Imagination in Cinema and Deleuze's Geophilosophy of Utopia
Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, Centrum för lärande, kultur och samhälle (CLKS), Språk, kultur och samhälle.ORCID-id: 0000-0003-2965-4457
2017 (engelsk)Inngår i: ACSIS 2017: Sessions, Panels & Abstracts, 2017, s. 7-7Konferansepaper, Oral presentation with published abstract (Annet vitenskapelig)
Abstract [en]

This paper explores the concept of utopia in Gilles Deleuze’s philosophy and its significance for cinema, placing his and Félix Guattari’s “geophilosophy” in the context of posthumanist ecocriticism. It relocates the notion of utopia from out of a paradigm of political fiction and speculations of a possible social progress, towards Deleuze & Guattari’s ideas of a geography and topology of time as conditions for creative thought. Considering the importance of the concepts of becoming and virtuality in this philosophy, a utopian image is no mere speculation or representation, but a force of creation. Deleuze’s notion that philosophers and artists share the task of resisting the present in creatively thinking “a new people” and “a new earth” can be developed to view film as a medium for re-imagining nature, creating a new set of earth-images or geosigns for future thought. 

sted, utgiver, år, opplag, sider
2017. s. 7-7
Emneord [en]
Gilles Deleuze, geophilosophy, utopianism, posthumanism, ecocinema
HSV kategori
Identifikatorer
URN: urn:nbn:se:hh:diva-34418OAI: oai:DiVA.org:hh-34418DiVA, id: diva2:1117734
Konferanse
ACSIS: Mobilizing Cultural Studies, Norrköping, Sweden, 19-21 June, 2017
Tilgjengelig fra: 2017-06-29 Laget: 2017-06-29 Sist oppdatert: 2017-07-10bibliografisk kontrollert

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