Endre søk
RefereraExporteraLink to record
Permanent link

Direct link
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Annet format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annet språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf
Disjunct Intervals within Melody: Meanings and Functions through Schenkerian and Post-Schenkerian Theories
Stockholms universitet, Humanistiska fakulteten, Institutionen för kultur och estetik.
2015 (engelsk)Inngår i: Principles of Music Composing [Muzikos komponavimo principai]: Phenomenon of Melody [Melodijos fenomenas], Vilnius: Lietuvos muzikos ir teatro akademija , 2015, s. 27-35Konferansepaper, Publicerat paper (Fagfellevurdert)
Abstract [en]

Composing melody with disjunct intervals is not only a question of taste and style, but also a question of meaning and function. Thus, disjunct intervals may play different roles within melodic structures. Theoreticians from the 20th century have given new insights to analysts, performers and composers. Among them, Heinrich Schenker elaborated a theory that concerns the melodic structure, unfolding and implication within the musical organism. Followers developed further the ideas in different directions. The paper will propose a comparative study about the disjunct interval according to Schenker, to Schenkerian teachers (from Salzer to Cadwallader) and to post-Schenkerian theorists. A systematic presentation along with analytic examples will efficiently highlight the different meanings, tools, and graphic representations. The study will thus put forward what a student or a teacher in composition may learn from this evolution and this may contribute to renew melodic approach and creativity. 

sted, utgiver, år, opplag, sider
Vilnius: Lietuvos muzikos ir teatro akademija , 2015. s. 27-35
Emneord [en]
Melody, melodic analysis, Schenker, post-Schenker, melodic fluency, goal-directed motion, polyphonic melody, gap-fill
HSV kategori
Forskningsprogram
musikvetenskap
Identifikatorer
URN: urn:nbn:se:su:diva-125098OAI: oai:DiVA.org:su-125098DiVA, id: diva2:891754
Konferanse
15th International Music Theory Conference, Principles of Music Composing: Phenomenon of Melody, Vilnius, Lithuania, October 14-16, 2015
Prosjekter
A Syncretic Method to Renew Music Analysis
Forskningsfinansiär
Swedish Research Council, 2013-955Tilgjengelig fra: 2016-01-07 Laget: 2016-01-07 Sist oppdatert: 2017-04-22bibliografisk kontrollert

Open Access i DiVA

fulltext(1172 kB)149 nedlastinger
Filinformasjon
Fil FULLTEXT01.pdfFilstørrelse 1172 kBChecksum SHA-512
72ae5514f0346c2981229bc92b9f3b706921a4b9a8cd3c25a44957dab7611850b19c93a0acd798f644261f72fddb6f9db7ccbe73c3fd8d22ecb6e9228bbe2cc3
Type fulltextMimetype application/pdf

Søk i DiVA

Av forfatter/redaktør
Bardoux Lovén, Cécile
Av organisasjonen

Søk utenfor DiVA

GoogleGoogle Scholar
Totalt: 149 nedlastinger
Antall nedlastinger er summen av alle nedlastinger av alle fulltekster. Det kan for eksempel være tidligere versjoner som er ikke lenger tilgjengelige

urn-nbn

Altmetric

urn-nbn
Totalt: 270 treff
RefereraExporteraLink to record
Permanent link

Direct link
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Annet format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annet språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf